VAN DER GRAAF GENERATOR w/ROBERT FRIPP PAWN HEARTS RARE '71 UK CHARISMA LABEL NM
  $   59

 


$ 59 Sold For
Dec 11, 2017 Sold Date
Dec 4, 2017 Start Date
$   15 Start price
11   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

 

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·       VAN DER GRAAF GENERATOR featuring ROBERT FRIPP OF KING CRIMSON – PAWN HEARTS. – RARE BRITISH PRESSING  - 1971 CHARISMA RECORDS (UK) STEREO LP CAS-1051

 

·       GENUINE U.K. PRESSING

 

·       VERY EARLY PRESSING CIRCA 1973 ON PINK CHARISMA LABEL WITH THE "MAD HATTER" MOTIF

 

·       THIS IS NOT A FOR-EXPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL GATEFOLD COVER

 

·       CLEAN, WEAR-FREE LABELS

 

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and  10 being the thickest), we assess the thickness of the vinyl as 7.

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-2/1 AND -1/1'.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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Van Der Graaf Generator's third album, Pawn Hearts was also its second most popular; at one time this record was a major King Crimson cult item due to the presence of Robert Fripp on guitar, but Pawn Hearts has more to offer than that. The opening track, "Lemmings," calls to mind early Gentle Giant, with its eerie vocal passages (including harmonies) set up against extended sax, keyboard, and guitar-driven instrumental passages, and also with its weird keyboard and percussion interlude, though this band is also much more contemporary in its focus than Gentle Giant. Peter Hammill vocalizes in a more traditional way on "Man-Erg," against shimmering organ swells and Guy Evans' very expressive drumming, before the song goes off on a tangent by way of David Jackson's saxes and some really weird time signatures -- plus some very pretty acoustic and electric guitar work by Hammill himself and Fripp. The monumental "Plague of Lighthouse Keepers," taking up an entire side of the LP, shows the same kind of innovation that characterized Crimson's first two albums, but without the discipline and restraint needed to make the music manageable. The punning titles of the individual sections of this piece (which may have been done for the same reason that Crimson gave those little subtitles to its early extended tracks, to protect the full royalties for the composer) only add to the confusion. As for the piece itself, it features enough virtuoso posturing by everyone (especially drummer Guy Evans) to fill an Emerson, Lake & Palmer album of the same era, with a little more subtlety and some time wasted between the interludes. The 23-minute conceptual work could easily have been trimmed to, say, 18 or 19 minutes without any major sacrifices, which doesn't mean that what's here is bad, just not as concise as it might've been. But the almost operatic intensity of the singing and the overall performance also carries you past the stretches that don't absolutely need to be here. The band was trying for something midway between King Crimson and Genesis, and came out closer to the former, at least instrumentally. Hammill's vocals are impassioned and involving, almost like an acting performance, similar to Peter Gabriel's singing with Genesis, but the lack of any obviously cohesive ideas in the lyrics makes this more obscure and obtuse than any Genesis release.

 

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

For additional historical information on this album, including track listing ►CLICK HERE

 

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·       CONDITION:

 

·       THE RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)            The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

 

(c)           The record comes in the original poly-lined “Made in Great Britain” stock inner sleeve.

 

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       THE COVER

 

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

 

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

 

-         Cover has a few tiny wrinkles along the spine

 

-         Visible shelf wear noted on the seams

 

-         Cover has a light "wrinkle" (crease)  in one of the corners.

 

-         Cover has all four corners slightly worn (nothing significant)

 

-         Cover has a minor  wrinkle (crease) in the cardboard base on the back panel

 

-         The cover has a few tiny scratch marks on the back side (nothing significant)

 

 

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

 

 

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POSTAGE & SHIPPING:

 

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WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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