The Rolling Stones Let It Bleed (1969) 12" VINYL RECORD LP 2019 abkco ••NEW••
$
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Description
The Rolling Stones
Let It Bleed
(180 Gram Vinyl, Anniversary Edition)
12"
VINYL
RECORD LP
BRAND NEW & FACTORY SEALED
ABKCO Music & Records
8584-1
UPC | 018771858416
1969, 2019
TRACK LISTING
SIDE ONE
1. Gimme Shelter
2. Love in Vain
3. Country Honk
4. Live with Me
5. Let It Bleed
SIDE TWO
1. Midnight Rambler
2. You Got the Silver
3. Monkey Man
4. You Can't Always Get What You Want
Features three of the band’s greatest songs – Gimmie Shelter, Midnight Rambler & the anthemic You Can’t Always Get What You Want Brian Jones performs on only two tracks: playing the autoharp on You Got the Silver, and percussion on Midnight Rambler – he was replaced by Mick Taylor during the recording, who plays guitar on two tracks – Country Honk and Live with Me, as well as on Honky Tonk Women (recorded during the Let It Bleed sessions).
Like Beggars Banquet the year before, the dominant influence was American roots music – drawing heavily from gospel (apparent in Gimmie Shelter and You Can’t Always Get What You Want), country music of Hank Williams and Jimmie Rodgers (Country Honk), Chicago blues (Midnight Rambler) and country rock on the title track. Recording for Let It Bleed began in earnest in February 1969, recorded mainly at Olympic Studios in London and was originally scheduled for release in July 1969. Although “Honky Tonk Women” was released as a single that month, the album itself suffered numerous delays and was eventually released in December 1969, after the band’s US tour.
The lyricism found on Let It Bleed is often noted for its violent and cynical undercurrents. Jann S. Wenner, in a 1995 Rolling Stone interview with Jagger, described the album’s songs as “disturbing” the scenery as “ugly” and asked Jagger if the Vietnam War played a role in the album’s worldview. Jagger said: “I think so. Even though I was living in America only part time, I was influenced. All those images were on television. Plus, the spill out onto campuses”.
The album cover shows a surreal sculpture designed by Robert Brownjohn. The cake was made by then-unknown cookery writer Delia Smith!
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