The KLF - The White Room LP JAMS LP006 1991 MINT
£
34
$
45
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Description
The KLF ?– The White Room
Label: KLF Communications ?– JAMS LP006 Format: Vinyl, LP, AlbumCountry: UK Released: 04 Mar 1991 Genre: Electronic Style: Deep House, Techno, Downtempo
TracklistHide Credits
A1 What Time Is Love? (LP Mix) Rap – Isaac BelloSampler [Breaks] – Lenny Dee, Tony ThorpeSynthesizer [303 Acid Factor] – Major MalfunktionSynthesizer [808's & 909's] – Manda BeatmasterVoice [Ooohs] – Cressida (2), Lindz E. Love 4:43 A2 Make It Rain Keyboards – Nick ColerSampler [Breaks, Samples] – Tony ThorpeSaxophone [Tenor] – Duy KhiemVocals – Maxine Harvey 4:00 A3 3 A.M. Eternal (Live At The S.S.L.) Backing Vocals – Ian Richardson, Micky Wilson, Nick ColerClarinet – Duy KhiemKeyboards – Nick ColerRap – Ricardo*Sampler [Breaks] – Tony ThorpeVocals – Maxine HarveyVoice ["Are You Ready", "Here We Go"] – Ashanti (2) 3:36 A4 Church Of The KLF Backing Vocals – Katie Kisson*, P.P. ArnoldKeyboards – Nick ColerVocals – Maxine Harvey 1:53 A5 Last Train To Trancentral (LP Mix) Backing Vocals – Maxine HarveyKeyboards – Nick ColerRap – Ricardo*Vocals – Black Steel 5:33 B1 Build A Fire Backing Vocals – Maxine HarveyGuitar [Pedal Steel] – "Evil" Graham Lee*Keyboards – Nick Coler 4:40 B2 The White Room Backing Vocals – Black Steel, Maxine HarveyKeyboards – Nick ColerScat – Black Steel 5:15 B3 No More Tears Bass – Black SteelKeyboards – Nick ColerPiano – Black SteelSampler [Breaks, Samples] – Tony ThorpeVocals – Black Steel, Maxine Harvey 9:24 B4 Justified And Ancient Bass – Black SteelKeyboards – Nick ColerSampler [Break] – Tony ThorpeVocals – Black Steel 4:44Credits
- Design – Power Unlimited
- Mastered By – Aaron Chakraverty*
- Mixed By – J. Gordon Hastings* (tracks: A2, A4 to B4), The KLF, Mark "Spike" Stent* (tracks: A1, A3)
- Mixed By [Assistant] – Jeremy Wheatley (tracks: A3)
- Photography By [Cover] – Schoerner*
- Photography By [Sheep] – Phil Ward (5)
- Producer, Performer, Programmed By – The KLF
- Programmed By [Additional] – Nick Coler
Notes
Samples used:A1:
"I Wanna See You Sweat" - Wanda D (Tuff City Records)
"Kick Out The Jams" - The MC5 (Elektra Records)
"Mu Mu's" - P.P. Arnold, Katie Kisson (KLF Communications)
"Thank You, Thank You" Crowd Noise - The Doors (Elektra Records)
A2:
Crowd Noise - U2 "Rattle & Hum" (Island Records)
Crowd Noise - The Doors "Absolutely Live" (Elektra Records)
"Say Yeah" - Stevie Wonder (Tamala Motown)
"Pump A Little Harder" - The Moody Boys (XL Records)
A3:
"KLF Aha Aha" - P.P. Arnold (KLF Communications)
"Ancients Of Mu Mu" - Chike (KLF Communications)
"Ladies And Gentlemen..." - Scott Piering (Appearing)
Crowd Noise - Haircut 100 Live Recording (Unreleased)
A4:
Crowd Noise - The Doors "Absolutely Live" (Elektra Records)
Crowd Noise - U2 "Rattle & Hum" (Island Records)
A5:
Rolling Stock - The KLF "Chill Out" (KLF Communications)
Crowd Noise - The Doors "Absolutely Live" (Elektra Records)
Crowd Noise - U2 "Rattle & Hum" (Island Records)
B3:
Trumpet Line - King Tubby (Trojan Records)
Some copies have sticker on outer sleeve "JAMS LP006 Includes '3 a.m. Eternal' 'What Time is Love?'
Barcode and Other Identifiers
- Barcode: 5 017139 360009
- Matrix / Runout: JAMS-LP-6-A2
- Matrix / Runout: JAMS-LP-006-B2
Records graded to Record Collector guidelines
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
Records sent in purpose made mailers. We're collectors who are serious about our stock and endeavour to get our records to you in the best condition possible.
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