THE VELVET UNDERGROUND "1969 LIVE WITH LOU REED" 1974 EX-/VG+ GATEFOLD OOP LP

$

24

TWO YEARS AGO I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE MUSIC COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!). THIS ITEM IS FROM HIS COLLECTION.

THE PHOTO'S MAY BE A LITTLE BLURRY, HAVE A LITTLE GLARE, SOME REFLECTIONS OR IN SOME CASES YOU MAY SEE SPECKS OF DUST. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. I DO COMBINE SHIPPING. BUT I DO NOT ACCEPT “BEST OFFERS”, THE MONIES GO TO MY FRIENDS WIDOW.

THESE ARE VISUALLY & PLAY GRADED.

ARTISTS: THE VELVET UNDERGROUND

TITLE: “1969 LIVE WITH LOU REED”

TRACK LISTING: SEE BELOW

Companies, etc.

• Record Company – Vertigo
• Record Company – Philips
• Manufactured By – Phonogram, Inc.
• Distributed By – Phonogram, Inc.
• Phonographic Copyright (p) – Phonogram, Inc.
• Copyright (c) – Phonogram, Inc.
• Published By – Oakfield Avenue Music Ltd.
• Published By – Dunbar Music, Inc.
• Mastered At – Masterdisk
• Pressed By – Columbia Records Pressing Plant, Santa Maria

Credits

• Art Direction, Illustration, Design – Ernst Thormahlen*
• Engineer – Gilbert Kong
• Liner Notes [Back Cover] – Paul Nelson
• Liner Notes [Inner] – Elliott Murphy
• Mastered By – Gilbert Kong
• Written-By – Lou Reed

Notes

Barcode and Other Identifiers

• Matrix / Runout (Side A runout, stamped, except "CS5" and "G.K." etched): SRM-2-7504-A-CS5 MASTERDISK G.K.
• Matrix / Runout (Side B runout, etched, except "MASTERDISK" stamped): SRM-2-7504-B-CS5 MASTERDISK G. K.
• Matrix / Runout (Side C runout, etched, except "MASTERDISK" stamped): SRM-2-7504-C-CS5 MASTERDISK G.K.
• Matrix / Runout (Side D runout, stamped, except "CS5" and "G.K." etched): SRM-2-7504-D-CS5 MASTERDISK G.K.
  

LABEL: MERCURY RECORDS

CAT.#: SRM-2-7504

YEAR: 1974

RECORD CONDITION: THE RECORD IS IN EX- CONDITION.NO VISIBLE WEAR, SCRATCHES, LINES ETC. NICE SHINEY LUSTER TO THE VINYL. BOTH LABELS IN EXCELLENT CONDITION. LOOKS AND PLAYS SUPER CLEAN. NO SKIPS, POPS,CLICKS ETC. THERE SOME LIGHT CLICKS/POPS AT THE VERY START OF THE LEAD IN GROOVES THEN FOR THE MOST PART GOES AWAY BEFORE THE FIRST SONGS ON EACH SIDE START EXCEPT FOR SIDE 4, THERE AR A COUPLE OF CLICKS OVER LOU'S BAND INTRODUCTIONS.

SLEEVE CONDITION: THE GATEFOLD JACKET IS IN VG+ CONDITION THERE'S NO WRITING ON THE JACKET. STRAIGHT EDGES. HOLE IN THE CORNER DONE BY THE RECORD LABEL.THERE'S VERY VERY LIGHT EDGE WEAR.

MORE INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. INCLUDES ORIGINAL INNER SLEEVES.

NOTE: DAVE HAD A FEW V.U. RECORDS THAT I AM LISTING SO CHECK 'EM OUT, AND AGAIN,. NO I AM NOT ACCEPTING “BEST OFFERS” I WANT TO MAXIMIZE RETURN AND BE FAIR TO ALL INTERESTED BIDDERS/BUYERS. PLEASE FEEL FREE TO ASK QUESTIONS. MY INFO OFF OF DISCOGS.

MORE INFO ON THE ARTISTS/RELEASE:

The Velvet Underground was an American rock band formed in 1964 in New York City by singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise (replaced by Moe Tucker in 1965). The band was initially active between 1965 and 1973, and was briefly managed by the pop artist Andy Warhol, serving as the house band at the Factory and Warhol's Exploding Plastic Inevitable events from 1966 to 1967. Their debut album, The Velvet Underground & Nico (with German-born singer and model Nico), was released in 1967 to critical indifference and poor sales but has become critically acclaimed; in 2003, Rolling Stone called it the "most prophetic rock album ever made." 

The band's integration of rock and the avant-garde achieved little commercial success during its existence, but it is now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. The provocative subject matter, musical experiments, and often nihilistic attitudes explored in the band's work proved influential in the development of punk rock and new wave music.[7] In 2004, Rolling Stone ranked the band No. 19 on its list of the "100 Greatest Artists of All Time". In 2017, a study of AllMusic's catalog indicated the Velvet Underground as the fifth most frequently cited artist influence in its database. The band was inducted into the Rock and Roll Hall of Fame in 1996 by Patti Smith. 

1969: The Velvet Underground Live is a live album by the Velvet Underground. It was originally released as a double album in September 1974 by Mercury Records. The September 1988 CD re-release was issued as two separate single CD volumes, with one extra track per disc. Since many of the band's studio albums were out of print in the USA from the early 1970s through the mid-1980s, 1969 was one of the more popular albums by the band, and is a fan favorite. Spin magazine's Alternative Record Guide included it in the top 100 alternative albums of all time in 1995. 

Recording and production[edit]

During 1969, the Velvet Underground toured the United States and Canada, playing well over 70 dates. By this time, the band had picked up a sizeable fan base and every now and then a fan would bring along, with consent of the band, recording equipment to record a set.

Most of the time, this would mean relatively simple hand-held recorders resulting in lo-fi audience recordings. On two occasions, however, professional equipment was used. On October 19, 1969, in the End of Cole Ave. club, Dallas, a fan who happened to be a recording engineer brought along his professional gear; and in November at The Matrix in San Francisco, the band was given permission to use the in-house four-track recording desk.

The band were given two-track mixdown tapes from the recordings for reference, but nothing was done with them until 1974, after the band had dissolved and Lou Reed had become well known as a solo artist. According to bassist Doug Yule, "The release of 1969 Live... was started by Steve Sesnick [former band manager], who had the tapes and was trying to sell them to get money for himself claiming that he owned the [band] name and the rights to the album... Somehow somebody else got involved and contacted other people in the group and basically Sesnick got done. [Lou Reed's management] took the tapes and said 'It's not yours' and released it". 

The mixdown tapes were submitted to Mercury Records, who agreed to release a compilation of the best performances as a double album. The compiling was done by music critic Paul Nelson, who at the time was working in A&R (artists and repertoire) at Mercury. When 1969 was released, it immediately became subject of a lawsuit as The Matrix's management had never given permission for their material to be used on a commercial release. The matter was settled out of court.

The tracks on 1969 are for the most part of good sound quality, resulting from four-track recording equipment being used. Some of the tracks feature light crackling, however, as they were sourced from acetates, the original tapes having been lost. The CD release is worse in this regard, as it appears that some tracks were sourced from a vinyl copy of the album. There is little ambiance or audience sound, however, because no audience mic was used and so the only ambience the listener gets is whatever little the vocal and drums mics picked up. This makes the record sound relatively flat and small and makes it seem that only a handful of people were present.

At the time of the album's release, three of its songs ("We're Gonna Have a Real Good Time Together", "Over You" and "Sweet Bonnie Brown"/"It's Just Too Much") had never been released in any form, two ("Lisa Says" and "Ocean") were previously only known from the versions on Reed's debut solo album, and "New Age" and "Sweet Jane" were radically different from the eventual Loaded studio versions. In addition, much of the rest of the album lends credence to a popular saying about the band—that they would not (or could not) play a song the same way twice. In particular, "I'm Waiting For The Man" (here called "Waiting For My Man") is performed in a country-rock manner; "Femme Fatale" is louder and more aggressive, and "White Light/White Heat" is extended from two-and-a-half minutes to over eight minutes of avant-garde guitar improvisation. The album is also notable for featuring songs sung by different singers from the album versions: Reed sings "New Age" (later sung by Yule on Loaded) and "Femme Fatale" (originally sung by Nico) and Yule sings "I'll Be Your Mirror" (also originally by Nico).

The album contained liner notes by Paul Nelson and by singer/songwriter Elliott Murphy.

I DO COMBINE SHIPPING! THE $4 FLAT RATE ALSO INCLUDES THE MAILER WHICH COST OVER $1 EACH. THANKS!

ALL 12” RECORDS WILL BE MAILED OUT IN CARDBOARD MAILERS DESIGNED FOR SHIPPING WITH ADDITIONAL CARDBOARD SUPPORT. I DO COMBINE SHIPPING WITH OTHER LIKE SIZED ITEMS. ADDITIONAL LPs $1 EA. IN THE U.S. VIA MEDIA MAIL OR OTHER USPS SERVICES. INTERNATIONAL SHIPPING IS BASED ON WEIGHT AND COUNTRY. FOR THE U.S. THE $4 COST OF THE MEDIA MAIL INCLUDES MY COST OF THE MAILER, PACKING MATERIALS & TIME. THANKS! BOB

INTERNATIONAL BIDDERS TAKE NOTE !!!

IF YOU OPT TO NOT PAY FOR THE EXTRA INTERNATIONAL REGISTERED MAIL, AND OPT FOR THE REGULAR INTERNATIONAL FIRST CLASS WHICH HAS NO TRACKING AT ALL, I WILL NOT BE RESPONSIBLE FOR YOUR PACKAGE, AND I WILL TAKE PICTURES OF MY POST OFFICE RECEIPTS AND MY U.S. CUSTOMS FORMS AND SEND THEM TO YOU AS PROOF OF MY MAILING YOUR ITEM OUT, I AM NOT RESPONSIBLE FOR THE FAILINGS OF YOUR COUNTRIES POSTAL SERVICE, KNOW THIS BEFORE YOU BID ON ANY OF MY ITEMS!!! IF YOUR ITEM DOES NOT ARRIVE DO NOT BLAME ME!

DUE TO THE RECENT INCREASE IN THE INTERNATIONAL MAILING RATES THAT WENT UP ON JUNE. 1, 2015, I WILL NOT DO A FLAT RATE FOR ANY ITEMS, FROM NOW ON YOU WILL HAVE TO CALCULATE THE RATE BASED UPON YOUR COUNTRY. ALSO ADDITIONAL COMBINED ITEMS WILL MEAN A HIGHER SHIPPING CHARGED BASED ON EACH ITEM. SORRY ABOUT THIS, BUT THERE’S NOTHING I CAN DO ABOUT THAT.REGISTERED INTERNATIONAL MAIL WHICH ALLOWS FOR DOOR TO DOOR TRACKING IS AN ADDITIONAL $15.00.

I DO COMBINE SHIPPING……….

CHECK OUT MY OTHER AUCTIONS

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Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.

PLEASE PAY FOR ALL ITEMS WITHIN 5 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN TWO WORKING DAYS ONCE PAYMENT IS RECEIVED. DO NOT ASK FOR ITEM TO ME MARKED “GIFT” ON CUSTOMS FORMS, INTERNATIONAL BUYERS ARE RESPONSIBLE FOR ALL DUTIES AND CUSTOMS FEE’S! CHECK WITH YOUR POST OFFICE, I WILL NOT PAY THEM.

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