THELONIOUS MONK Quartet plus Two "AT THE BLACKHAWK" LP, Shrink, Mono, NM/NM, DG
  $   29

 


$ 29 Sold For
Jan 31, 2016 Sold Date
Jan 24, 2016 Start Date
$   25 Start price
3   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

Thelonious Monk Quartet Plus Two* ?– At The Blackhawk

Label: Riverside Records ?– RLP 12-323 Format: Vinyl, LP, Album, Mono 
Country: US Released: 1960 Genre: Jazz Style: Bop, Hard Bop

TracklistHide Credits

A1 Let's Call This Written-By – Thelonious Monk 8:32 A2 Four In One Written-By – Thelonious Monk 8:37 A3 I'm Getting Sentimental Over You Written-By – Bassman*, Washington* 6:07 B1 Worry Later Written-By – Thelonious Monk 9:09 B2 'Round Midnight Written-By – Williams*, Monk* 12:06 B3 Epistrophy (Closing Theme) Written-By – Thelonious Monk 2:00

Companies, etc.

  • Record Company – Bill Grauer Productions
  • Recorded At – Black Hawk (2)
  • Mastered At – Components Corp.

Credits

  • Bass – John Ore
  • Design [Cover] – Ken Deardoff
  • Drums – Billy Higgins
  • Engineer [Recording] – Ray Fowler, Reice Hamel
  • Mastered By – Jack Matthews
  • Piano – Thelonious Monk
  • Producer, Liner Notes – Orrin Keepnews
  • Tenor Saxophone – Charlie Rouse, Harold Land
  • Trumpet – Joe Gordon

Notes

Recorded 'live' at The Blackhawk, San Francisco; April 29, 1960. 
Joe Gordon appears through the courtesy of VEE-JAY Records. 
Mastered on a HYDROFEED lathe. 
(The present album is also available in Stereophonic form on RLP 1171.) 

Blue 'mic and reel' labels with 'BILL GRAUER PRODUCTIONS' along the bottom (no 'INC.').

Barcode and Other Identifiers

  • Matrix / Runout (Runout A): RLP 12 323 A
  • Matrix / Runout (Runout B): RLP 12 323 B

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Ferndale, Michigan 48220
Phone: 248-548-9888 
Hours: Monday thru Saturday NOON to 6:00 PM (Eastern) 

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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