U2 - POP, German Pressing,Vinyl, LP, Album, Remastered,180g (MINT) Copy

$

35

U2 ‎– Pop

> Germany Pressing: 2 × Vinyl, LP, Album, Reissue, Remastered, 180g 

> Includes digital download

>>> Ships from USA

U2 ‎– Pop

Label:Island Records ‎– U2 10, Island Records ‎– 5796999, UMC ‎– U2 10, UMC ‎– 5796999

Format:2 × Vinyl, LP, Album, Reissue, Remastered, 180g 

Country: Germany

Released:13 Apr 2018

Genre:Electronic, Rock

Style:Pop Rock, Synth-pop, Experimental

Tracklist  

A1        Discothèque

Mixed By – Mark “Spike” Stent*

Mixed By [Additional Mixing By] – Howie B*

Mixed By [Assisted By] – Conal Markey

Producer – Flood

Recorded By – Howie B*, Mark “Spike” Stent*

Recorded By [Assisted By] – Femio Hernandez, Rob Kirwan

Turntables [Inspirational Decks], Loops – Howie B*

A2        Do You Feel Loved

Keyboards – Steve Osborne

Mixed By – Mark “Spike” Stent*, Steve Osborne

Mixed By [Assisted By] – Conal Markey, Richard Rainey

Other [Inspiration From] – Naked Funk

Producer – Flood, Steve Osborne

Programmed By [Programming] – Ben Hillier

Recorded By – Alan Moulder, Howie B*, Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

A3        MOFO

Keyboards – Steve Osborne

Mixed By – Alan Moulder, Howie B*, Mark “Spike” Stent*, Steve Osborne

Mixed By [Assisted By] – Rob Kirwan

Producer – Flood

Recorded By – Howie B*, Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

B1        If God Will Send His Angels

Mixed By – Howie B*

Mixed By [Assisted By] – Conal Markey

Producer – Flood, Howie B*

Recorded By – Howie B*, Mark “Spike” Stent*

Recorded By [Assisted By] – Conal Markey, Rob Kirwan

B2        Staring At The Sun

Keyboards – Steve Osborne

Loops – Larry Mullen

Mixed By – Mark “Spike” Stent*, Steve Osborne

Mixed By [Assisted By] – Conal Markey, Richard Rainey

Producer – Flood

Producer [Additional Production By] – Steve Osborne

Programmed By [Programming] – Ben Hillier

Recorded By – Howie B*, Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

B3        Last Night On Earth

Mixed By – Mark “Spike” Stent*

Mixed By [Assisted By] – Rob Kirwan

Producer – Flood

Recorded By – Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

Turntables [Decks] – Howie B*

C1        Gone

Mixed By – Ben Hillier, Steve Osborne

Mixed By [Assisted By] – Richard Rainey

Other [Kits], Loops – Larry Mullen

Producer – Flood

Programmed By [Programming] – Ben Hillier

Recorded By – Howie B*, Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

C2        Miami

Keyboards – Howie B*

Mixed By – Howie B*

Mixed By [Assisted By] – Robin Ball

Producer – Flood, Howie B*

Recorded By – Howie B*, Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

C3        The Playboy Mansion

Keyboards – Flood

Mixed By – Howie B*

Mixed By [Assisted By] – Rob Kirwan

Other [Kits], Loops – Larry Mullen

Producer – Flood, Howie B*

Recorded By – Alan Moulder

Recorded By [Assisted By] – Rob Kirwan

Turntables [Inspirational Decks] – Howie B*

D1        If You Wear That Velvet Dress

Keyboards – Marius De Vries

Loops [Howie B Does Larry Mullen] – Howie B*, Larry Mullen

Mixed By – Howie B*

Mixed By [Assisted By] – Rob Kirwan

Producer – Flood

Recorded By – Mark “Spike” Stent*

Recorded By [Assisted By] – Conal Markey, Rob Kirwan

D2        Please

Keyboards – Flood

Loops [Additional Loops], Other [Kits] – Larry Mullen

Mixed By – Flood, Howie B*

Mixed By [Assisted By] – Rob Kirwan

Organ – The Edge

Producer – Flood, Howie B*

Recorded By – Alan Moulder, Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

Turntables [Inspirational Decks] – Howie B*

D3        Wake Up Dead Man

Keyboards – Marius De Vries

Mixed By – Flood, Howie B*

Mixed By [Assisted By] – Rob Kirwan

Producer – Flood

Recorded By – Mark “Spike” Stent*

Recorded By [Assisted By] – Rob Kirwan

Turntables [Decks] – Howie B*

Companies, etc.

Recorded At – Hanover Quay Studios

Recorded At – Windmill Lane Studios

Recorded At – South Beach Studios

Recorded At – The Works, Dublin

Mastered At – Masterdisk

Designed At – ABA, Dublin

Record Company – Universal Music

Phonographic Copyright (p) – Universal Music Operations Ltd.

Copyright (c) – Universal Music Operations Ltd.

Remastered At – Bernie Grundman Mastering

Lacquer Cut At – Bernie Grundman Mastering

Pressed By – Optimal Media GmbH – BH11770

Credits

Artwork [Treatments By] – Shaughn McGrath

Artwork [“Popmart” Art By] – Mark Fisher (5), Willie Williams (6)

Bass Guitar – Adam Clayton

Crew [Studio Crew], Technician [Bass Guitar Tech] – Stuart Morgan

Crew [Studio Crew], Technician [Drum Tech], Coordinator [And Crew Co-Ordinator] – Sam O'Sullivan

Crew [Studio Crew], Technician [Guitar Tech] – Fraser McAlister

Crew [Studio Crew], Technician [Monitoring] – Joe O'Herlihy

Crew [Studio Crew], Technician [Programming, Keyboard And Guitar Tech] – Des Broadbery

Crew [Studio Crew], Technician [Studio Tech] – Colm “Rab” McAllister*

Design [Designed By] – Shaughn McGrath, Steve Averill

Drums, Percussion, Programmed By [Programming] – Larry Mullen

Edited By [Digital Editing By] – Andy Wan Dette*

Engineer [Engineering Assistant] – Rob Kirwan

Guitar, Keyboards, Vocals – The Edge

Lacquer Cut By – CB*, SS*

Lyrics By – Bono, The Edge

Management – Principle Management

Management [Manager] – Paul McGuinness (2)

Management [Principle Management Dublin] – Aislinn Meehan, Anne O'Leary, Anne-Louise Kelly, Barbara Galavan, Brigid Mooney, Candida Bottaci, Cecilia Coffey, Cillian Guidera, Eileen Osborne, George Augusta (2), Gerry Watters, Holly Peters, Joy Warner, Sally-Anne McKeown, Sandra Long, Sheila Roche, Susan Hunter (2), Susie Smith, Suzanne Doyle, Suzanne O'Dea, Trevor Bowen (2)

Management [Principle Management New York] – Bess Dulany, Kathy Araskog, Keryn Kaplan

Management [Sample Clearance] – Dmg, Inc.*, Deborah Mannis-Gardner

Management [Studio Management Associate] – Suzanne Doyle

Management [Studio Manager] – David Herbert (2)

Mastered By – Howie Weinberg

Mixed By – Howie B*, Mark “Spike” Stent*, Steve Osborne

Music By – U2

Music Consultant [Consultant Poptician] – Gavin Friday

Other [Catering By Restaurant Tosca] – Aongus Hanley, Dominic Lombard, Elenor Walsh, Jeff "The Chef" O'Toole, John O'Connell, Norman Hewson

Other [The Clarence Hotel] – Michael Martin

Photography By [Cover Photography By] – Anton Corbijn

Photography By [Interior Photography By] – Anja Grabert, Anton Corbijn, Stephane Sednaoui*

Photography By [Snapshots By] – Nellee Hooper

Producer – Flood

Producer [Additional Production By] – Howie B*, Steve Osborne

Producer [Post Production], Supervised By [Supervision] – Cheryl Engels, Partial Productions, Inc.

Production Manager [Album Production Assistant] – Candida Bottaci

Production Manager [Album Production Manager] – Anne-Louise Kelly

Recorded By – Alan Moulder, Howie B*, Mark “Spike” Stent*

Remastered By – Scott Sedillo

Vocals, Guitar – Bono

Notes

Includes digital download

Barcode and Other Identifiers

Label Code: LC 0407

Rights Society: BIEM/SDRM

Barcode (Scanned): 00602557969993

Barcode (Printed): 6 02557 96999 3

Matrix / Runout (Side A, Hand Etched): BH11770-01 A1 5796999-A1 CB/SS

Matrix / Runout (Side B, Hand Etched): BH11770-01 B1 5796999-B1 CB/SS

Matrix / Runout (Side C, Hand Etched): BH11770-02 C1 5796999-C1 CB/SS

Matrix / Runout (Side D, Hand Etched): BH11770-02 D1 5796999-D1 CB/SS

M (Mint): Never been played or item still sealed. Cover and any extra items such as lyric sheet, booklet or poster (ie contents) are in perfect condition.

Nm (Near Mint): In brand new condition with no surface marks or deterioration in sound quality. Cover and contents nearly perfect.

Ex (Excellent): Shows some signs of being played, light marks, but there is very little lessening in sound quality. Cover and contents might have slight wear and/or creasing.

VG+ (Very Good Plus): Better than Very Good: Obviously been played but no significant deterioration in sound quality despite some surface marks and light scratches. Some wear and tear on cover and contents, as in corner/edge/ring wear, without any major defects though.

VG (Very Good): Obviously been played many times but no major deterioration in sound quality, despite noticeable surface marks and light scratches. Normal wear and tear on cover or contents, without any major defects.

Gd+ (Good Plus): Better than Good: Sound quality has deteriorated but with no distortion. Some scratches and occasional more noticeable scratches that can be felt. Cover and contents suffer from folding, scuffing of edges but not spine splits or discoloration.

Gd (Good): Sound quality has noticeably deteriorated, perhaps with some distortion. Mild scratches. Cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.

F (Fair): Still just playable but has not been cared for properly and displays considerable surface noise - it may even jump. Cover and contents will be torn, stained and/or defaced.

P (Poor): Will not play properly due to scratches, bad surface noise etc. Cover and contents will be badly damaged or partly missing.

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