THE VELVET UNDERGROUND The Velvet Underground LP MGM 1969 US orig+Promo+stereo
  £   100
  $   133

 


£ 100 Sold For
Oct 7, 2015 Sold Date
Sep 27, 2015 Start Date
£   60 Start price
8   Number Of Bids
  Italy Country Of Seller
eBay Auctioned at
 
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Description

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THE VELVET UNDERGROUND

DOUG YULE, STERLING MORRISON, LOU REED, MOE TUCKER

The quintessential bohemian New York band of the '60s that fused art, rock, 

and poetry in a fashion that proved incalculably influential

"THE VELVET UNDERGROUND"

1969   LP      MGM RECORDS     SE-4617  STEREO

PRINTED IN U.S.A.    ORIGINAL STEREO PRESSING

PROMOTIONAL COPY      YELLOW LABEL

This version: "M-G-M SPECIAL DISC JOCKEY RECORD Not For Sale" on centre labels

A-side label lists What Goes On as 3:35 instead of 4:52 as correctly listed on back cover

THICK CARDBOARD COVER (AMERICAN STYLE)

With company inner sleeve

Barcode and Other Identifiers

LABEL:  MGM - YELLOW LABEL - BLACK TEXT

Catalog on cover: SE-4617  

Catalog on labels: SE4617 (MGS 1824 / MGS 1825)

Matrix / Runout (Side A, Etched): SE-4617 SIDE-1 MGS-1824  REV FINAL

Matrix / Runout (Side B, Etched): SE-4617 SIDE-2 MGS-1825  REV FINAL

On labels: M-G-M SPECIAL DISC JOCKEY RECORD Not For Sale

MGM Records

A Division Of Metro-Goldwyn-Mayer Inc.

Made in U.S.A.

All Selections Comp. By The Velvet Underground

All Selections Publ. By Virpì, Inc.-BMI

Arr. & Cond. By The Velvet Underground

On front cover:  ®© Metro-Goldwyn-Mayer, Inc./Printed in U.S.A.

On back cover: Manufactured by MGM Records Division

Metro-Goldwyn-Mayer, Inc., 1350 Avenue of the Americas, New York, N.Y. 10019

from my records collection

tracklisting

Side A: CANDY SAYS - WHAT GOES ON

SOME KINDA LOVE - PALE BLUE EYES - JESUS

Side B: BEGINNING TO SEE THE LIGHT - I'M SET FREE

THAT'S THE STORY OF MY LIFE - THE MURDER MISTERY - AFTERHOURS

  grading

RECORD VG+ but (please, read above description)

SLEEVE STRONG VG+ but (please, see pictures and read above description)

Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly 

as much as their first two albums shocked the few mainstream music fans who heard them. 

After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico 

and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums 

documented some manic, speed-fueled party and this was the subdued morning after.

 (The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, 

John Cale, in the fall of 1968; the arrival of new bassist Doug Yule; and the theft of the band's amplifiers shortly 

before they began recording.) But Lou Reed's lyrical exploration of the demimonde is as keen here as on any album 

he ever made, while displaying a warmth and compassion he sometimes denied his characters. 

"Candy Says," "Pale Blue Eyes," and "I'm Set Free" may be more muted in approach than what the band 

had done in the past, but "What Goes On" and "Beginning to See the Light" made it clear the VU 

still loved rock & roll, and "The Murder Mystery" (which mixes and matches four separate poetic narratives) 

is as brave and uncompromising as anything on White Light/White Heat....(All Music)


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