WEEN Chocolate And Cheese 2xLP NEW SEALED 180 GRAM VINYL REISSUE PLAIN-141
$
25
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Description
ARTIST: Ween
TITLE: Chocolate And Cheese
FORMAT: 2xLP (180 Gram)
LABEL: Plain
CATALOG #: PLAIN-141
RECORD CONDITION: NEW
JACKET CONDITION: NEW
DESCRIPTION: Ween's fourth album, originally released in 1994, is perhaps their finest moment, a brilliant mix of twisted humor and pure pop genius. Each song is a spot-on take on a different genre with their silliness being the uniting element!
"A brilliant fusion of pop and gonzo humor, 1994's Chocolate and Cheese is arguably Ween's finest moment. Building on Pure Guava's more focused approach, the album proved for once and all that along with their twisted sense of humor and wide musical vocabulary, Dean and Gene are also impressive songwriters. Over the course of Chocolate and Cheese, Ween explore virtually every permutation of pop, rock, soul, and funk, from the opening song "Take Me Away"'s rootsy rock to "Roses Are Free"'s homage to Prince's shiny Paisley Park era. On the dreamy, British psych-inspired "What Deaner Was Talking About," the Afro-Caribbean funk of "Voodoo Lady," and "Freedom of '76," their funny, sexy tribute to '70s Philly soul, Ween don't so much parody these styles as reinvent them. Old-school Ween weirdness surfaces on "Candi" (the shouting in the background was recorded from the trunk of Dean Ween's car) and the crazed stomp of "I Can't Put My Finger on It." "Buenas Tardes Amigo," an epic, spaghetti Western-inspired tale of murder and revenge, and "Baby Bitch," a wry but stinging retort to an ex-girlfriend, show how good Ween are at taking silly things seriously and serious things lightly. That's exactly what makes Chocolate and Cheese such a fun, exciting album." - Heather Phares & allmusic.com
"Ween was the ultimate cosmic goof of the alternative rock era, a prodigiously talented and deliriously odd duo whose work traveled far beyond the constraints of parody and novelty into the heart of surrealist ecstasy. Despite a mastery for seemingly every mutation of the musical spectrum, the group refused to play it straight; in essence, Ween was bratty deconstructionists, kicking dirt on the pop world around them with demented glee. Along with the occasional frat-boy lapses into misogyny, racism, and homophobia, the band's razor-sharp satire cut to the inherently silly heart of rock & roll with hilariously acute savagery; fueled by psilocybin mushrooms and an all-consuming craving for hot meals, Ween created their own self-contained universe, a parallel dimension where the only sacred cow was their own demon god, the Boognish." - Jason Ankeny & allmusic.com
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