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Whitney Houston ?– Whitney

Label: Arista ?– AL-8405 Format: Vinyl, LP, Album
Country: US Released: 1987 Genre: Electronic, Funk / Soul, Pop Style: Soul, Synth-pop, Ballad, Disco

Tracklist

A1 I Wanna Dance With Somebody (Who Loves Me) Backing Vocals – Jennifer Hall (13), Jim Gilstrap, Kevin Dorsey, Kitty Beethoven, Myrna Matthews, Whitney HoustonDrums – Narada*Drums [Simmons] – Greg "Gigi" Gonaway*Guitar [Synth] – Corrado RusticiProgrammed By [Percussion] – Preston GlassSaxophone [Alto] – Marc RussoSynthesizer – Walter "Baby Love" Afanasieff*Synthesizer [Bass Synth] – Randy Jackson (2)Synthesizer [Synth Horns] – Sterling*Written-By – George Merrill, Shannon Rubicam 4:50 A2 Just The Lonely Talking Again Arranged By [Strings], Conductor [Strings] – Michael GibbsBacking Vocals – Jennifer Hall (13), Jim Gilstrap, Kitty Beethoven, Nikki Harris*Bass [Electric] – Randy Jackson (2)Drums [Brushes On The Kit Of Life] – Narada*Guitar [Synth] – Corrado RusticiSaxophone [Tenor] – Kenny G (2)Synthesizer, Vibraphone [Dx7 Vibes] – Frank MartinWritten-By – Sam Dees 5:30 A3 Love Will Save The Day Arranged By, Synthesizer – Jack WaldmanArranged By, Written-By – Toni C.Backing Vocals – Whitney HoustonEngineer – Doc DoughertyEngineer [Additional] – Dennis McKay*Engineer [Assistant] – Craig Vogel, Don Peterkofsky, Fernando Kral, Jay Healy, Mark Roule, Nick Delre, Paul Pesce (2), Tim Reppert, Toni Greene, Tony MaseratiEngineer, Engineer [Mix] – Michael HutchinsonGuitar – Paul Jackson, Jr.*Other [Production Coordinator] – Doreen DorionPercussion – Bashiri Johnson, Paulinho Da Costa, Sammy FigueroaProducer, Drum Programming – Jellybean*Synthesizer – Fred ZarrTom Tom [Simmons Toms] – Linden AaronVibraphone [Vibes] – Roy Ayers 5:20 A4 Didn't We Almost Have It All Arranged By [Rhythm] – Lee HoldridgeArranged By [Strings], Electric Piano [Rhodes], Piano [Acoustic] – Robbie BuchananBass – Nathan EastDrums – John Robinson (2)Engineer – Dean Burt, Fred Law, Jim Boyer, Michael DeLugg, Mike Mancini*Engineer [Assistant] – Fernando Kral, Tony MaseratiEngineer, Engineer [Mix] – Russ Terrano*Guitar – Paul Jackson*Other [Production Coordinator] – Alicia WinfieldProducer, Written-By – Michael MasserWritten-By – Will Jennings 5:05 A5 So Emotional Backing Vocals – Whitney HoustonDrums – Narada*Guitar [Synth] – Corrado RusticiKeyboards, Synthesizer [Bass] – Walter "Baby Love" Afanasieff*Programmed By [Percussion], Sampler [Drum Sampling] – Bongo Bob*Written-By – Billy Steinberg, Tom Kelly 4:33 B1 Where You Are Arranged By [Horns, Strings] – Gene PageBacking Vocals – Whitney HoustonBass – Marcus MillerDrums – Paul LeimEngineer [Additional] – Calvin Harris (2), Russ Terrano*Engineer [Assistant] – Amy Ziffer, Bob Loftus, Dennis Mitchell, John Dranchak, Larry Smith, Mike Ross*, Mike Dotson*, Milton Chan, Steve Macmillian*Engineer, Engineer [Mix] – Darroll GustamachioGuitar – Dan Huff*, Ira Siegel, Paul PescoKeyboards, Synthesizer – Ralph Schukett*Mastered By – George MarinoOther [Production Coordinator] – Russell SidelskyProducer, Arranged By [Rhythm], Backing Vocals, Keyboards, Programmed By, Synthesizer – KashifSaxophone [Solo] – Vincent HenryWritten-By – Dyan Humes, James Calabrese, LeMel Humes 5:29 B2 Love Is A Contact Sport Acoustic Guitar [Takamine] – Shambhu Neil VinebergArranged By [Horns], Horns – Jerry HeyBacking Vocals – Claytoven Richardson, Jennifer Hall (13), Jim Gilstrap, Kitty Beethoven, Nikki Harris*Bass [Electric] – Randy Jackson (2)Congas – Paul Rekow*Drums – Narada*Drums [Simmons], Tambourine – Greg "Gigi" Gonaway*Guitar [Synth] – Corrado RusticiHorns – Marc Russo, Premik Russell Tubbs*, Wayne WallaceProgrammed By [Percussion] – Bongo Bob*Saxophone [Tenor] – Kenny G (2)Synthesizer [Dx7, Prophet 2002, Oberheim, Matrix 12] – Walter "Baby Love" Afanasieff*Synthesizer [Oberheim Expander] – Cory LeriosWritten-By, Keyboards, Programmed By [Percussion], Synthesizer [Synth Strings] – Preston Glass 4:16 B3 You're Still My Man Arranged By [Rhythm, Strings] – Gene PageBass – Nathan EastDrums – John Robinson (2)Electric Piano [Rhodes] – Robbie BuchananEngineer – Dean Burt, Fred Law, Jim Boyer, Michael DeLugg, Mike Mancini*Engineer [Assistant] – Fernando Kral, Tony MaseratiEngineer, Engineer [Mix] – Russ Terrano*Guitar – Paul Jackson*Other [Production Coordinator] – Alicia WinfieldPiano [Acoustic] – Randy KerberProducer, Written-By – Michael MasserSynthesizer – Michael BoddickerWritten-By – Gerry Goffin 4:10 B4 For The Love Of You Backing Vocals – Whitney HoustonCongas – Paul Rekow*Drum Programming – Narada*Programmed By [Linn, Roland 808] – Preston GlassSaxophone [Alto Sax Lyricon] – Kenny G (2)Saxophone [Alto] – Kenny G (2)Synthesizer [Dx7, Oberheim, Matrix 12, Birds] – Frank MartinSynthesizer [Moog Synth] – Randy Jackson (2)Written-By – C. Jasper*, M. Isley*, O. Isley*, R. Isley*, R Isley* 4:12 B5 Where Do Broken Hearts Go Arranged By [Strings], Conductor [Strings] – Michael GibbsBacking Vocals – Jennifer Hall (13), Jim Gilstrap, Kitty Beethoven, Nikki Harris*Bells, Programmed By [Synthesizer] – Preston GlassDrums – Narada*Drums [Simmons] – Greg "Gigi" Gonaway*Guitar [Synth] – Corrado RusticiPiano, Synthesizer – Frank MartinSynthesizer [Bass Synth] – Randy Jackson (2)Written-By – Chuck Jackson (2), Frank Wildhorn 4:37 B6 I Know Him So Well Arranged By [Strings], Conductor [Strings] – Michael GibbsBass [Electric] – Randy Jackson (2)Drums [Acoustic] – Narada*Guitar [Synth] – Corrado RusticiSynthesizer – Cory LeriosSynthesizer [Dx7] – Preston GlassSynthesizer [Kurzweil, Dx7, Super Jupiter] – Walter "Baby Love" Afanasieff*Vocals [Duet With] – Cissy HoustonWritten-By – Benny Andersson, Bjorn Ulvaues*, Tim Rice 4:26

Companies, etc.

• Manufactured By – Arista Records, Inc.
• Phonographic Copyright (p) – Arista Records, Inc.
• Copyright (c) – Arista Records, Inc.
• Mastered At – Sterling Sound

Credits

• Arranged By [Vocals] – Whitney Houston
• Engineer [Additional Assistant] – Bill "Sweet William" Miranda*, Noah Baron, Paul "Goatee" Hamingson*, Rob Beaton, Ross Williams, Stuart Hirotsu
• Engineer [Additional] – Jay Rifkin, Ken Kessie, Lincoln Clapp, Maureen Droney
• Engineer [Additional], Engineer [Additional Assistant] – Gordon Lyon
• Engineer [Assistant] – Dana Jon Chappelle
• Executive Producer – Clive Davis
• Producer, Arranged By – Narada Michael Walden
• Recorded By, Mixed By – David Fraser*

1.  *Mint [M]: FACTORY SEALED In like condition 2.   *Near Mint [NM or M-]: A nearly perfect record. Open with most shrink wrap attached. The record shows no obvious sign of wear.        An LP jacket has no creases, folds, seam splits or any other noticeable similar defect.  3.  *Excellent (EX)  - Might have a hard to see blemish, tiny hairline, perhaps played once basically looks almost new. with or without shrink-wrap.  4.  *Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces          may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that        do not affect the sound are OK.       The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture          sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also        and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. 5.   *Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in        soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light            scratches deep enough to feel with a fingernail) that will affect the sound.       Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However,        it will not have all of these problems at the same time, only two or three of them.  6.  Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through                without skipping. But it will have significant surface noise and scratches and visible groove wear.