THE WHO Quadrophenia VG++ '73 Track 2LP 1ST PRESS w Booklet Love Reign O'er Me
  $   75

 


$ 75 Sold For
Jul 21, 2021 Sold Date
May 25, 2021 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  VG++ Play Graded. Sounds Great!  Has some marks that don't affect the sound quality.  Labels are Clean and Bright.  This is the audiophile acclaimed Original 1973 Track Record Double LP 1ST PRESSING, Mastered at The Mastering Lab, Hollywood, CA!!  MCA2-10004.  Another Rock Opera par excellence from The Who!  If you haven't seen the movie, please see it...Although this isn't officially the OST, it may as well be.  This is Maximum R&B at its Zenith:  The Who at their absolute top form and would, questionably, never release anything as conceptually and sonically powerful as this one again...Try 5:15, Dr. Jimmy, The Real Me, I'm One, Sea & Sand, Love Reign O'er Me...Maximum R&B...One of Rolling Stone's 500 Greatest Albums of All Time!!  allmusic gives it 5 stars!!

See Review Below!
In the Dead Wax:  Matrices, etched.  Has TML, stamped, on all 4 sides  ((The Mastering Lab, Hollywood, CA))  Complete Dead Wax information cheerfully provided upon request.

Cover:  VG++  (see photos)  Gatefold.  Includes the Beautiful 44 page Booklet that comes off as a photo essay of sorts with amazing B&W A beautiful package designed by and photographed by Ethan Russell (who did The Who's iconic "Who's Next" cover as well as covers for The Stones and The Beatles).  Nice matte B&W cover.  Front and back of cover artwork and text are rich, clear and bright, with minor ring wear on the back cover.   Seams, spine and corners are solid and clean, with some wear.  No splits.  No writing. Spine print is mostly clear.  The title, band name and catalog number are all clear.

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).


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All records are packaged securely and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

AllMusic Review by Richie Unterberger  [-]

Pete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod's struggle to come of age in the mid-'60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren't devising some fantasy but were re-examining the roots of their own birth in mod culture. In the end, there may have been too much weight, as Townshend tried to combine the story of a mixed-up mod named Jimmy with the examination of a four-way split personality (hence the title Quadrophenia), in turn meant to reflect the four conflicting personas at work within the Who itself. The concept might have ultimately been too obscure and confusing for a mass audience. But there's plenty of great music anyway, especially on "The Real Me," "The Punk Meets the Godfather," "I'm One," "Bell Boy," and "Love, Reign o'er Me." Some of Townshend's most direct, heartfelt writing is contained here, and production-wise it's a tour de force, with some of the most imaginative use of synthesizers on a rock record. Various members of the band griped endlessly about flaws in the mix, but really these will bug very few listeners, who in general will find this to be one of the Who's most powerful statements.


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