VARIOUS ARTISTS - FOLLOW ME DOWN VANGUARD'S LOST PSYCHEDELIC ERA 2LP NEW SEALED
£
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Description
VARIOUS ARTISTS
'Follow Me Down - Vanguard's Lost Psychedelic Era 1966-1970'
Released 2011
2 x LP
Gatefold sleeve
The Third Power - Getting Together
Erik - You Said / But I've Got My Way
Listening - Stoned Is
The 31st Of February - A Nickel's Worth Of Benny's Help
Elizabeth - You Should Be More Careful
Jeff Monn - I Can Understand Your Problem
Listening - See You Again
Circus Maximus - Travelin' Around
The Frost - Take My Hand
Notes From The Underground - Where I'm At
The Vagrants - I Can't Make A Friend
Serpent Power - The Endless Tunnel
The Family Of Apostolic - Saigon Girls
The Third Power - Persecution
Notes From The Underground - Why Did You Put Me On
The Hi-Five - Did You Have To Rub It In?
The Far Cry - Hellhound
The Frost - Big Time Spender
Vanguard is primarily known as a folk and blues label, which makes the 2014 release of Ace's compilation Follow Me Down: Vanguard's Lost Psychedelic Era 1966-1970 so noteworthy. Like so many labels and musicians of the time, Vanguard expanded their horizons in the late '60s, taking a cue from the success of their act Country Joe & the Fish to sign a bunch of weird, woolly guitar acts that specialized in winding, elliptical jams loosely rooted in folk. Elsewhere, there were bands specializing in fuzz-drenched stomps and frenzied journeys to the center of their minds, but the groups Vanguard signed -- or at least the ones showcased on this 18-track collection of album cuts and forgotten singles -- never followed a straight path and favored pulsating liquefied grooves. Sometimes these ever-circulating patterns are a shade too solipsistic -- the Serpent Power's 13-minute "The Endless Tunnel" does seem like it will never end -- but that indulgence not only is the charm of this collection, it also results in several wonderfully elastic and ridiculous moments that capture all the odd, misshapen glory of the psychedelic era. A key thing to keep in mind with regard to Follow Me Down is that many of these acts -- acts that aren't strictly from the West Coast, either; the Third Power hailed from the Detroit suburb of Farmington Hills and the Frost were from the Motor City proper, Elizabeth were from Philadelphia, Third Bardo leader Jeff Monn was from New York City -- were more about sound than song. This emphasis on aural tides means the sculpted songs do stand out -- whether it's the frenzied "Travelin' Around" from Circus Maximus or the distorto-hippie blues of Far Cry's "Hellhound" or Monn's "I Can Understand Your Problem," which almost seems like a bid for AM radio in this context -- but the best way to enjoy Follow Me Down is just to follow the compilation blindly: the point isn't the destination, it's the journey.
This double LP is brand new and sealed.
If you have any questions, please don't hesitate to get in touch.
Thanks for looking.
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