Weezer "Everything will be Alright in the End" LP 180 Gram/Gatefold NM/NM

$

50

Weezer "Everything will be Alright in the End" LP 180 Gram/Gatefold
NM/NM.

You are buying a firstpress album Weezer "Everything will be Alright in the End".  2014 release.  

Includes original sleeve.

DESCRIPTION

First Press

CONDITION

 Vinyl: NM

Cover: NM

Sleeve/Inners: original

Tracklist

Hide Credits A1 Ain't Got Nobody Written-By – Rivers Cuomo Written-By – Rivers Cuomo 3:21 A2 Back To The Shack Written-By – Jacob Hindlin, Rivers Cuomo Written-By – Jacob Hindlin, Rivers Cuomo 3:05 A3 Eulogy For A Rock Band Keyboards [Prophet Keyboard], Piano – Daniel Brummel Written-By – Daniel Brummel, Rivers Cuomo Keyboards [Prophet Keyboard], Piano – Daniel Brummel Written-By – Daniel Brummel, Rivers Cuomo 3:25 A4 Lonely Girl Written-By – Josh Alexander, Rivers Cuomo Written-By – Josh Alexander, Rivers Cuomo 2:50 A5 I've Had It Up To Here Written-By – Justin Hawkins, Rivers Cuomo Written-By – Justin Hawkins, Rivers Cuomo 2:49 A6 The British Are Coming Written-By – Rivers Cuomo Written-By – Rivers Cuomo 4:08 B1 Da Vinci Written-By – Josh Alexander, Rivers Cuomo Written-By – Josh Alexander, Rivers Cuomo 4:06 B2 Go Away Arranged By [Additional Guitar Arrangements] – Bobb Bruno Vocals [Additional Vocals] – Bethany Cosentino Written-By – Bethany Cosentino, Rivers Cuomo Arranged By [Additional Guitar Arrangements] – Bobb Bruno Vocals [Additional Vocals] – Bethany Cosentino Written-By – Bethany Cosentino, Rivers Cuomo 3:14 B3 Cleopatra Written-By – Rivers Cuomo Written-By – Rivers Cuomo 3:12 B4 Foolish Father Choir [Weezer Choir] – Ariel Barber, Kelsey Worley, Kyoko Cuomo, W.A.W. Parker, Zach Kanner, Zach Puchtel Guitar – Patrick Stickles Written-By – Patrick Stickles, Rivers Cuomo Choir [Weezer Choir] – Ariel Barber, Kelsey Worley, Kyoko Cuomo, W.A.W. Parker, Zach Kanner, Zach Puchtel Guitar – Patrick Stickles Written-By – Patrick Stickles, Rivers Cuomo 4:32 The Futurescope Trilogy Written-By – Rivers Cuomo Written-By – Rivers Cuomo (7:34) B5a I. The Wasteland B5b II. Anonymous B5c III. Return To Ithaka

Companies, etc.

• Phonographic Copyright ? – Republic Records
• Copyright © – Republic Records
• Record Company – UMG Recordings, Inc.
• Distributed By – Universal Music Distribution
• Recorded At – The Village
• Mixed At – South Beach Studios
• Mastered At – Sterling Sound
• Published By – E.O. Smith Music
• Published By – BMG Rights Management (US) LLC
• Published By – J. Kasher Music
• Published By – Prescription Songs
• Published By – Sony/ATV Tunes LLC
• Published By – Kevinthecity Publishing
• Published By – Oldowan Industry Music
• Published By – Benair Churchill
• Published By – Yo Ryenku
• Published By – Blue Mailbox Music
• Published By – Kobalt Music Publishing America Inc.
• Published By – Plãm Plãm GMBH
• Published By – Kobalt Music Group Limited
• Published By – EMI Foray Music
• Published By – Bratty BC, LLC
• Published By – Copyright Control
• Lacquer Cut at – Sterling Sound
• Pressed By – United Record Pressing

Credits

• A&R – Maureen Kenny
• Art Direction – Scott Kinsey (2)
• Artwork [Scribe] – Simon Vozick-Levinson
• Band [Weezer] – Brian Bell, Pat Wilson, Rivers Cuomo, Scott Shriner
• Booking [International, At] – ITB
• Booking [International] – Rod MacSween
• Booking [North America, At] – WME
• Booking [North America] – Kirk Sommer
• Engineer [Assistant Engineer At South Beach] – Eddie Rendini*
• Engineer [Assistant Engineers] – Alex Williams (9), Chris Owens (2), Vanessa Wormer
• Lacquer Cut By – RJ*
• Legal – David Lande, Irina Volodarsky
• Management – Daniel Field
• Management [At] – Boom*
• Management [Business Management, At] – Provident Financial Management
• Management [Business Management] – Bill Vuylsteke, Shelley Venemann
• Mastered By – Ted Jensen
• Mixed By – Tom Lord-Alge
• Other [All Rights Administered By] – Jon Sidel
• Other [Assistant] – Sarah C. Kim
• Other [Boom] – Heather Foster & Brian Gallino
• Other [Regulator] – Karl Koch
• Painting [Booklet Painting] – Johannes Gamble
• Painting [Cover Painting] – Chris McMahon (4)
• Photography By [Booklet Photography] – Brian Gallino, Diego Torroija, Richard Downie
• Producer – Ric Ocasek
• Producer [Additional Production], Engineer [Additional Engineering] – Shawn Everett
• Public Relations [Publicity (U.K.)] – Anna Mears, Inside/Out
• Public Relations [Publicity (U.S.)] – Jen Appel (2), Press Here
• Recorded By – Samuel Bell*
• Technician [Studio Techs] – Doug Forsdick, Rem Massingill, Richie Mazzetta*
• Typography [Font By] – Denise Bentulan

Notes

Pressed on 180 gram black vinyl and packaged in a gatefold sleeve. Includes printed insert and download card for entire release in MP3 format.
Hype sticker: "Album of the year" NPR MUSIC. Pressed ON 180 GRAM VINYL.

? & © 2014 Republic Records, a Division of UMG Recordings, Inc., 1755 Broadway, New York, NY 10019.

Recorded at The Village, Los Angeles, 2014
Mixed at South Beach Studios, Miami, July 2014
Mastered [...] at Sterling Sound, NYC

All songs written by Rivers Cuomo, published by E.O. Smith Music (BMI), all rights administered by Jon Sidel, BMG Rights Management (US) LLC except:
#2 (A2) - written by Rivers Cuomo & Jacob Hindlin, J. Kasher Music/Prescription Songs/Sony/ATV Tunes LLC/Kevinthecity Publishing (ASCAP);
#3 (A3) - written by Rivers Cuomo, Daniel Brunnel, published by Oldowan Industry Music (ASCAP), administered by Benair Churchill, Ryen Slegr, published by Yo Ryenku (ASCAP);
#4 & #7 (A4 & B1) - written by Rivers Cuomo and Josh Alexander, published by Blue Mailbox Music (ASCAP) administered by Kobalt Music Publishing America, Inc.;
#5 (A5) - written by Rivers Cuomo & Justin Hawkins, published by Plãm Plãm GMBH (ASCAP) administered by Kobalt music Group Ltd.;
#8 (B2) - written by Rovers Cuomo and Bethany Cosentino, published by EMI Foray Music/Bratty BC (SESAC);
#10 (B4) - written by Rivers Cuomo and Patrick Stickles, published by Copyright Control (BMI).

Barcode and Other Identifiers

• Barcode (Printed): 6 02537 99077 1
• Barcode (Scanned): 602537990771
• Matrix / Runout (Side A, Variant 1): B0021621-01A RJ STERLING ?
• Matrix / Runout (Side A, Variant 2): B0021621-01A3 RJ STERLING ?
• Matrix / Runout (Side B, Variant 1): B0021621-01B2 RJ STERLING ?
• Matrix / Runout (Side B, Variant 2): B0021621-01B3 RJ STERLING ?

IMPORTANT TO KNOW

 

- EVERY record has beenULTRASONICALLY cleaned,and inserted into a NEW outer sleeve. The LP is insertedinto a NEW innersleeve, and the original sleeve is retained. In short, the itemis as clean asit will ever be, and is well-protected. The exception to thisprocess, ofcourse, are sealed LP's.

- Records are packedprofessionally, andsecurely.

- I package, ship anddrop-off vinyl purchaseswithin 48 hours of purchase. I will message you viaebay messages with thetracking number.

- Please note that theremay be incidental dust,shadows or glares on the vinyl from the lighting beingused in the pictures.

- Please see the actualpictures in this listing. Please inspect them carefully and ask questions ifyou have condition-related concerns.

SHIPPING

 

Sent via USPS (UnitedStates Postal Service)Media Mail, unless otherwise requested.  Buyer willbe responsible for thedifference in shipping costs should anotherservice/service level be requested.

 

POLICIES/FEEDBACK

 

Please Feel Free toEmail me With Any Questionsor Concerns You Might Have.

 

My goal is ALWAYS toensure that you'resatisfied with your purchase, and you'll buy from me again.

 

I grade conservatively,as it helps to avoidissues later.

 

Please leave feedback,and I will return thefavor for you.

ADDITIONAL INFORMATIONON GRADING SYSTEM USED(Please read!)

 

GRADING SYSTEM (modified Goldmine-the only difference isformalizing theExcellent (EX)/VG++grade).

 

MINT (M)

These are absolutelyperfect in every way. Oftenrumored but rarely seen, Mint should never be usedas a grade unless more thanone person agrees that the record or sleeve truly isin this condition. Thereis no set percentage of the Near Mint value these canbring; it is bestnegotiated between buyer and seller.

 

NEAR MINT (NM OR M-)

 

A good description of aNM record is “it lookslike it just came from a retail store and it was openedfor the first time.” Inother words, it’s nearly perfect. Many dealers won’t usea grade higher thanthis, implying (perhaps correctly) that no record or sleeveis ever trulyperfect.

 

NM records are shiny,with no visible defects.Writing, stickers or other markings cannot appear onthe label, nor can any“spindle marks” from someone trying to blindly put therecord on the turntable.Major factory defects also must be absent; a record andlabel obviously pressedoff center is not Near Mint. If played, it will do sowith no surface noise.(NM records don’t have to be “never played”; a recordused on an excellentturntable can remain NM after many plays if the disc isproperly cared for.)

 

NM covers are free ofcreases, ring wear andseam splits of any kind.

 

NOTE: These are highstandards, and they are noton a sliding scale. A record or sleeve from the1950s must meet the samestandards as one from the 1990s or 2000s to be NearMint! It’s estimated thatno more than 2 to 4 percent of all records remainingfrom the 1950s and 1960sare truly Near Mint. This is why they fetch such highprices, even for morecommon items.

 

Don’t assume yourrecords are Near Mint. Theymust meet these standards to qualify!

 

Excellent (EX or VG++)

 

A halfway point betweena NM record and a VG+record.

 

A Record may have veryslight scuffs, but only afew small ones. Cover may have a few smallimperfections, but NO splits orwriting.

(IMO, the ONLY flaw withthe goldmine system isnot having this mid grade as an option. It DOES mentionthis grade, but forsome inexplicable reason it doesn't give it its own grade(see next grade).

 

VERY GOOD PLUS (VG+)

 

A good description of aVG+ record is “exceptfor a couple minor things, this would be Near Mint.” Mostcollectors,especially those who want to play their records, will be happy witha VG+record, especially if it toward the high end of the grade (sometimescalledVG++ or E+).

 

VG+ records may showsome slight signs of wear,including light scuffs or very light scratches thatdo not affect the listeningexperience. Slight warps that do not affect thesound are OK. Minor signs ofhandling are OK, too, such as telltale marks aroundthe center hole, butrepeated playing has not misshapen the hole. There may besome very light ringwear or discoloration, but it should be barely noticeable.

 

VG+ covers should haveonly minor wear. A VG+cover might have some very minor seam wear or a split(less than one inch long)at the bottom, the most vulnerable location. Also, aVG+ cover may have somedefacing, such as a cut-out marking. Covers with cut-outmarkings can never beconsidered Near Mint.

 

Very Good (VG)

 

Many of theimperfections found on a VG+ recordare more obvious on a VG record. That said,VG records — which usually sell forno more than 25 percent of a NM record — areamong the biggest bargains inrecord collecting, because most of the “big money”goes for more perfectcopies. For many listeners, a VG record or sleeve will beworth the money.

 

VG records have moreobvious flaws than theircounterparts in better shape. They lack most of theoriginal gloss found onfactory-fresh records. Groove wear is evident on sight,as are light scratchesdeep enough to feel with a fingernail. When played, a VGrecord has surfacenoise, and some scratches may be audible, especially in softpassages andduring a song’s intro and ending. But the noise will not overpowerthe musicotherwise.

 

Minor writing, tape or asticker can detractfrom the label. Many collectors who have jukeboxes will useVG records in themand not think twice. They remain a fine listening experience,just not the sameas if it were in better shape.

 

VG covers will have manysigns of humanhandling. Ring wear in the middle or along the edges of the coverwhere theedge of a record would reside, is obvious, though not overwhelming.Some morecreases might be visible. Seam splitting will be more obvious; it mayappear onall three sides, though it won’t be obvious upon looking. Someonemight havewritten or it or stamped a price tag on it, too.

 

Good (G),

Good Plus (G+)

or Very Good Minus (VG–)

 

These records go for 10to 15 percent of theNear Mint value, if you are lucky.

 

Good does not mean bad!The record still playsthrough without skipping, so it can serve as filler untilsomething bettercomes along. But it has significant surface noise and groovewear, and thelabel is worn, with significant ring wear, heavy writing, or obviousdamagecaused by someone trying to remove tape or stickers and failingmiserably. AGood to VG– cover has ring wear to the point of distraction, hasseam splitsobvious on sight and may have even heavier writing, such as, forexample, hugeradio station letters written across the front to deter theft.

 

If the item is common,it’s probably better topass it up. But if you’ve been seeking it for a longtime, get it cheap andlook to upgrade.

 

POOR (P)

and Fair (F)

 

Poor (P) and Fair (F)records go for 0 to 5percent of the Near Mint value, if they go at all. Morelikely, they end upgoing in the trash. 

 

Records are cracked,impossibly warped, or skipand/or repeat when an attempt is made to play them.Covers are so heavilydamaged that you almost want to cry.

 

Only the mostoutrageously rare items ever sellfor more than a few cents in this condition —again, if they sell at all.