TOMMY HUNT (FLAMINGOS) I JUST DON'T KNOW MEGA-RARE ORIG'62 SCEPTER MONO LP 1A/1A

$

40

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·       TOMMY HUNT (THE LEGENDARY LEAD SINGER OF THE FLAMINGOS) – I JUST DON’T KNOW WHAT TO DO WITH MYSELF -  ORIGINAL 1962 SCEPTER   MONO  LP 506

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED, BLACK AND WHITE SCEPTER LABEL.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Pittsburgh-born vocalist Tommy Hunt's recording career began at age 20, when he cut singles with his first group, the Five Echoes, in 1953. It was five years later, however, that he made his greatest mark on popular music, rock & roll, and R&B, as a member of the Flamingos from 1958 thru 1961. Those years coincided with the group's being signed to End Records, and the release of their biggest, most identifiable hit, "I Only Have Eyes For You" -- Hunt's dramatic background singing, coupled with the restrained piano backing , made it one of the transcendant documents of '50s R&B. He can also be seen singing lead in a killer jump-blues performance in the juke-box movie classic Go, Johnny, Go, as the group (back to a five-piece) mimes to their End recording of "Jump Children." Hunt left the Flamingos in 1962 and signed as a solo artist with Florence Greenberg's Scepter Records in New York. Greenberg reportedly wasn't impressed with Hunt as a singer or an individual, but Luther Dixon, the company's chief of A&R and general music director, loved Hunt's voice, providing him with "Human," which became a No. 5 R&B hit in late 1961. Hunt continued with the label for another three years, until 1964, cutting a complete album (I Just Don't Know What to Do with Myself) in late 1962. His version of the title track was never a single, but it predated the more famous hit by Dusty Springfield by nearly two years. In late 1963, following the departure of Dixon from Scepter, Ed Townsend became the company's music director, and one of his very first productions was Tommy Hunt's recording of Townsend's "I Am a Witness," which featured Bernard Purdie on drums and Mickey Baker on guitar, with Hunt's vocals backed up by the Shirelles, Dee Dee Warwick, and the Sweet Inspirations. The single was Hunt's last chart entry for the label, reaching No. 71. Hunt left Scepter in 1964, and later moved to the Dynamo label, for which he charted a single in 1967. He later moved to Europe, and continues to perform in Germany and other Central European countries in the 1990's. Hunt's only album, for Scepter, has never been reissued, but tracks from it, as well as his hit singles from the label and several other sides, turned up on Capricorn's 1992 Scepter Records Story double-CD set.

(ARTICLE REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stereo copies of this album are NOT known to exist.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a few tiny wrinkles along the spine

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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