YES – The Yes Album RARER Orig UK 71 Atlantic Plum N/M

	£		115
	$		152

ONEADAYRECORDS – Delivering Quality Music to the World

Please see my Detailed Packing Description Further Down & All Shipping Costs and Options – NOTE: I now apply the Ebay ‘4-day’ rule for non-payment.

Artist or Band: YES

Album Title: The Yes Album.

Producer(s): Yes and Eddy Offord.

TRACK LIST:

Side 1: Yours Is No Disgrace; The Clap; Starship Trooper: 1. Life Seeker, 2. Disillusion, 3. Würm.

Side 2: I’ve Seen All Good People: 1. Your Move, 2. All Good People; A Venture; Perpetual Change.

Label/Format: Atlantic – original red and maroon (‘Plum’) format (Please see my label scan).

Label Conditions: Two highly attractive examples that are very clean, fresh and attractive. Spindle marks are light to light+ with both playing surfaces immaculate with pristine sound. This very early issue is something a little special and came from a small collection of beautifully looked after, and modestly played records.

Cat Number: 2400101.

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 121 grams. Around average for this one.

Country of Manufacture: England.

Rarity: Moderately scarce: but try finding one in much better condition than this. The cover is usually seen tired, rubbed, ringworn and shabby. This comes close to reminding of new and I have seen few better. The record has been played a small few times with the utmost care. Both playing surfaces are little short of immaculate and the sound is reference standard. Even scrutinised under bright light, just one ultra fine surface trace and truly, apart from the evidence of the spindle marks, this astonishing record could almost pass for new.

Original Year of Release: 1971.

Matrix Nos: 2400101 A // 1 1 1 1 2 6 & 2400101 B // 1 1 1 1 2 3

Musicians: Jon Anderson – vocals; Steve Howe – Electric and acoustic guitars, Vachalia, vocals; Chris Squire – Bass guitar, vocals; Tony Kaye – Piano, organ, Moog synthesiser; Bill Bruford – Drums, percussion. Guest: Colin Goldring – Recorders.

Brief Info: The band’s third album and the one that got them really noticed. A highly popular album within the progressive rock genre and it justifiably sold well. Hence finding Plum copies is far from impossible but conditions are always a major factor. Highly gifted musicians and complex music does not tolerate old worn stylus abuse and this includes some very quiet passages. A pre-Rick Wakeman album, the keys were taken by Tony Kaye, who subsequently left before the ‘Fragile’ classic. This record plays beautifully and looks practically as clean and fresh as when made over 40-years-ago. The cover is remarkable also, one of the best I have seen bar none. Both the inner sleeve and matrix numbers confirm this is early. For fans of classic progressive rock and even the Yes connoisseur, a better copy is unlikely to be found.

Cover Grade and Format: MINT(-): I feel sure, without checking my old archive files, this would be the first time I have been able to grade this difficult, wear-prone cover this highly. An unlaminated gatefold format with matt smooth finish and original 2400101 number. Printed and made in England by MacNeill Press and marketed by Polydor. Includes original inner dated coded 9/71 (seen in close-up). This museum-quality example simply takes you back to those record shop racks of the early 70s.

Cover Front: WOW!, at last a really superb looking front and few will even get close to it. Massively prone to rubbing and sticker damage, this has avoided any of that with not even a single mark or rub trace to report. Just a couple of ultra faint minor surface creases off full Mint – and look hard to even see them. The richness of the colour and the incredible freshness is a front to hold and admire, not hide away awaiting a better one, this a lifetime ‘keeper’.

Cover Back: The back is practically the same, any marks are tiny – a mere trace on bottom left of the film guide hole – again, look hard. The lack of ringwear is significant on this and few ever avoid it. Ther is not even the remotest trace and even avoiding any record rim impression or mark at all. Both front and back are supremely fresh and clean and show little traces of handling to the sensitive dark matt surfaces. Without any doubt, cover protected for many years, I doubt if this has been handled or even seen daylight for decades. This is pure connoissseur territory.

Cover Inner Gatefold: Both faces are in superb condition and have nothing to fault.

Top Edges: Both as unworn as they ever will get and dead straight, no tip-ins of any kind evident at all, the same goes for the whole cover. Any rub traces up to the corner tip are microscopic.

Bottom Edges: As above, this too on the storage edges – simply fantastic.

Right Edge(s), and Type: Clean, mostly very sharp with minimal traces of wear, both guaranteed untrimmed. Very slight burr traces near the bottom viewed end-on, this being somewhat critical.Record enters on the back edge.

Spine and Text: This vulnerable spine is exceptional: solid, straight with no compression and folded square. A hint of very slight tilt to right being mega-critical. All edges meet up practically dead flush and parallel, this always makes the cover look so much neater and I deem is important enough to mention. All text is perfect and unworn as can be seen on my picture. Few of these will be seen better.

Corners: Any tip rubs are tiny and faint, the spine pair almost as new. Excellent to near mint shape retained with NO tipping-in (something I always look closely for, if I suspect this has happened, I will always mention).

Cover Summary: An example that sets the bar very high indeed, a fantastic all-round example of this very wear-prone early 70’s cover, one that will prove immensely difficult to find better – if anyone claims to have a better one than this, I sure would like to see it. This beautiful item should please most-all collectors and is simply a joy to view and hold.

The Inner Sleeve: MINT(-): little to fault on this date-coded Polydor style polylined inner. The date code is seen in close-up as 9/71. Any age discolour is minimal indeed and the seams that all remain intact with no repairs. Both windows are neat and mainly crisp and the lining solid and very clear with barely any creasing which is the same for the entire inner. Few of the Polydor-style inners ever age this well.

Vinyl Condition/Visual Grading: MINT(-): and this being ultra critical. A fantastic visual copy that is super clean, shiny, intense black and solidly pressed. A copy played only lightly and with the utmost care as both playing surfaces look superb. This on a popular progressive giant of an album now over forty. Any surface traces are minuscule, one ultra faint trace only but little else. These and similar albums from this era that have clearly been played little, often suffer inner bag rash where the polymer reacts with the record’s surface. This one has avoided it totally but some are not quite as lucky. Not only does this look great, it sounds the same and even the most discerning sound purists who cherish all the brilliance of the audio quality of this’Plum’ issue.

Album Played For Grading: Yes – and what a pleasure it was to do so. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

Sound Quality and Audio Grading: This gorgeous record plays up to, and arguably even exceeds it’s very high visual grading with nothing to fault. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is of audiophile standard with a wide dynamic range and very detailed sound. A high fidelity recording from a band, even in the early days, who cared about quality with complex music from way above average rock musicians. The incredible detail and clarity has to be heard. So cleanly pressed and devoid of surface sounds, pops or clicks, this can be enjoyed on the high-end systems I know some of my regulars own. Few copies will even match, let alone surpass this pressing I feel sure. All the intricate sounds, vocals and instruments fully focused and sharp, this is a dream-piece of a copy that will never need upgrading. Just listen to the acoustic guitar solo ‘The Clap’, every chord change can be heard with precision and clarity. Truly a journey into the recording studio with mastertape audio quality. A reference standard original record, few could ask for more. All evidence reitterate a very carefully played record that came from a top quality collection, clearly well stored in a non-smoking environment. Nothing whatsoever spoilt my immense pleasure when play-grading this wonderful piece. The rare tingle factor was achieved several times on this one, only the cleanest, best recordings ever allow it. This record will prove immesely difficult to find better and again, merits my highest possible recommendation. Do no underestimate how difficult this one is to find in such lovely all-round condition.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with QED Silver terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand based on over 7,000+ items sold in nearly 10 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffeners cannot be bent by hand, so what chance 3 or 4 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). I will not respond to questions on shipping costs as all the details are included here and on ALL of my adverts. Details below:

NOTE: First Time Bidders: Please as me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of FOUR days if no payment is received. I will then cancel the dispute to end the, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site and they take the Ebay consequences (a strike or removal from the system). Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£46 maximum]) = £10. (Royal Mail insurance is an optional extra £3). Add £3 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£46 maximum]) = £14. Add £4 per extra LP. (Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.