Tangerine Dream Zeit 2 LP Set 1977 Virgin Records UK VD 2503 Vinyl Gatefold NM
$
50
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Description
Working diligently with my librarian hat on. I am really proud of how well we took care of our things and collectables…just kinda forgot. We have hundreds of quality pieces…some seldom seen especially in the U.S. Some are rare or at least hard to find. I welcome International Buyers…I know you have to pay high taxes for both countries …and it takes forever, but collecting is like that, I know.
If the record/tape/book/toy/Objet d'art or a whatnot, is a mess - you will know about it and see it, if it was a cut out, I will show and tell. Nonsmoking home, original owners and a few fine pieces from local collector friends who took care of their things as well.
(This one you are bidding on 2021)
Media Condition
Near Mint (NM or M-)
Sleeve Condition
Very Good Plus (VG+)
Notes
matrix VD 2503 A7 Townhouse
Tangerine Dream ?– Zeit
Label:
Virgin ?– VD2503
Format:
2 × Vinyl, LP, Album, Reissue
Country:
UK
Released:
1978
Genre:
Electronic
Style:
Modern Classical, Experimental, Ambient
TracklistHide Credits
First Movement
A Birth Of Liquid Plejades
Synthesizer [Moog] – Florian Fricke
20:00
Second Movement
B Nebulous Dawn 18:00
Third Movement
C Origin Of Supernatural Probabilities 20:12
Fourth Movement
D Zeit 17:43
Companies, etc.
Recorded At – Dierks Studios
Phonographic Copyright (p) – Virgin Records Ltd.
Credits
Cello – Christian Vallbracht, Hans Joachim Brüne, Jochen Von Grumbcow*, Johannes Lücke
Design [Sleeve Design], Painting [Cover Painting], Composed By, Guitar [Gliss], Synthesizer [Generator] – Edgar Froese
Engineer – D. Dierks*
Organ – Steve Schroyder
Organ, Synthesizer [VCS 3], Vibraphone – Peter Baumann
Percussion [Cymbals], Synthesizer [VCS 3] – Chris Franke*
Photography By – Monique*
Producer – Tangerine Dream
Notes
"Largo In Four Movements"
Recorded in Stommeln/Koeln 1972
Released in a gatefold sleeve.
Label version 10: green A label / red B label
Barcode and Other Identifiers
Matrix / Runout (A Side Label): VD 2503-A
Matrix / Runout (B Side Label): VD 2503-B
Matrix / Runout (C Side Label): VD 2503-C
Matrix / Runout (D Side Label): VD 2503-D
Matrix / Runout (A Side, etched / [stamped], VD-2503-A7 [4 TOWNHOUSE C1]
Line-up / Musicians
- Edgar Froese / glissando guitar, sound generators
- Christoph Franke / VCS3 synth, keyboards, cymbals
- Peter Baumann / VCS3 synth, organ, vibes
With:
- Steve Schroyder / organ (1)
- Florian Fricke / Moog synth (1)
The Cologne Cello Quartet :
- Christian Vallbracht / cello (1)
- Joachim Von Grumbcow / cello (1)
- Hans Joachim Brune / cello (1)
- Johannes Lucke / cello (1)
Releases information
Artwork: Edgar with Monique Froese (photo)
"Unbelievable stuff. This is truly an album that divides the listeners big time. Some call it genius, others call it a big piece of crap. Giving the ratings I gave it, I'm obviously with the former. This was the album that premiered Peter Baumann to the fold, who would stick with the band until 1977. There is nothing rock about this album. What you get is lots of spacy electronic effects that spans over two discs, each piece lasting 17-22 minutes.
"Birth of Liquid Plejades" starts off with a cello quartet (I believe one of the cellists was a member of HOELDERLIN), which is extremely sinister sounding, helped further with strange electronic manipulation of the cellos. Eventually the cellos disappears, and a Moog kicks in (from Florian Fricke, of POPOL VUH, who was a guest here). This seems to be one of Fricke's last recording with the Moog, before he turned to religion and to the piano and away from the Moog. There is some organ in the background. Here previous member Steve Schroyder makes a guest (he would later join ASH RA TEMPEL for "Seven Up"). Then at the end is this very trippy, PINK FLOYD like organ. The next piece, "Nebulous Dawn" is strictly electronic effects. "Origin of Supernatural Probabilities" is mainly one long sinister- sounding drone with more electronic effects, while the title track basically sounds like the middle part of PINK FLOYD's "Echoes", but it's actually nothing but wind sounds.
There is no doubt that this album is one long LSD trip. It's strange how a record label like Ohr had the balls to put out such a record realizing it wouldn't sell. But I'm glad they did. Such a far cry from the stuff they did in the mid 1980s, it's not even funny. Yes, there's no such thing as a real tune here on "Zeit". Jerome Froese (Edgar Froese's son, the baby seen on several TD albums, including "Atem" and the gatefold of "Zeit", and a member of TANGERINE DREAM since the early '90s) hates this album, but that's not my problem. That's probably more the reason for me to like this album. A strange album indeed! "
ProgArchive
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