Vinyl Lp record MOBY GRAPE RARE COVER & LIKE NEW POSTER COLUMBIA CL 2698 MONO
$
77
$ 77
Sold For
May 16, 2016
Sold Date
Mar 4, 2016
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
Sold at
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Description
Vinyl Lp record
MOBY GRAPE
COLUMBIA CL 2698 - MONAURAL
_________________________________
- Cover: VG
- Inner sleeve: VG
- BIG POSTER: LIKE NEW, NEVER BEEN OPENED.
- OTHER E-BAY SELLERS WHO HAVE EVEN HIGHER START PRICES DO NOT INCLUDE THE POSTER.
- This Lp is the definition of collectible.
- Did your parents (or grandparents) celebrate the California Summer of Love (1967)? Well, this is the album they were listening to while trippin' on strong acid or smoking really weak weed.
- Ships the same day that you pay.
- Since 1997, over 8,800 e-Bay transactions.
- 100% feedback rating.
- Bid with confidence.
From Allmusic.com:
- Moby Grape's career was a long, sad series of minor disasters, in which nearly anything that could have gone wrong did (poor handling by their record company, a variety of legal problems, a truly regrettable deal with their manager, creative and personal differences among the bandmembers, and the tragic breakdown of guitarist and songwriter Skip Spence), but their self-titled debut album was their one moment of unqualified triumph. Moby Grape is one of the finest (perhaps the finest) album to come out of the San Francisco psychedelic scene, brimming with great songs and fresh ideas while blessedly avoiding the pitfalls that pockmarked the work of their contemporaries -- no long, unfocused jams, no self-indulgent philosophy, and no attempts to sonically re-create the sound of an acid trip. Instead, Moby Grape built their sound around the brilliantly interwoven guitar work of Jerry Miller, Peter Lewis, and Skip Spence, and the clear, bright harmonies of all five members (drummer Don Stevenson and bassist Bob Mosely sang just as well as they held down the backbeat). As songwriters, Moby Grape blended straight-ahead rock & roll, smart pop, blues, country, and folk accents into a flavorful brew that was all their own, with a clever melodic sense that reflected the lysergic energy surrounding them without drowning in it. And producer David Rubinson got it all on tape in a manner that captured the band's infectious energy and soaring melodies with uncluttered clarity, while subtly exploring the possibilities of the stereo mixing process. "Omaha," "Fall on You," "Hey Grandma," and "8:05" sound like obvious hits (and might have been if Columbia hadn't released them as singles all at once), but the truth is there isn't a dud track to be found here, and time has been extremely kind to this record. Moby Grape is as refreshing today as it was upon first release, and if fate prevented the group from making a follow-up that was as consistently strong, for one brief shining moment Moby Grape proved to the world they were one of America's great bands. While history remembers the Grateful Dead and Jefferson Airplane as being more important, the truth is neither group ever made an album quite this good.
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