VERY RARE 1958 (MICKIE) MOST BROTHERS 78 DOTTIE / DON'T GO HOME DECCA F 11040 E+

	£		30
	$		40

A REALLY EXCELLENT COPY OF THIS RARE 1958 UK 78 FROM MICKIE MOST AND ALEX MURRAY PERFORMING AS "THE MOST BROTHERS"

DON'T GO HOME

b/w   DOTTIE

 Michael Hayes aka Mickie Most was born on the 20th June 1938 in Aldershot, England. He formed his first band at the age of seventeen, and called it Mickie Hayes and the Most. Later Mickie and Alex Murray founded the duo The Most Brothers. They landed a recording contract with Decca and toured extensively with artists like Marty Wilde, Cliff Richard and Eddie Calvert. The Most Brothers also went on tour with Cliff Richard and the Drifters, The Kalin Twins and others in early October 1958. They never did chart in the UK but Mickie moved to South Africa in 1960 where his new band Mickie Most and the Playboys went on to have 11 consecutive number ones!!

When he came back to the UK he formed RAK records producing hit after hit after hit during the 1970s with artists such as Suzi Quatro, Mud and Hot Chocolate.

Alex Wharton (born 1939), later also known as Alex Murray, was part of the singing duo Most Brothers with Mickie Most, and later, co-manager and producer of the band, .

The Most Brothers worked in the famous the 2i's Coffee Bar in London's Soho. They toured the UK with early rock'n'rollers Marty Wilde, Colin Hicks (younger brother of Tommy Steele), the Tony Crombie Big Band, Cliff Richard, the Kalin Twins, and Wee Willie Harris. In 1957 they recorded on the Decca label with "Whistle Bait" and "Takes a Whole Lotta Loving to Keep My Baby Happy" before disbanding the act in 1958.

In 1959 Wharton adopted the name Murray and moved into an acting career with the Theatre Workshop company in Stratford, East London, under the direction of the theatre director Joan Littlewood. He appeared in the first production of Fings Ain't Wot They Used T'Be before transferring to London's West End theatre, Wyndam's, as understudy to Alfred Lynch in the title role of The Hostage. He played a small role in the Arnold Wesker one-act play Last Day In Dreamland at the Lyric Hammersmith, and interspersed acting in minor film roles (Never Let Go - 1960), TV parts and commercials with solo record releases on Decca.

He wrote songs with Tony Crombie before working in 1961 as A&R man at Decca Records, the youngest in the country, at 20, in the post. His first production, "Love is Like A Violin" sung by Ken Dodd, went to #8 in the UK Singles Chart. It was followed by hits with Mark Wynter; plus Rhet Stoller's "Chariot", which reached #26 in the UK. Wharton gave much needed work to jazz musicians, at a time when they were out of fashion and struggling to find work, by producing a pioneering stereophonic album, Sweet Wide and Blue, with Stan Tracy (Piano), Victor Feldman (vibes), Lenny Bush (bass), Tony Crombie (drums) and others. He also recorded albums and singles with Mantovani, Winifred Atwell, and several other Decca labelmates before leaving Decca, disillusioned, and finally outraged when he was not allowed to produce "Portrait of My Love" with Matt Monroe due to 'office politics'. The song was thereafter released by Parlophone and peaked at #3 in the UK chart. He returned to acting and travelled to South Africa to visit Mickie Most who he helped and encouraged to produce his own records, and taught to handle a mixing desk in the studios there.

Wharton went on to discover and manage the Moody Blues, and produced their single "Go Now". He promoted it with a music video, produced and directed by him, and filmed on 35mm at the Marquee Club, scoring a #1 UK single and a #10 US hit in early 1965. He produced another chart hit in 1970 with "Friends" by Arrival which peaked at #8 in the UK Top Ten charts. He left the music industry in 1971. In 1973, Wharton moved to Wales.

DISC DETAILS

UK DECCA F 11040  10" 78 RPM SHELLAC  1958

THE MOST BROTHERS

A SIDE:- DON'T GO HOME

B SIDE:  DOTTIE

CONDITION -  EX+

A RARE HISTORIC BRITISH 1958 POP ROCK 78 IN EXCELLENT CONDITION

DON'T MISS IT - BUY NOW!

POSTAGE STUFF

10" 78 RPM RECORDS NEED CAREFULLY PACKING, AND I CLAIM TO HAVE THE BEST PACKAGING IN THE WORLD FOR DISPATCHING THEM!

THE GREG'S GREAT'S SYSTEM CONSISTS OF A SPECIALLY DESIGNED INNER BOX MADE OUT OF 1" THICK POLYSTYRENE, WHICH THEN GOES INSIDE A DOUBLE CORRUGATED STIFF OUTER CARDBOARD CARTON. THE BOXES CAN TAKE UP TO 21 RECORDS

I SEND OUT ON AVERAGE ABOUT 30 PARCELS A WEEK AND DISPATCH IS NORMALLY DONE ONCE A WEEK