The Rolling Stones Let It Bleed VG+ Has Poster & Insert Rare NPS-4 1969
  $   64

 


$ 64 Sold For
Dec 21, 2016 Sold Date
Dec 20, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  VG+ Play Tested. Sounds Great!   Labels are Clean.  This is the Original 1969 Pressing.  In the deadwax:  "11-11-69" on side 1 and "11-14-69" on the other...less than a month before Altamont...XZAL-9363-2 & "Bestway" on side 1, XZAL-9364-2 & "Bestway" on side 2.   On Rolling Stone's List of the 500 Best Albums of All Time!!  Truly The Rolling Stones' Finest Hour!
Cover: EX+ (see photos)  Includes the Rare Early Credits sleeve insert with the "Mary" Clayton misprint.  Also includes the Ultra Rare Poster!!  Both the Insert and the Poster are in Beautiful condition!  No seam splits, pinholes, tape marks.
Goldmine Standards.   I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. 
See Review Below!

U.S. Shipping:  $4 Media Mail for up to 2 LP's.  Additional LP's .50 (double albums count for 2LP's).  I will only ship to Italy by Registered Mail.  Rest of World, ask for cost of shipping before bidding.  I only pass on to you my cost to get it to you.  Similarly, upgrades and insurance can be added on at Buyers' expense.  Feel free to ask any questions and happy bidding!
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review

AllMusic Review by Richie Unterberger  [-]

Mostly recorded without Brian Jones -- who died several months before its release (although he does play on two tracks) and was replaced by Mick Taylor (who also plays on just two songs) -- this extends the rock and blues feel of Beggars Banquet into slightly harder-rocking, more demonically sexual territory. The Stones were never as consistent on album as their main rivals, the Beatles, and Let It Bleed suffers from some rather perfunctory tracks, like "Monkey Man" and a countrified remake of the classic "Honky Tonk Woman" (here titled "Country Honk"). Yet some of the songs are among their very best, especially "Gimme Shelter," with its shimmering guitar lines and apocalyptic lyrics; the harmonica-driven "Midnight Rambler"; the druggy party ambience of the title track; and the stunning "You Can't Always Get What You Want," which was the Stones' "Hey Jude" of sorts, with its epic structure, horns, philosophical lyrics, and swelling choral vocals. "You Got the Silver" (Keith Richards' first lead vocal) and Robert Johnson's "Love in Vain," by contrast, were as close to the roots of acoustic down-home blues as the Stones ever got.


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