U2 'THE BEST OF 1980-1990' U211 524613-1 ISLAND RECS 1998 2 LP REMASTERED ISSUE
  £   185
  $   245

 


£ 185 Sold For
Feb 12, 2017 Sold Date
Feb 5, 2017 Start Date
£   25 Start price
22   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description


U2

The Best Of 1980-1990


Label:Island Records ?– U211, Island Records ?– 524 613-1 Format:2 × Vinyl, LP, Compilation, Remastered
Country:UKReleased:Nov 1998 Genre:Rock, PopStyle:Pop Rock, New Wave, Blues Rock, Alternative Rock


Tracklist 

A1 Pride (In The Name Of Love) Engineer [Additional Engineering By] – Kevin KillenProducer, Engineer [Engineered By] – Brian Eno, Daniel Lanois 3:48 A2 New Year's Day Engineer [Engineered By] – Paul ThomasProducer – Steve Lillywhite 4:17 A3 With Or Without You Engineer [Engineered By] – FloodMixed By – Steve LillywhiteProducer – Brian Eno, Daniel Lanois 4:55 A4 I Still Haven't Found What I'm Looking For Engineer [Engineered By] – FloodMixed By – Daniel LanoisProducer – Brian Eno, Daniel Lanois 4:38 B1 Sunday Bloody Sunday Engineer [Engineered By] – Paul ThomasProducer – Steve Lillywhite 4:40 B2 Bad Engineer [Additional Engineering By] – Kevin KillenProducer, Engineer [Engineered By] – Brian Eno, Daniel Lanois 5:50 B3 Where The Streets Have No Name Mixed By – Steve LillywhiteProducer – Brian Eno, Daniel LanoisRecorded By – Flood, Pat McCarthy 4:35 B4 I Will Follow Engineer [Engineered By] – Paul ThomasProducer – Steve Lillywhite 3:36 C1 The Unforgettable Fire Engineer [Additional Engineering By] – Kevin KillenProducer, Engineer [Engineered By] – Brian Eno, Daniel Lanois 4:53 C2 Sweetest Thing (The Single Mix) Arranged By [String Arrangement By] – Daragh O'TooleOther [Special Thanks To] – Ali BabaProducer – Brian Eno, Daniel Lanois, Steve LillywhiteRecorded By – Joe O'Herlihy, Pat McCarthyRecorded By [Additional Recording By], Mixed By [Mixing By] – Steve Harris (2)Strings – Aengus O'Connor, Nicholas Milne, Nicola Cleary, Una O'Kane 3:00 C3 Desire Mixed By – Rob Jacobs, Shelly YakusProducer – Jimmy IovineRecorded By – Paul Barrett 2:59 C4 When Love Comes To Town Backing Vocals – Helen Duncan, Phyllis Duncan, Rebecca Evans RussellMixed By [Remixed By] – Rob Jacobs, Shelly YakusPercussion – Ms. Bobbye Hall*Producer – Jimmy IovineRecorded By – Dave Ferguson, Cowboy Jack Clement*Vocals, Guitar – B.B. King 4:17 D1 Angel Of Harlem Horns – The Memphis HornsMixed By – Rob Jacobs, Shelly YakusOrgan – Joey MiskulinProducer – Jimmy IovineRecorded By – Dave Ferguson, Cowboy Jack Clement* 3:49 D2 All I Want Is You Arranged By [String Arrangement By] – Van Dyke ParksKeyboards – Benmont TenchProducer – Jimmy IovineRecorded By, Mixed By – David Tickle 6:31 D3 One Tree Hill Engineer [Additional Engineering By] – Dave Meegan, Pat McCarthyProducer – Brian Eno, Daniel LanoisRecorded By – FloodRecorded By [Radd Strings Recorded By] – Bob DoidgeStrings [Radd Strings], Performer [Played By] – The Armin Family 5:24 D4 October Engineer [Engineered By] – Paul ThomasProducer – Steve Lillywhite 2:21

Credits

  • Bass Guitar – Adam Clayton
  • Drums, Percussion – Larry Mullen
  • Guitar, Keyboards, Vocals – The Edge
  • Management [Audio Post Production Manager], Technician [Technical Guru] – Cheryl Engels
  • Management [Dublin], Management [New York] – Principle Management
  • Management [Manager] – Paul McGuinness (2)
  • Photography By [Back Cover Photography By] – Anton Corbijn
  • Photography By [Front Cover Photography By] – Ian Finlay 
  • Photography By [Inside Photography By] – Anton Corbijn, Colm Henry, Hugo McGuinness, Robert Kythe Kortekaas
  • Production Manager [Album Production Managers] – Candida Bottaci, Sheila Roche
  • Remastered By – Arnie Acosta
  • Vocals, Guitar – Bono
  • Written-By – U2

Notes

All tracks have been digitally remastered from original master tapes where possible.

Track C4: B.B. King appears courtesy of MCA Records

Gatefold glossy sleeve.
Printed inner sleeves.


  • Barcode: 7 31452 46131 5

  • Matrix / Runout (Runout Side A): UC 211-A-1
  • Matrix / Runout (Runout Side B): uC 211-B-1
  • Matrix / Runout (Runout Side C): uC 211-C-1
  • Matrix / Runout (Runout Side D): uC 211-D-1

  • Other (Catalogue Number, Record 1): 524 615-1
  • Other (Catalogue Number, Record 2): 524 616-1

PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
 BE MENTIONED IN THE LISTINGS

Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:-
EXCELLENT +
Vinyls:- EXCELLENT
Labels:- EXCELLENT

 
WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE

IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME
TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**



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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International


SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-

U.K. £4.50  E.U. / UKRAINE £11.50  REST OF THE WORLD** £15.50
**INCLUDES:-
 
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please note that
*
**GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS
***

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All items will be posted in custom made mailers in plastic sleeves and using two card liners.

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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE

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My records are described according to ?The Record Collector?s? grading system.

This was originated by ?The Record Collector? to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.

 

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.


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