UNCLE DOG Old Hat RARE ORIG UK 1972 SIGNPOST EX+ LP. Inc VOCALIST CAROL GRIMES.

	£		87
	$		116

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrive damaged in them at some time. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS. Full details nearer the end of the listing.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.

FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.

Artist or Band: UNCLE DOG

Album Title: Old Hat

Producer(s): Bob Potter

TRACK LIST:

Side 1: River Road; Movie Time; Old Hat; Boogie With Me; We’ve Got Time.

Side 2: Smoke; I’ll Be Your Baby Tonight; Mystery Train; Lose Me.

Label/Format: Signpost (a small off-shoot of EMI) with matt surfaces that have a very gentle hint of texturing.

Label Conditions: Both very clean, fresh and attractive with only a tiny few very light, fine and faint spindle marks and no wear around the hole area.

Catalogue Number: SG 4253

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 145 grams. A very solid weight, especially for the year.

Country of Manufacture: England

Rarity: Rare – briefly available and quickly deleted, this is not seen often. A collector’s classic that virtually went unnoticed on issue.

Original Year of Release: 1972

Matrix Nos: SG 4253 A-2 / SG 4253 B-2

Mothers / Stampers: 1 G / 1 G [ultimate first press mothers and stampers]

Musicians: Carol Grimes – vocals; Terry Stannard – Drums, Percussion; Phillip Crooks – guitar; Sam Mitchell – guitar; John Porter – guitar, bass; David Skinner – keyboards, vocals; John Pearson – drums. With: Paul Kossoff (uncredited) – guitar and John ‘Rabbit’ Bundrick – piano.

Brief Info: A one-off, and very collectable album that features the vocal talent of Carol Grimes (ex-Delivery) and Free’s Paul Kossoff, albeit uncredited on the album’s cover. Guitarist and bassist John Porter later became famed as a producer and worked with Roxy Music and The Smiths – to name just two – also guested on various artists albums. This an album seldom-seen, it is beautifully packed with a superb, but ultra-delicate cover. Made with super-thin, soft and textured card, few will survive in really nice condition – this one really has, with mainly only rubbing to the perilous spine text. The record appears little played, and overall is well-pressed for a tiny label off-shoot of EMI. Grimes’s gritty vocals are impressive throughout and overall an impressive set.

Cover Grade and Format: EXCELLENT: (or very close to). A single unlaminated format with matt surfaces that are finely textured. This is made with very thin card, delicate and prone to all forms of wear. Printed and made in England by Garrod & Lofthouse, includes a plain white inner sleeve.

Cover Front: What a beautiful piece of art – this possibly attracting the attention of the tiny few people who actually bought this album when issued in 1972. Deeply coloured and with a lovely textured finish, but incredibly delicate, thin and ‘bendy’. With a thick heavy record inside, it’s quite amazing this front has avoided ring wear, also hardly any creasing. Just a little rubbing to the corner tips and the merest traces near the very edges. Any marks or wear that may seem to appear on this fabulous graphic are not blemishes at all, they are simply as the painting/artwork was made and totally correct. No sticker marks or tears, this delicate card and surface has survived the years very well indeed and will never prove easy to find better.

Cover Back: Stating the obvious: this has minimal chance of avoiding wear, and I am certain it will mostly be heavy in most cases. Again, this has fared very well indeed with only gentle traces near the bottom and left edges, and a mild thumb semi-crease on the left edge towards the bottom corner. Then mostly as per the front, and given how dark this back is, it is again impressive with scant evidence of rim rubbing or ring wear. Few will surface better I feel sure.

Top Edge: Very thin, but impressively straight with minimal rubbing or wear, a gentle hint near the centre. There are no splits or repairs to this cover.

Bottom Edge: Again straight, I feel sure some light rubbing has been enhanced by a previous owner, but not strikingly obvious, possibly the right corner apart. I observed this under a magnifier to confirm this.

Right Edge(s), and Type: Clean, mostly sharp with very little wear. Any thickening or scuffing minimal and light as seen viewed end-on. Record enters on this edge that is guaranteed untrimmed, tiny evidence of the corner tip enhancement (just) apparent.

Spine and Text: Solid (as this thin card gets), straight with patchy compression. A little surface rubbing, minor discolouration, some text has rubbed as seen, this mostly the album title near the centre.

Corners: All neat looking, with fine to very fine shape. As stated, some end enhancement by a previous owner who clearly wanted all elements of this cover to look as attractive as possible. Subtle and quite discrete anyway, but present nonetheless.

Cover Summary: A little mild wear – and how many will ever avoid it being honest? – but this has way more positives than any small negatives. A strong example of this immensely fragile 1970’s cover, one that could prove very difficult to find much better. This beautiful item should please many collectors, but not for purists who are intolerant of gentle cosmetic work to fragile edges.

The Inner Sleeve: NEAR EXCELLENT: a plain white unlined inner with a little gentle creasing. Minimal discolouration and all edges unsplit with no repairs.

Vinyl Condition/Visual Grading: EXCELLENT(+): arguably better. A very fine visual copy that is very clean with equally fine shine and quite heavily pressed. A copy with minimal plays on all the evidence with any surface trace marks few, very light and faint as seen critically under bright angled light. Visually a super record that should please many, if not most collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

Sound Quality and Audio Grading: This rare Signpost album plays up to, and mostly even above it’s high visual grading with little to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. Any surface sound is little and light – the odd sporadic tick and blemish to politely remind of what is being played, overall a very fine pressing with no tracking issues*. Small labels can sometimes prove second-class pressings, but not the case on this heavy EMI-pressing. Few available copies will outperform this ultimate 1 G / 1 G pressing significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly and has been generally well stored and carefully handled, almost certainly in a non-smoking environment. Little of any note spoilt my pleasure when play-grading this somewhat ‘lost’ gem. One that surfaces rarely, it could prove very difficult to find significantly better and can be strongly recommended.

* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programs. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Tellurium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 14­ years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE – they offer next-to-no-protection, and should be banned, no ‘professional’ should consider using them in my opinion. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.