WILL DAVIS HAVE MOOD WILL CALL SUE LP 1011 RARE JAZZ LP CHEESECAKE COVER
$
100
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Description
lansinguzmm Store
PLEASE READ THE ITEM DESCRIPTION CAREFULLY BEFORE BIDDING/PURCHASING (BUYER RESPONSIBLE FOR FOLLOWING/READING THE DESCRIPTION ACCURATELY)
COVER: VG++
VINYL: VG
RECORDS/CD’s ARE VISUALLY GRADED AND DO MY BEST TO GRADE THEM ACCURATELY. IF THERE IS A PROBLEM, PLEASE CONTACT ME.
RECORDS SHIPPED IN A CORRUGATED MAILER. CD’S SHIPPED IN A BUBBLE MAILER. CD JEWEL CASES MAY GET CRACKED DURING SHIPPING, NO WHINING, THEY ARE EASILY REPLACED.
US & territories & APO addresses
single CD * single LP * $3.00 1st/$1.50 ea.add. $4.00 1st/$1.75 ea.add.
Canada
single CD * single LP * $8.00 1st/$2.00 ea.add. $12.00 1st/$3 ea.add.
Europe, S. America, MidEastern countries, S. Africa, Asia, Japan, Austrailia, New Zealand (some countries may require an additional registered delivery charge)
single CD * single LP * $12.00 1st/$4 ea. add. $19.00 1st/$7 ea. add.
Mexico
single CD * single LP * $8.00 1st/$2 ea. add. $13.00 1st/$5 ea. add.
RECORD GRADING:
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT (NM) ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS (VG++ or EX) The record or cover that all but the most particular collector would say looks outstanding.
VERY GOOD PLUS (VG+)---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable for most collectors.
VERY GOOD (VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG-) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork. Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.
KEY:
WOL --- Writing on label
WOJ --- Writing on jacket
WLP --- White label promo
GPS or GSP --- Gold promo stamp
PH---Punch Hole
EW--- Edgewear
SS---Seam Split
RW---Ringwear
CO---Cut Out
SHRINK --- Partial Shrink Wrap
GATEFOLD---Gatefold Cover
PLEASE NOTE THE PICTURE BELOW (IN THE ITEM DESCRIPTION) IS NOT THE ACTUAL ITEM BUT FOR INFORMATIONAL PURPOSES ONLY. THE RECORD/CD INFORMATION (CATALOG #, YEAR, TRACKS AND ANY OTHER PERTINENT INFORMATION) THOUGH IS CORRECT.
FOR RECORDS. THE ACTUAL PICTURE CAN BE FOUND IN THE PICTURE SECTION (NOT BELOW). IF THERE IS NO PICTURE, THERE WILL BE ONE SHORTLY AFTER THE ITEM IS POSTED. I SUGGEST YOU WAIT FOR THE PICTURE(S) OF THE ITEM BEFORE BIDDING/PURCHASING.
IF IT IS A CD, THE PICTURE IN THE PICTURE SECTION IS NOT THE ITEM, BUT THE STOCK PHOTO UNLESS NOTED. THE CATALOG NUMBER/TRACKS/YEAR ETC CAN BE FOUND IN THE PRODUCT DETAILS ABOVE IN THE EBAY DESCRIPTION OR IF EBAY DOESN’T SUPPLY THAT INFORMATION IT CAN BE FOUND BELOW:
SUE RECORDS
LP 1011
1959
Pianist Will Davis was eventually obscured in the shuffle of similar-sounding jazzmen, in name as well as in style. His single album as a leader came out in 1959, a trio session entitled Have Mood, Will Call on the Sue label, a firm whose name sounds more like brash legal advice than a record company. This album, combined with Davis' work on the bebop scene since the '40s, earned him a spot in Leonard Feather's Encyclopedia of Jazz in the '60s. But by a few decades later, even jazz buffs probably thought Will Davis was an encyclopedia entry on organist Wild Bill Davis missing a handful of letters.
Davis was raised in Chicago; his father was a clarinetist. The young man studied music initially with a private teacher in Virginia, then entered the Detroit Conservatory. He began gigging with bandleaders such as Snookum Russell and Paul Bascomb, becoming associated with new jazz directions through performances and recordings with trumpeter Howard McGhee. During the second half of the '40s, Davis was part of a scene of Detroit jazz players including important vibraphonist Milt Jackson, brilliant tenor saxophonist Wardell Gray, and perilously choppy saxophonist Sonny Stitt. Davis' own trio backed out-of-town stars such as Lester Young, Charlie Parker, and Miles Davis, the latter no family relation. While some of his associates were known for dazzling complexity, pianist Davis apparently never missed a chance to insert a funky touch.
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