steely dan ?– aja label: abc records ?– UK 2008, 180 GRAM LP , SHRINK VG++
  $   30

 


$ 30 Sold For
Jul 2, 2021 Sold Date
Jun 26, 2021 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

  PHOTOS TAKE PRECEDENT OVER ALL DESCRIPTIONS AND CONDITION IS EVERYTHING.  OUR  ALBUMS ARE GRADED TO YOUR BENEFIT NOT OURS! SHIPPING CAN BE COMBINED FOR $1 EACH ADDITIONAL ALBUM (WITHIN A 5 DAY PERIOD).   PLEASE TAKE A LOOK AT SOME OF MY OTHER RARE OR HARD TO FIND ALBUMS IN REMARKABLE CONDITION.    UNFORTUNATELY WE ARE UNABLE TO ISSUE PARTIAL REFUNDS (ONLY FULL)  SO PLEASE DO NOT ASK.   THANK YOU FOR YOUR PATRONAGE.

Steely Dan ?– Aja

Label: ABC Records ?– 0076732168813 Series: Back To Black – Format: Vinyl, LP, Album, Reissue, Remastered, Gatefold, 180g
Country: UK & Europe Released: 22 Oct 2008 Genre: Jazz, Rock, Pop Style: Pop Rock, Fusion

Tracklist

A1 Black Cow Backing Vocals – Clydie King, Rebecca Louis, Sherlie Matthews, Venetta FieldsBass – Chuck RaineyClavinet – Joe SampleDrums – Paul HumphreyElectric Piano – Victor FeldmanGuitar – Larry CarltonSynthesizer – Donald FagenTenor Saxophone – Tom Scott 5:07 A2 Aja Backing Vocals – Donald Fagen, Tim Schmit*Bass – Chuck RaineyDrums – Steve GaddElectric Piano – Joe SampleGuitar – Denny Dias, Larry Carlton, Walter BeckerPercussion – Victor FeldmanPiano – Michael OmartianSynthesizer, Whistle [Police] – Donald FagenTenor Saxophone – Wayne Shorter 7:56 A3 Deacon Blues Backing Vocals – Clydie King, Sherlie Matthews, Venetta FieldsBass – Walter BeckerDrums – Bernard PurdieElectric Piano – Victor FeldmanGuitar – Larry Carlton, Lee RitenourSynthesizer – Donald FagenTenor Saxophone – Pete Christlieb 7:26 B1 Peg Backing Vocals – Michael McDonald, Paul GriffinBass – Chuck RaineyClavinet – Don GrolnickDrums – Rick MarottaElectric Piano – Paul GriffinGuitar – Steve KhanLyricon – Tom ScottPercussion – Gary Coleman, Victor FeldmanSoloist [Guitar] – Jay Graydon 3:58 B2 Home At Last Backing Vocals – Donnald Fagen*, Tim Schmit*Bass – Chuck RaineyDrums – Bernard PurdieGuitar – Larry CarltonPiano, Vibraphone [Vibes] – Victor FeldmanSoloist [Guitar] – Walter BeckerSynthesizer – Donald Fagen 5:31 B3 I Got The News Backing Vocals – Clydie King, Michael McDonald, Rebecca Louis, Sherlie Matthews, Venetta FieldsBass – Chuck RaineyDrums – Ed Greene (2)Guitar – Dean ParksPiano, Vibraphone [Vibes], Percussion – Victor FeldmanSoloist [Guitar] – Larry Carlton, Walter BeckerSynthesizer – Donald Fagen 5:03 B4 Josie Backing Vocals – Donald Fagen, Tim Schmit*Bass – Chuck RaineyDrums – Jim KeltnerElectric Piano – Victor FeldmanGuitar – Dean Parks, Larry CarltonPercussion – Jim KeltnerSoloist [Guitar] – Walter BeckerSynthesizer – Donald Fagen 4:30

Companies, etc.

  • Phonographic Copyright (p) – ABC Records, Inc.
  • Copyright (c) – ABC Records, Inc.
  • Pressed By – Record Industry – 82469
  • Published By – ABC/Dunhill Music, Inc.
  • Recorded At – The Village Recorder
  • Recorded At – Producers Workshop
  • Recorded At – Warner Bros. Recording Studios
  • Recorded At – ABC Recording Studios
  • Recorded At – Sound Labs, Hollywood
  • Recorded At – A&R Studios
  • Mastered At – A&M Studios
  • Lacquer Cut At – masterpiece
  • Record Company – Universal Music Group International

Credits

  • Arranged By [Horns], Conductor [Horns] – Tom Scott
  • Art Direction – OZ Studios
  • Coordinator [Production] – Barbara Miller (2)
  • Design – Geoff Westen, Patricia Mitsui
  • Engineer – Al Schmitt, Bill Schnee, Elliot Scheiner, Roger Nichols
  • Engineer [Assistant] – Ed Rack, Joe Bellamy, Ken Klinger, Lenise Bent, Linda Tyler, Ron Pangaliman
  • Engineer [Executive] – Roger Nichols
  • Lacquer Cut By – Greg Moore (4)
  • Lead Vocals – Donald Fagen
  • Liner Notes – Michael Phalen, Steve Diener
  • Mastered By – Bernie Grundman
  • Photography By [Cover] – Hideki Fujii
  • Photography By [Inside] – Dorothy A. White*, Walter Becker
  • Producer – Gary Katz
        *Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.   *Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
*Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
 *Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.   Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.


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