THE WHO WHO'S NEXT BACK TO BLACK 60TH ANNIVERSARY 180 GRAM AUDIOPHILE VINYL LP
  $   170

 


$ 170 Sold For
May 19, 2019 Sold Date
May 10, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

THIS WHO'S NEXT  WHO WANT THE BEST AND RAREST INAUDIOPHILE VINYL WE ARE OFFERING THE WHO'S NEXT BACK TO BLACK 60TH ANNIVERSARY OUT OF PRINT COLLECTORS EDITION OF THE ORIGINAL LP IN THE AUDIOPHILE 180 GRAM PRESSING. THIS PRESSING STILL SEALED IN PRISTINE CONDITION LIKE THIS ONE WE ARE OFFERING SELL FOR WAY OVER $200 IF YOU CAN FIND ONE.

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THE WHO'S NEXT BACK TO BLACK 60TH ANNIVERSARY OUT OF PRINT COLLECTORS EDITION OF THE ORIGINAL LP IN THE AUDIOPHILE 180 GRAM PRESSING.

  Re-Mastered 180g Vinyl LP Reissue!

Rolling Stone 500 Greatest Albums of All Time - Rated 28/500!
Rolling Stone 500 Greatest Songs of All Time - "Baba O'Riley" - Rated 349/500!

At the beginning of the '70s, the impact of Tommy weighed heavily on Pete Townshend's shoulders. How on earth would he and the Who top such a successful and important album? The guitarist-songwriter felt he had to take his music and its conceptual strains one step further. He began writing a futuristic fable that would transcend itself beyond the usual conventions of modern music. Intended to be a film, a play, a concert, a mega multimedia and cerebral experience - Townshend called his new project Lifehouse. And although Lifehouse would stay frozen on the blocks for another 30 years, its seeds sprouted the Who's most cohesive and consistent effort, Who's Next. 

How Townshend's ambitious follow-up ended up as Who's Next isn't easy to discern. After several false starts and a break with Who manager/mentor, Kit Lambert, the record was eventually rescued and shaped by producer/engineer, Glyn Johns. Much of Townshend's vision was contained within his extensive demos -bits and pieces of a loosely constructed storyline set against experimental melodies and basic backbeats. The album's opening track, "Baba O'Riley," was originally an elongated cycle of synthesizer loops. What it became was an anthem, highlighted by a tumultuous build, Dave Arbus' rambling violin and Roger Daltrey's acclamation of a "Teenage Wasteland." The thunder is sustained by the contagious "Bargain" - now, like so much of the Who's music, a commercial jingle. "Love Ain't For Keeping" chugs away against a fierce acoustic rhythm while John Entwistle's sole contribution of "My Wife" remains one of his most electrifying songs. "This Song Is Over" features Nicky Hopkins' incomparable piano work and ends with a chorus pulled from "Pure And Easy," the central number of Lifehouse that failed to make the final cut, but would resurface three years later on the Odds And Sods compilation. The theme is maintained on "Getting In Tune," reintroduced during the Who's most recent tour, and "Going Mobile," a track with Townshend on lead vocals that recounts a couple of Lifehouse's characters cruising the streets in a Cadillac.

"Behind Blue Eyes," "Going Mobile" and "Bargain" all beam with epic majesty, often spiked with synthesizers — especially "Baba O'Riley," which Townshend partly named after avant-garde composer Terry Riley." - rollingstone

Features:
• 180g Vinyl
• Remastered

Selections:
1. Baba O'Riley
2. Bargain
3. Love Ain't For Keeping
4. My Wife
5. Song Is Over
6. Getting In Tune
7. Going Mobile
8. Behind Blue Eyes
9. Won't Get Fooled Again

 

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