THE STOOGES- FUNHOUSE - IGGY POP- LP Elektra EKS-74071 (1973) NM

$

58

Working diligently with my librarian hat on. I am really proud of how well we took care of our things and collectibles…just kinda forgot. We have hundreds of quality pieces…some seldom seen especially in the U.S. Some are rare or at least hard to find. I welcome International Buyers…I know you have to pay high taxes for both countries …and it takes forever, but collecting is like that, I know. 

If the record/tape/whatnot is a mess - you will know about it and see it, if it was a cut out , I will show and tell.  Nonsmoking home, original owners (okay a few finds in thrifting Years ago)...Happy to pass on to someone who wants it.

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The Stooges ?– Fun House

Label: Elektra ?– EKS-74071

Series: Super Saver –

Format: Vinyl, LP, Album, Reissue

Country: US

Released:

Genre: Rock

Style: Garage Rock

Tracklist

A1          Down On The Street      3:42

A2          Loose    3:33

A3          T.V. Eye              4:17

A4          Dirt        7:00

B1          1970      5:15

B2          Fun House         7:46

B3          L.A. Blues           4:55

Companies, etc.

Mastered At – Elektra Sound Recorders

Pressed By – Specialty Records Corporation

Credits

Bass – Dave Alexander

Drums – Scott Asheton

Engineer – Brian Ross-Myring

Guitar – Ron Asheton

Producer – Don Gallucci

Saxophone – Steven Mackay

Vocals – Iggy Pop

Written-By, Arranged By – The Stooges

Notes

Single sleeve (non-gatefold), reissued with black/red Elektra labels, more recent than this. Many copies have the "Super Saver Series" sticker on front.

Barcode and Other Identifiers

Matrix / Runout (A): EKS-74071-A-SP 1-1

Matrix / Runout (B): EKS-74071-B-SP ESR-MS-30482

From Robert Christgau’s site

“Fun House [Elektra, 1970]

Now I regret all the times I've used words like "power" and "energy" to describe rock and roll, because this is what such rhetoric should have been saved for. Shall I compare it to an atom bomb? a wrecker's ball? a hydroelectric plant? Language wasn't designed for the job. Yet despite its sonic impact I find that the primary appeal of the music isn't physical--I have to be in a certain mood of desperate abandon before it reaches my body. It always interests me intellectually, though--with its repetiveness beyond the call of incompetence and its solitary new-thing saxophone, this is genuinely "avant-garde" rock. The proof is the old avant-garde fallacy of "L.A. Blues"--trying to make art about chaos by reproducing same. A-The Weirdness [Virgin, 2007]

"Free & Freaky" Choice Cuts”

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