TOM WAITS - RAIN DOGS-(Island 1985) 12" Excellent- 90299-1 MASTERDISK/RCA etched
  $   30

 


$ 30 Sold For
Sep 6, 2016 Sold Date
Aug 30, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
save auction  

Description

Working diligently with my librarian hat on. I am really proud of how well we took care of our things and collectables…just kinda forgot. We have hundreds of quality pieces…some seldom seen especially in the U.S. Some are rare or at least hard to find. I welcome International Buyers…I know you have to pay high taxes for both countries …and it takes forever, but collecting is like that, I know.

If the record/tape/whatnot is a mess - you will know about it and see it, if it was a cut out , I will show and tell.  Nonsmoking home, original owners (okay a few finds in thrifting Years ago)...Happy to pass on to someone who wants it.

WE HAVE A WORKING REGA TURNTABLE, A GOOD NEEDLE AND A DOUBLE TAPE DECK -WE SPOT CHECK MOST EVERYTHING.

Tom Waits ?– Rain Dogs

Label: Island Records ?– 7 90299-1, Island Records ?– 90299-1

Format: Vinyl, LP, Album

Country: US

Released: 1985

Genre: Rock

Style: Blues Rock

Condition: Media: Vinyl VG+ has visual surface wear  “noise” but very quiet when play tested 2016. /

Jacket : VG+ no splits some bumping to edges Spine clean and readable /

Inner Sleeve: Good – It has the original but it is wrinkled (see pics) a little ironing would fix I will include a new inner sleeve for this one.

Tracklist

A1 Singapore    Double Bass – Larry TaylorDrums – Stephen Arvizu Taylor Hodges*Guitar – Chris    Spedding, Marc RibotPercussion – Michael BlairVocals – Tom Waits 2:46

A2 Clap Hands    Double Bass – Tony GarnierDrums – Stephen Arvizu Taylor Hodges*Guitar – Marc RibotGuitar, Vocals – Tom WaitsPercussion, Marimba – Robert Previte*, Michael Blair             3:47

A3 Cemetery Polka  Accordion – William ShimmelDouble Bass – Larry TaylorDrums [Parade Drums] – Stephen Arvizu Taylor Hodges*Guitar – Marc RibotOrgan [Farfisa Organ], Vocals – Tom WaitsPercussion – Michael BlairTrombone – Bob Funk             1:51

A4 Jockey Full Of Bourbon    Bass Saxophone [Bass Sax] – Ralph CarneyDouble Bass – Larry TaylorDrums – Stephen Arvizu Taylor Hodges*Guitar – Marc RibotGuitar, Vocals – Tom WaitsPercussion, Congas [Conga] – Michael Blair  2:45

A5 Tango Till They're Sore    Double Bass – Greg CohenPiano, Vocals – Tom WaitsTrombone – Bob Funk 2:49

A6 Big Black Mariah    Double Bass – Larry TaylorDrums – Stephen Arvizu Taylor Hodges*Guitar – Keith RichardsGuitar, Vocals – Tom Waits 2:44

A7 Diamonds & Gold    Banjo – Robert MussoBass – Larry TaylorGuitar – Marc RibotPercussion, Marimba – Michael BlairVocals – Tom Waits 2:31

A8 Hang Down Your Head    Double Bass – Larry TaylorGuitar – Marc RibotGuitar, Organ [Pump Organ],Vocals – Tom WaitsPercussion, Drums – Michael Blair 2:32

A9 Time  Accordion – William ShimmelDouble Bass – Larry TaylorGuitar, Vocals – Tom Waits 3:55

B1 Rain Dogs    Accordion – William ShimmelDouble Bass – Larry TaylorDrums – Stephen Arvizu Taylor Hodges*Guitar, Vocals – Tom WaitsLead Guitar – Marc RibotMarimba – Michael BlairTrombone – Bob Funk 2:56

B2  Midtown (Instrumental)Bass – Larry TaylorDrums – Stephen Arvizu Taylor Hodges*Saxophone [Sax] – Crispin Cioe, Ralph CarneyTenor Saxophone – Arno HechtTrombone – Bob FunkTrumpet – Hollywood Paul Litteral* 1:00

B3 9th & Hennepin    Clarinet – Ralph CarneyDouble Bass – Greg CohenMarimba, Percussion [Metal], Saw [Bowed] – Michael BlairPiano, Vocals – Tom Waits 1:58

B4 Gun Street Girl   Banjo, Vocals – Tom WaitsDouble Bass – Greg CohenPercussion – Michael Blair 4:37

B5 Union Square    Bass – Larry TaylorBass Saxophone [Bass Sax] – Ralph CarneyDrums – Michael BlairGuitar – Keith RichardsVocals – Tom Waits        2:24

B6 Blind Love   Double Bass – Larry TaylorDrums – Stephen Arvizu Taylor Hodges*Guitar – Robert QuineGuitar, Backing Vocals, Guitar – Keith RichardsGuitar, Vocals – Tom WaitsViolin [Violins] – Ross Levinson  4:18

B7 Walking Spanish    Alto Saxophone [Alto Sax] – John LurieBass – Larry TaylorDrums – Stephen Arvizu Taylor Hodges*Guitar, Vocals – Tom Waits 3:05

B8 Downtown Train  Bass – Tony Levine*Drums – Mickey CurryGuitar – G.E. Smith, Robert QuineGuitar, Vocals – Tom WaitsOrgan – Robert Kilgore*Percussion – Michael Blair 3:53

B9 Bride Of Rain Dog (Instrumental)    Drums – Michael BlairHarmonium – Tom WaitsSaxophone [Sax] – Ralph Carney 1:07

B10  Anywhere I Lay My Head  Baritone Saxophone [Baritone Sax] – Crispin CioeDrum [Parade Drum] – Michael BlairTenor Saxophone [Tenor Sax] – Arno HechtTrombone – Bob FunkTrumpet – Hollywood Paul Litteral*Vocals, Organ [Pump Organ] – Tom Waits  2:48

Companies, etc.

Pressed By – Specialty Records Corporation

Mastered At – Masterdisk

Recorded At – RCA Recording Studios

Mixed At – Quad Recording Studios

Mixed At – RPM Studios

Distributed By – ATCO Records

Copyright (c) – Island Records Inc.

Phonographic Copyright (p) – Island Records Inc.

Credits

Arranged By – Tom Waits, Uptown Horns (tracks: B2, B10)

Art Direction [Album Cover Direction] – Peter Corriston

Coordinator [Production Coordination] – Valerie Goodman

Engineer [Quadrasonic Assistant] – Tom Gonzales

Engineer [RCA Assistant] – Dennis Ferrante

Engineer [RPM Assistant] – Jeff Lippay

Engineer, Mixed By – Robert Musso

Mastered By [Engineeer] – Howie Weinberg

Mixed By – Jeff Lippay (tracks: B8)

Photography By [Back Cover] – Robert Frank (3)

Photography By [Cover] – Anders Petersen

Producer, Vocals – Tom Waits

Written-By – Kathleen Brennan (tracks: A8)

Written-By, Producer – Tom Waits

Notes

Dedicated to Kathleen.

Lyrics are printed on inner sleeve.

Pressing By determined by embossing on center label EAST

Barcode and Other Identifiers

This one you are bidding on – I also see lightly etched after 855765-SP – (very light -both sides)1-1 SM-1

Barcode (Scanned): 075679029911

Barcode (Text): 0 7567-90299-1

Matrix / Runout (A Side Label): ST-IL-855765-SP

Matrix / Runout (B Side Label): ST-IL-855766-SP

Matrix / Runout (A Side Etched): ST-1L-855765-D hw SRC

Matrix / Runout (B Side Etched): ST-1L-855766-B SRC

Matrix / Runout (A Side Stamped): Masterdisk

Matrix / Runout (B Side Stamped): Masterdisk

Matrix / Runout (B Side Center label Embossed): E A S T (I don’t see this?)


Reviews

From Roberts Chistgau’s site

Rain Dogs Island, 1985
By pigging out on a nineteen-track LP that goes on for fifty-four minutes without a bad cut, Waits demonstrates how fully he's outgrown the bleary self-indulgences--booze, bathos, beatnikism--that bogged down his '70s. He's in control of his excesses now, and although his backing musicians shift constantly, he's worked out a unique and identifiable lounge-lizard sound that suits his status as the poet of America's non-nine-to-fivers. But the sheer bulk of the thing does get wearing--it never peaks. I wish he'd figured out a way to throw "Union Square," "Cemetery Polka," and "Clap Hands" into sharper relief. And realize that those might not even be his high points, or yours. B+

From Trouser Press site

…”On Rain Dogs, Waits' beatnik hobo poetry, Beefheart (by way of Satchmo) vocals and some just plain impeccable songwriting ("Downtown Train" has been covered many times) are bolstered by a phenomenal band — guitarist Marc Ribot and junkyard percussionist Michael Blair supply the album's most defining sounds, but the backing cast also includes Keith Richards, Chris Spedding, Robert Quine and chief Lounge Lizard John Lurie. Such diverse cuts as "Cemetery Polka" (with Farfisa, trombone and parade drum), "Blind Love," (virtually a country cover of "Jersey Girl," complete with fiddle and Keith Richards' twanging) and "Jockey Full of Bourbon" (a conga-driven rhumba) give the album a wonderful sense of schizophrenia….”

Rich Shupe / Michael Azerrad / Ira Robbins

 

ITEM PICTURED- PLEASE ASK ALL QUESTIONS BEFORE ORDERING

WE USE USPS FOR ALL OUR SHIPPING

WE PACK OUR THINGS WITH CARE! RECORDS/BOOKS/WHATNOT ARE BOXED UP. WE ARE THE ORIGINAL OWNERS AND LOVE THESE ITEMS TOO!

International buyers please note Import duties, taxes and charges are not included in the item price or P&P charges. These charges are the buyer’s responsibility; please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying.

 IF YOU WISH TO HAVE A DIFFERENT SHIPPING PROCESS PLEASE DO SO WHEN CHECKING OUT VIA EMAIL BEFORE PAYING.

WE WILL TRY OUR BEST TO MAKE YOU HAPPY.

YOU WILL BE RESPONSIBLE FOR THE COST OF ALTERNATE SHIPPING.

OUR STANDARD SHIPPING IS 2 DAYS OR LESS AFTER ORDERING AND HANDLING TIME.

WE APPRECIATE OUR CUSTOMERS AND WILL STRIVE TO GIVE YOU THE BEST SERVICE POSSIBLE!

If your item has arrived safely, and you’re happy that it is as described in the listing, please leave positive feedback for me, and I will do the same for you. I hope you enjoy your item.

 

Vinyl collecting tips

 “Check the edition of the record, i.e. whether or not it is a standard copy, a REPRESS (non-original), or a PROMO (usually worth a lot more as they were released in limited numbers before being commercially released).

 *FIRST (1ST) PRESS: These LPs are the very first to come off the production line and are made directly from the mother discs, the matrix numbers usually end in -1.

*MATRIX NUMBERS: These are numbers found etched into the vinyl between the final track and label. Each side should have a different number. They tell you when are where the LP was made, if the matrix numbers end in -1 it usually means they are 1st pressings.

 Bear in mind that some releases get a simultaneous release on multiple formats within the same territory, and then you have the releases that may be released at the same time in completely different territories often by different labels.

From  March 7, 2016 from Ebay Seller in web article How to Identify Original Vinyl Pressings (no Author notation)


price rating