WARNE MARSH w/PAUL CHAMBERS PHILLY JOE RARE ORIG'57 ATLANTIC MONO LP BLACK LABEL
$
73
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WE CURRENTLY HAVE ALMOST 1100 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· WARNE MARSH with PHILLY JOE JONES AND PAUL MOTIAN – THE SAME- TITLED ORIGINAL 1958 ALBUM (“WARNE MARSH”) – ORIGINAL 1958 ATLANTIC MONO LP 1291
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK ATLANTIC MONO LABEL WITH SILVER PRINT.
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Along with Lee Konitz, Warne Marsh was the most successful "pupil" of Lennie Tristano and, unlike Konitz, Marsh spent most of his career exploring chordal improvisation the Tristano way. The cool-toned tenor played with Hoagy Carmichael's Teenagers during 1944-1945 and then after the Army, he was with Buddy Rich (1948) before working with Lennie Tristano (1949-1952). His recordings with Tristano and Konitz still sound remarkable today with unisons that make the two horns sound like one. Marsh had occasional reunions with Konitz and Tristano through the years, spent periods outside of music, and stayed true to his musical goals. He moved to Los Angeles in 1966 and worked with Supersax during 1972-1977, also filling in time teaching. Marsh, who collapsed and died on stage at the legendary Donte's club in 1987 while playing "Out of Nowhere," is now considered legendary. He recorded as a leader for Xanadu, Imperial, Kapp, Mode (reissued on V.S.O.P.), Atlantic, Wave, Storyville, Revelation, Interplay, Criss Cross, and Hot Club.
(EXCERPT FROM AN ONLINE BIO OF WARNE MARSH BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
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THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light yellowish stains, probably from exposure to humidity (covering total area of about 4 square inches) (VISIBLE ON BACK SIDE ONLY) .
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some yellowing on back side, apparently from aging.
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (VISIBLE ON BACK SIDE ONLY)
- Minor shelf wear noted on the bottom seam and the opening side (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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