The Rolling Stones "Live'r Than You'll Ever Be" Lurch Records Original

$

90

"The Greatest Group In The World"


Live'r Than You'll Ever Be is a bootleg recording of the Rolling Stones' concert in Oakland, California, from 9 November 1969. It was one of the first live rock music bootlegs and was made notorious as a document of their 1969 tour of the United States. The popularity of the bootleg forced the Stones' label Decca Records to release the live album Get Yer Ya-Ya's Out! The Rolling Stones in Concert in 1970.[1] Live'r is also one of the earliest commercial bootleg recordings in rock history, released in December 1969, just two months after the Beatles' Kum Back and five months after Bob Dylan's Great White Wonder. Like the two earlier records, Live'r's outer sleeve is plain white, with its name stamped on in ink.

Live'r Than You'll Ever Be was recorded by "Dub" Taylor from Trademark of Quality using a Sennheiser shotgun microphone and a Uher "Report 4000" reel-to-reel tape recorder.[2] It was the first audience-recorded rock bootleg to be mastered and distributed;[3] some sources consider it the first live bootleg.[4] Though the sound is not nearly as clear as the official release of Get Yer Ya-Ya's Out!, the recording is considered to be very strong for an audience recording, especially one of that era.[2] The Rolling Stones performed two sets that night and it is the second concert that was more heavily bootlegged and has sharper sound. Bootleggers had collaborated to record Stones shows across the United States, recording them on two-track Sony recorders for months prior to the release of the album.[5] At least one source claims that the recordings initially came from rock promoter Bill Graham's staff, who used the tapes for broadcast on KSAN and released their edit on Lurch Records in early 1970.[6]

The recording was made available about one month after the concert, and it became popular enough to spur speculation that the Stones released Ya-Ya's as a response to the bootleg[7] and the quality was high enough that it was rumoured that the band had even released the bootleg themselves.[8] The recording has been released through several bootleg labels, including the original release by Lurch and shortly thereafter Trademark of Quality (catalogue number 71002), Swingin' Pig, and Sister Morphine, usually documenting only the second set.[7] The Swingin' Pig release even replace performances of "Jumpin' Jack Flash" and "Under My Thumb" with different recordings from the band's 10 November performance in San Diego and their two-night stint in New York City[9] and attempted to enhance the sound quality by using de-clicking technology—both changes have drawn criticism in comparison to the original Lurch Records release.[10]

Side one

1.     "Carol" (Chuck Berry) – 3:44

2.     "Gimme Shelter" – 4:18

3.     "Sympathy for the Devil" – 6:23

4.     "I'm Free" – 5:07

5.     "Live with Me" – 3:33

Side two

6.     "Love in Vain" (Robert Johnson) – 5:24

7.     "Midnight Rambler" – 7:40

8.     "Little Queenie" (Berry) – 4:13

9.     "Honky Tonk Women" – 4:04

10.                        "Street Fighting Man" – 4:10