TOSHIKO AKIYOSHI HER TRIO/HER QUARTET INSANELY RARE ORIG 1956 STORYVILLE LP MINT

$

311

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·       TOSHIKO AKIYOSHI with OSCAR PETTITFORD, ROY HAYNES AND ED THIGPEN - HER TRIO-HER QUARTET– INSANELY RARE  ORIGINAL 1956 STORYVILLE RECORDS MONO  LP STLP-918

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED STORYVILLE LABEL WITH BLACK AND WHITE LETTERING

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL JUAN MIRO COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Toshiko Akiyoshi was still rather new on the American jazz scene when she recorded Her Trio, Her Quartet for the Storyville label in the mid-'50s. On five of the eight selections, she leads a quartet with alto saxophonist Boots Mussilli, former Dave Brubeck sideman Wyatt Reuther on bass, and drummer Ed Thigpen. Akiyoshi is still heavily influenced by Bud Powell at this point in her career, though she is no mere mimic of the great bop pianist. She navigates J.J. Johnson's challenging "Kelo" with finesse, while offering a fresh treatment of "All the Things You Are" that omits the introductory tag added by Dizzy Gillespie which became mandatory for nearly all bop interpreters of the standard. She gallops through "I Remember April," with Mussilli sounding very modern and not like a typical Charlie Parker clone in that era.

For the trio numbers, she utilizes Oscar Pettiford and Roy Haynes. Oddly enough, her "Pea, Bee and Lee" is based upon the chord changes to "All the Things You Are," while "Thou Swell" is easily the most conservative arrangement of the session. The Japanese CD reissue released by Tokuma in 1997 sounds as if it was dubbed from an LP rather than the original masters, as surface noise is briefly audible in spots. These are strong performances by Toshiko Akiyoshi made long before she earned widespread fame, but even this import CD has lapsed from print, making it a rather difficult release to acquire in any format

 (EXCERPT FROM AN ONLINE REVIEW BY KEN DRYDEN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The album comes with its original, 'rice paper' inner sleeve (typically used in the 50’s and very early 60’s) which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years! We believe that, despite great technological progress, these early 'rice paper' inner sleeves provided a degree of protection MUCH HIGHER than any other material used ever since.

(d)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings)

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has a partially split top seam (between 4 and 6 inches  / 10 to 15 centimeters)

-         Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         The  cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.  (nothing significant)

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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