The Jam "This Is The Modern World" LP Orig EX+ Paul Weller Style Council
  $   22

 


$ 22 Sold For
Feb 26, 2020 Sold Date
Mar 16, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

The Jam "This Is The Modern World" LP Polydor Records (US)

Record is NM, Jacket is VG (co)

Original

Track Listing:

A1 The Modern World Written-By – Paul Weller 2:31 A2 All Around The World Written-By – Paul Weller 2:21 A3 I Need You (For Someone) Written-By – Paul Weller 2:40 A4 London Traffic Written-By – Bruce Foxton 1:50 A5 Standards Written-By – Paul Weller 2:26 A6 Life From A Window Written-By – Paul Weller 2:35 A7 In The Midnight Hour Written-By – S. Cropper*, Wilson Pickett 1:51 B1 In The Street, Today Written-By – David Waller, Paul Weller 1:30 B2 London Girl Written-By – Paul Weller 2:40 B3 Here Comes The Weekend Written-By – Paul Weller 3:30 B4 The Combine Written-By – Paul Weller 2:20 B5 Tonight At Noon Written-By – Paul Weller 2:42 B6 Don't Tell Them You're Sane Written-By – Bruce Foxton 3:40

The Jam were an English punk rock band active during the late 1970s and early 1980s.

They were formed in Woking, Surrey. While they shared the "angry young men" outlook and fast tempos of their punk rock contemporaries, The Jam wore smartly tailored suits rather than ripped clothes, and they incorporated a number of mainstream 1960s rock and R&B influences rather than rejecting them, placing The Jam at the forefront of the mod revival movement.

They had 18 consecutive Top 40 singles in the United Kingdom, from their debut in 1977 to their break-up in December 1982, including four number one hits. As of 2007, "That's Entertainment" and "Just Who Is the 5 O'Clock Hero?" remained the best-selling import singles of all time in the UK. They released one live album and six studio albums, the last of which, The Gift, hit number one on the UK album charts. When the group split up, their first 15 singles were re-released and all placed within the top 100.

The band drew upon a variety of stylistic influences over the course of their career, including 1960s beat music, soul,rhythm and blues and psychedelic rock, as well as 1970s punk and new wave. The trio was known for its melodic pop songs, its distinctly English flavour and its mod image. The band launched the career of Paul Weller, who went on to form The Style Council and later had a successful solo career. Weller wrote and sang most of The Jam's original compositions, and he played lead guitar, using a Rickenbacker. Bruce Foxton provided backing vocals and prominent basslines, which were the foundation of many of the band's songs, including the hits "Down in the Tube Station at Midnight", "The Eton Rifles", "Going Underground" and "Town Called Malice".

On 29 April 1977, Polydor released The Jam's debut single,"In the City", which charted in the Top 40 in England. In early May, the band released their debut albumof the same name. The album, like those of The Clash and the Sex Pistols, featured fast, loud and pointed songs. What set it apart from the records of those two bands was its more prevalent 1960s rock influences. The Jam covered Larry Williams's "Slow Down" (also covered by The Beatles) and the theme song of the 1960s TV series Batman, which was somewhat of a standard for 1960s rock bands. Their originals revealed the influence of Motown Records, The Beatles and The Who.

The Jam had political lyrics, condemning police brutality ("In the City") and expansionist development ("Bricks And Mortar"). However, one of their most openly political songs, "Time For Truth", bemoaned the decline of the British Empire and expressed disparaging sentiments about "Uncle Jimmy" (the Prime Minister,James Callaghan) in no uncertain terms ("Whatever happened to the great Empire?" / "I think it's time for truth, and the truth is you lost, Uncle Jimmy"). These pro-Empire sentiments and ostentatious displays of the Union Flag began to earn the group the tag of "Conservative". Misunderstandings in the music press about The Jam's political or social stance are usually attributed to Weller's lyrical perspective. Even as he pointed out what he saw as wrong and demanded change, Weller's lyrics reflected a deep affection for an idealised vision of England, much in the style of The Kinks' Ray Davies. This contrasted with the Sex Pistols' calls for destruction, or The Clash's calls for revolutionary change.

After the non-LP single "All Around the World" nearly reached the UK Top 10, The Jam, having achieved a notable following in such a short time, were pressed to produce more material quickly. Their second album, This Is the Modern World, was released later in 1977. Bruce Foxton, generally considered a lesser songwriter than Weller, contributed two songs to the LP ("Don't Tell Them You're Sane" and "London Traffic"), both of which attracted criticism. His composing output gradually decreased, leaving Weller firmly established as the band's chief songwriter. Despite displaying more stylistic variety than before, including some ventures into introspective pop, This Is The Modern World was not widely praised. However, when John Peel first heard the album, he played it in its entirety on one show, one song after the other.

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