The Allman Brothers Band A&R STUDIOS, NEW YORK, 26th August 1971 Double LP set
$
21
$ 21
Sold For
Oct 16, 2022
Sold Date
Oct 6, 2022
Start Date
2
Number Of Bids
USA
Country Of Seller
eBay
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Description
The Allman Brothers Band A&R STUDIOS, NEW YORK, 26th August 1971 Double Album set (LETV058LP 2012 1st Edition)
A1 Statesboro Blues A2 Trouble No More A3 Don't Keep Me Wonderin' A4 Done Somebody Wrong
B1 One Way Out B2 In Memory Of Elizabeth Reed
C1 Stormy Monday C2 You Don't Love Me
D1 Soul Serenade D2 You Don't Love Me D3 Soul Serenade (In Memory Of King Curtis) D4 Hot 'Lanta
*(all photos are of the actual item)
- Copyright © – Let Them Eat Vinyl
- Manufactured By – Plastic Head Distribution
- Recorded At – A&R Studios
- Duane Allman – lead and slide guitar
- Gregg Allman – Hammond B-3 organ, piano, vocals
- Dickey Betts – lead guitar
- Berry Oakley – bass guitar
- Butch Trucks – drums, timpani
- Jaimoe – drums, percussion
Notes
First ever vinyl version of this performance. The final show to feature Duane Allman.- Matrix / Runout (Runout stamped A side): 100675E1 / A
- Matrix / Runout (Runout stamped B side): 100675E2 / A
- Matrix / Runout (Runout stamped C side): 100675E3 / A
- Matrix / Runout (Runout stamped D side): 100675E4 / B
Live from A&R Studios is an album by the Allman Brothers Band. It was recorded on August 26, 1971, at A&R Studios in New York City for a live radio broadcast. It was released on April 1, 2016. A bootleg recording of this concert had been circulated for years, and coveted by many fans. Originally, "You Don't Love Me" / "Soul Serenade" was released on the box set Dreams. On Jambands.com, Larson Sutton said, "The nine-song program was inspired work, showcasing the conflagration of six musicians focused as one... The A&R show, presumably taped in droves by home stereos, was widely bootlegged, and in the following decades considered quite a treasure of both performance and historical context. To have it officially released, cleaned up and remastered to a high polish from the original broadcast tapes, is to put it finally in the proper place for all to hear; the magnificence of the Allman Brothers Band in one of its finest hours of its finest year of 1971." In American Songwriter, Hal Horowitz wrote, "As those who already own this heavily bootlegged concert, recorded in front of a small audience at the titular studio can attest, the sextet was on fire this evening. And even though there were few surprises in the songs played (they had stayed pretty similar for about a year), the group charged through the material like they had everything to prove.... Moderate Brothers admirers can stick with the already released versions, but for those digging deeper into Duane’s sadly limited well of professionally recorded work with the band, this is absolutely essential listening." [Wikipedia]
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