The Beach Boys - Surf's Up

£ 14

$ 19

£ 14 Sold For

Sep 16, 2015 Sold Date

Oct 1, 2014 Start Date

1 Number Of Bids

Germany Country Of Seller

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Description

General

Article name: Surf's Up
Genre: Pop englischsprachig Product type: LP (Vinyl) Label: EMI US Number of tracks: 5 Duration: 33:13

Tracklist LP - 1

Beach Boys, The - Don't Go Near The Water 2:42 Beach Boys, The - Long Promised Road 3:33 Beach Boys, The - Take A Load Off Your Feet 2:33 Beach Boys, The - Disney Girls (1957) 4:11 Beach Boys, The - Student Demonstration Time 4:02

Description

Album Review (en)

The Beach Boys' post-1966 catalog is littered with LPs that barely scraped the charts upon release but matured into solid fan favorites despite -- and occasionally, because of -- their many and varied eccentricities. Surf's Up could well be the definitive example, beginning with the cloying "Don't Go Near the Water" and ending a bare half-hour later with the baroque majesty of the title track (originally written in 1966). The album is a virtual laundry list of each uncommon intricacy that made the Beach Boys' forgotten decade such a bittersweet thrill -- the fluffy yet endearing pop (od)ditties of Brian Wilson, quasi-mystical white-boy soul from brother Carl, and the downright laughable songwriting on tracks charting Mike Love's devotion to Buddhism and Al Jardine's social/environmental concerns. Those songs are enjoyable enough, but the last three tracks are what make Surf's Up such a masterpiece. The first, "A Day in the Life of a Tree," is simultaneously one of Brian's most deeply touching and bizarre compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. The second, "'Til I Die," isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life. The album closer, "Surf's Up," is a masterpiece of baroque psychedelia, probably the most compelling track from the SMiLE period. Carl gives a soulful performance despite the surreal wordplay, and Brian's coda is one of the most stirring moments in his catalog. Wrapped up in a mess of contradictions, Surf's Up defined the Beach Boys' tumultuous career better than any other album. ~ John Bush

John Bush