THE ZOMBIES SHE'S NOT THERE/1st ALBUM RARE ORIG'65 PARROT LP IN SHRINK w/STICKER

$

91

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       THE ZOMBIES - THE ZOMBIES FEATURING SHE'S NOT THERE AND TELL HER NO (THE ZOMBIES' FIRST U.S. ALBUM) - ORIGINAL 1965 PARROT  RECORDS "STEREO" LP PAS-71001

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK PARROT LABEL WITH GREEN PARROT LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP WITH A NIFTY STICKER STILL AFFIXED TO THE WRAP.

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and  10 being the thickest), we assess the thickness of the vinyl as 7.

·       THE RECORD HAS A'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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After the double-sided hit single "She's Not There" b/w "You Make Me Feel Good" topped the U.S. charts in the fall of 1964, Parrot Records quickly culled together this LP for 1965 release. The dozen tracks were taken from material the Zombies cut for their 1965 U.K. debut album, Begin Here. Also included are "It's Alright With Me" and "Sometimes" from the combo's self-titled EP. Regardless of presentation, The Zombies (Featuring She's Not There and Tell Her No) aptly portrays the quintet of Chris White (bass), Rod Argent (keyboards/vocals), Colin Blunstone (guitar/vocals), Paul Atkinson (guitar), and Hugh Grundy (drums) in terms of the band's fresh blend of intelligent Brit-pop. Their efforts are equally laudable on the strength of originals such as "Tell Her No" and "What More Can I Do" as they are on the blue-eyed soulful medley interpretation of the Miracles' "You've Really Got a Hold on Me" with Sam Cooke's "Bring It on Home to Me." This is stylistically complemented by the R&B rave-up on Muddy Waters' "I Got My Mojo Working" and the ultra hip jazzy arrangement of the Gershwin standard "Summertime." the Zombies' obvious appreciation for adeptly crafted melodies and rich vocal harmonies likewise made them favorites of pop fans as well as more discerning listeners. "Work 'n' Play" is an instrumental credited to producer Ken Jones. Initially, the piece was simply used to fill out the long-player. That was until the tune was more fully developed by the band, and under the direction of Argent's fiery lead harmonica they turn the proposed filler into a rock & roll killer.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

All original albums by The Zombies (and there's only a few of them to begin with) are very coveted, quite valuable and highly collectable, such as the copy of this classic Zombies  album we are offering here. This is the album which pretty much defined the British (pre-Blues) invasion and Beat movement; Don’t be a Zombie – it’s the time of a season to grab this awesome classic 'British Invasion' album now.

Track listing: She's not there - Summertime - It's alright with me - You've really got a hold on me - Sometimes - Woman - Tell her no - I don't want to know - Work'n'Play - Can't nobody love me - What more can I do? - I've got my old mojo working.

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·                               CONDITION:

·                               THE RECORD:

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is apparently pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(c)           The record comes in the original stock inner sleeve.

(d)          True stereo copies of this album are NOT known to exist (this is an electronically rechannelled recording).

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

COVER IS (WEAK) NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP  (A  PIECE OF SHRINK WRAP - ABOUT 5 % - IS MISSING ON THE BACK SIDE)

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout saw-mark (an indent about 3-5 mm long ) on one of its seams.

-        Cover shows some light yellowing on both sides, apparently from aging.

-        Cover has a few tiny wrinkles along the spine (nothing significant)

-        Cover has a light "wrinkle" (crease)  in one of the corners.

-        Cover has some light ring wear in one small area not covered by the shrink wrap (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3   (VISIBLE ON BACK SIDE ONLY) .

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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