THE ROLLING STONES Sticky Fingers VG 1971 Warhol 1st Pressing COC 59100
$
20
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Description
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First pressings are made from first generation lacquers and stampers. They usually sound vastly superior to later issues and re-issues (which are often pressed from whatever tapes or digital sources are currently available). First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider and subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive, with inner details more clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant.Vinyl: VG Play Tested. Sounds Great with some warm vinyl crackle. Single skip jump on side 2 song 4. Rolling Stones Labels are Clean. This is the Original 1971 Rolling Stones Pressing! One of the finest versions of Sticky Fingers, Mastered at Presswell, this is the Record Club of America release. Crucial Stones. One of Rolling Stone's 500 Greatest Albums of All Time!! allmusic gives it 5 stars!!!
In the Dead Wax: "Rolling Stones Records" and "PR" for Presswell Pressing Plant.
Cover: VG/VG+ (see photos; some shelf wear; stains on front and back bottom cover; small paper tears bottom front cover). This is the Andy Warhol designed Zipper cover with PG rated "inner" peak at (Joe Dallesandro'? Corey Tippin's? Jay Johnson's?) bulge under the trousers (in his underwear). Also includes the photo/credits inner sleeve which has some stains on one side. This album also features the premier appearance of the John Pasche designed Red tongue and lips illustration which would become symbolic of The Stones.
Goldmine Standards. I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl.
See Review Below!
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AllMusic Review by Stephen Thomas Erlewine [-]
Pieced together from outtakes and much-labored-over songs, Sticky Fingers manages to have a loose, ramshackle ambience that belies both its origins and the dark undercurrents of the songs. It's a weary, drug-laden album -- well over half the songs explicitly mention drug use, while the others merely allude to it -- that never fades away, but it barely keeps afloat. Apart from the classic opener, "Brown Sugar" (a gleeful tune about slavery, interracial sex, and lost virginity, not necessarily in that order), the long workout "Can't You Hear Me Knocking" and the mean-spirited "Bitch," Sticky Fingers is a slow, bluesy affair, with a few country touches thrown in for good measure. The laid-back tone of the album gives ample room for new lead guitarist Mick Taylor to stretch out, particularly on the extended coda of "Can't You Hear Me Knocking." But the key to the album isn't the instrumental interplay -- although that is terrific -- it's the utter weariness of the songs. "Wild Horses" is their first non-ironic stab at a country song, and it is a beautiful, heart-tugging masterpiece. Similarly, "I Got the Blues" is a ravished, late-night classic that ranks among their very best blues. "Sister Morphine" is a horrifying overdose tale, and "Moonlight Mile," with Paul Buckmaster's grandiose strings, is a perfect closure: sad, yearning, drug-addled, and beautiful. With its offhand mixture of decadence, roots music, and outright malevolence, Sticky Fingers set the tone for the rest of the decade for the Stones.
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