WHEN HARRY MET SALLY LP Meg Ryan Harry Connick Jr Rob Reiner Film Soundtrack OST

	£		22
	$		29

Here I have for sale the Dutch import of the soundtrack to the classic 1989 Rob Reiner romantic comedy ’When Harry Met Sally’ featuring music performed by Harry Connick, Jr. The movie starred Meg Ryan and Billy Crystal.

It may be harder to find this great jazz soundtrack album in finer condition elsewhere on eBay!

Harry Connick, Jr. ?– Music From The Motion Picture "When Harry Met Sally..." (1989)

Condition (refer also to notes at bottom):
Vinyl – EX. Both sides look superbly clean on visual inspection. No obvious signs of wear or scratches. Played just pre-listing and sound clarity is superb. Owned since bought new 25 years ago. Only played a few times since and stored responsibly.
Outer sleeve (cover) – VG-EX. Front is superbly clean on visiual inspection. Corners are lightly nicked and scuffed with some slight tinting. Very light edge wear. Spine is pinched with a few creases but is clean. A few creases in from edges and odd minor dent. Aperture is clean and entirely unworn. Minor disc showthrough impression is evident. On reverse there are a few very light marks and the odd crease but very good overall.
Inner sleeve – EX. Original. White paper with plastic lining and rounded corners. Minor crimping but clean and intact.

Label: CBS ?– 465753 1
Format: Vinyl, LP, Album, Import
Country: Netherlands
Released: 1989
Genre: Jazz, Pop, Stage & Screen, Vocal, Soundtrack
Style: Big Band, Contemporary Jazz, Easy Listening


Tracklist
A1. It Had To Be You (With Big Band And Vocals) (Written by G. Kahn, I. Jones). 2:39
A2. Our Love Is Here To Stay (Acoustic Guitar – Jay Berliner; Saxophone [Tenor] – Frank Wess; Written by G. Gershwin-I. Gershwin). 4:12
A3. Stompin' At The Savoy (Written by B. Goodman, C. Webb, E. Sampson). 4:13
A4. But Not For Me (Written by G. Gershwin-I. Gershwin). 4:32
A5. Winter Wonderland (Written by D. Smith, F. Bernard). 3:02

B1. Don't Get Around Much Anymore (Acoustic Guitar – Jay Berliner; Written by B. Russell, D. Ellington). 4:22
B2. Autumn In New York (Written by V. Duke). 2:48
B3. I Could Write A Book (Written by L. Hart-R. Rodgers). 2:28
B4. Let's Call The Whole Thing Off (Written by G. Gershwin-I. Gershwin). 4:12
B5. It Had To Be You (Instrumental Trio) (Written by G. Kahn, I. Jones). 1:43
B6. Where Or When (Written by L. Hart-R. Rodgers). 3:52

European pressing manufactured in The Netherlands.

Recorded at RCA Studio B in New York City on June 6,12 & 19, 1989.
Mixed and edited at CBS Studios by Marc Shaiman & Harry Connick,Jr.
(C)1989 CBS Records Inc.

Barcode: 5 099746 575311
Matrix / Runout (Side 1): 01-465753-20-1A-1
Matrix / Runout (Side 2): 01-465753-20-1B-1


––––––––––––––––


Postage and packaging FREE to UK.

Will post worldwide.
Europe (Royal Mail International Standard) – £7.
Europe (Royal Mail International Tracked and Signed) – £12
N and S America, USA, Canada (Royal Mail International Standard) – £9.50
Asia, Australia, Japan (Royal Mail International Standard) – £11.50

Sorry but no returns are accepted.

Payment by cheque (UK only) or Paypal please.

Please see my other soundtrack listings.

Thanks for looking and happy eBaying!



ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.