THE ROLLING STONES "STICKY FINGERS" 1974 REISSUE W/WORKING ZIPPER NM/NM OOP LP
  $   26

 


$ 26 Sold For
Dec 14, 2018 Sold Date
Dec 4, 2018 Start Date
$   25 Start price
2   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

TWO YEARS AGO I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE MUSIC COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!). THIS ITEM IS FROM HIS COLLECTION.


THE PHOTO'S MAY BE A LITTLE BLURRY, HAVE A LITTLE GLARE, SOME REFLECTIONS OR IN SOME CASES YOU MAY SEE SPECKS OF DUST. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. I DO COMBINE SHIPPING.

THESE ARE VISUALLY & PLAY GRADED.


ARTISTS: THE ROLLING STONES

TITLE: “STICKY FINGERS” 1974 REISSUE

TRACK LISTING: SEE BELOW

Label:

Rolling Stones Records ?– COC 39105, Rolling Stones Records ?– COC-39105

Format:

Vinyl, LP, Album, Reissue, MO Pressing; Zipper cover

Country:

US

Released:

1974

Genre:

Rock

Style:

Blues Rock, Classic Rock 


A1 Brown Sugar 3:50 A2 Sway 3:45 A3 Wild Horses 5:41 A4 Can't You Hear Me Knocking 7:17 A5 You Gotta Move Written-By – Fred McDowell 2:32 B1 Bitch 3:42 B2 I Got The Blues 4:00 B3 Sister Morphine 5:34 B4 Dead Flowers 4:05 B5 Moonlight Mile 5:56

Companies, etc.

  • Distributed By – ATCO Records
  • Copyright (c) – Musidor N.V.
  • Pressed By – Monarch Record Mfg. Co.
  • Published By – Gideon Music Inc.
  • Recorded At – Rolling Stones Mobile
  • Recorded At – Olympic Studios

Credits

  • Artwork [Cover] – Andy Warhol
  • Design, Graphics – Craigbrauninc
  • Engineer – Andy Johns, Chris Kimsey, Glyn Johns, Jimmy Johnson (4)
  • Producer – Jimmy Miller
  • Written-By – Mick Jagger-Keith Richard* (tracks: A1 to A4, B1 to B5)

Notes

Monarch pressing denoted by "MO" on labels.

Label variation with following rim text: Rolling Stones Records, TM Musidor B. V. Dist. By Atlantic Recording Corp. 75 Rockefeller Plaza N.Y. N.Y., pressed at Monarch Record Manufacturing, Los Angeles, California
US reissue pressing with real zipper.

Cat # COC 39105 appears on the label and spine.
Cat # COC-39105 appears on the inner sleeve, bottom-right.

Barcode and Other Identifiers

  • Matrix / Runout (Side A Label): ST-RS-712189-MO
  • Matrix / Runout (Side B Label): ST-RS-712190-MO
  • Rights Society: BMI

LABEL: ROLLING STONE RECORDS

CAT.#: COC 39015

YEAR: 1974

RECORD CONDITION: THE RECORD (VISUALLY & PLAY GRADED). THE RECORD IS IN EX/NM- CONDITION.NO VISIBLE WEAR, SCRATCHES, LINES ETC. NICE SHINEY LUSTER TO THE VINYL. BOTH LABELS IN EXCELLENT CONDITION. LOOKS AND PLAYS ALMOST BRAND NEW.

SLEEVE CONDITION: THE JACKET IS IN EX/NM- CONDITION, NO SEAMS SPLITS, WRITING ON THE JACKET ETC. WILL MAIL OUT IN PROTECTIVE PLASTIC SLEEVE.INCLUDES THE ORIGINAL INNER SLEEVE IN EXCELLENT/NM CONDITION. ALSO THE WORKING ZIPPER!

OTHER INFO: DAVE HAD OTHER STONES LPs WHICH I AM ALSO LISTING. THIS IS THE MONARCH 1974 REISSUE PRESSING.

ARTIST INFO:

The Rolling Stones are an English rock band formed in London in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Brian Jones was the original leader of the group. The band's primary songwriters, Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group's manager. Their musical focus shifted from covering blues songs to writing original material, a decision with which Jones did not agree. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974. After Taylor left the band, Ronnie Wood took his place in 1975 and continues on guitar in tandem with Richards. Following Wyman's departure in 1993, Darryl Jones joined as their touring bassist. The Stones' touring keyboardists have included Nicky Hopkins (1967–1982), Ian McLagan (1978–1981), Billy Preston (through the mid-1970s) and Chuck Leavell (1982–present).

The Rolling Stones were at the forefront of the British Invasion of bands that became popular in the United States in 1964 and were identified with the youthful and rebellious counterculture of the 1960s. Rooted in blues and early rock and roll, the band started out playing covers but found more success with their own material; songs such as (I Can't Get No) Satisfaction and Paint It Black became international hits. After a short period of experimentation with psychedelic rock in the mid-1960s, the group returned to its "bluesy" roots with Beggars Banquet (1968), which along with its follow-ups Let It Bleed (1969), Sticky Fingers (1971) and Exile on Main St. (1972), is generally considered to be the band's best work and is seen as their "Golden Age". It was during this period they were first introduced on stage as "The Greatest Rock and Roll Band in the World".

The band continued to release commercially successful albums through the 1970s and early 1980s, including Some Girls (1978) and Tattoo You (1981), the two best-sellers in their discography. From 1983 to 1987 tensions between Jagger and Richards almost caused the band to split; however, they overcame their differences and rekindled their friendship after a temporary separation to work on solo projects. The Stones experienced a comeback with Steel Wheels (1989), promoted by a large stadium and arena tour. Since the 1990s, the group has lost much of their mainstream relevancy and new material has been less frequent. Despite this, the Rolling Stones continue to be a huge attraction on the live circuit. By 2007, the band had four of the top five highest-grossing concert tours of all time: Voodoo Lounge Tour (1994–1995), Bridges to Babylon Tour (1997–1998), Licks Tour (2002–2003) and A Bigger Bang Tour (2005–2007). Musicologist Robert Palmer attributes the endurance of the Rolling Stones to their being "rooted in traditional verities, in rhythm-and-blues and soul music", while "more ephemeral pop fashions have come and gone".

The Rolling Stones were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. Rolling Stone magazine ranked them fourth on the "100 Greatest Artists of All Time" list and their estimated record sales are above 250 million. They have released 30 studio albums, 23 live albums and numerous compilations. Let It Bleed (1969) marked the first of five consecutive No. 1 studio and live albums in the UK. Sticky Fingers (1971) was the first of eight consecutive No. 1 studio albums in the US. In 2008, the band ranked 10th on the Billboard Hot 100 All-Time Top Artists chart. In 2012, the band celebrated its 50th anniversary. 

Sticky Fingers is the ninth British and eleventh American studio album by the English rock band The Rolling Stones, released in April 1971. It is the band's first album of the decade and the first release on the band's new label Rolling Stones Records, after having been contracted since 1963 with Decca Records in the UK and London Records in the US. It is also Mick Taylor's first full-length appearance on a Rolling Stones album and the first Rolling Stones album not to feature any contributions from guitarist and founder Brian Jones.

Sticky Fingers is considered one of the Rolling Stones' best albums. It achieved triple platinum certification in the US, with songs such as the chart-topping "Brown Sugar," the country ballad "Dead Flowers","Wild Horses," "Can't You Hear Me Knocking," and "Moonlight Mile".

History[edit]

With the end of their Decca/London association at hand, The Rolling Stones were finally free to release their albums (cover art and all) as they pleased. However, their departing manager Allen Klein dealt the group a major blow when they discovered that they had inadvertently signed over their entire 1960s copyrights to Klein and his company ABKCO, which is how all of their material from 1963's "Come On" to Get Yer Ya-Ya's Out! The Rolling Stones in Concert has since been released solely by ABKCO Records. The band would remain incensed with Klein for decades for that act.

When Decca informed The Rolling Stones that they were owed one more single, they cheekily submitted a track called "Cocksucker Blues", which was guaranteed to be refused. Instead, Decca released the two-year-old Beggars Banquet track "Street Fighting Man" while Klein retained dual copyright ownership in conjunction with The Rolling Stones of "Brown Sugar" and "Wild Horses."

Recording[edit]

Although sessions for Sticky Fingers began in earnest in March 1970, The Rolling Stones had been recording at Muscle Shoals Sound Studio in Alabama in December 1969. "Sister Morphine," cut during Let It Bleed's sessions earlier in March of that year, had been held over from this release. Much of the recording for Sticky Fingers was made with The Rolling Stones' mobile studio unit in Stargroves during the summer and autumn of 1970. Early versions of songs that would eventually appear on Exile on Main St. were also rehearsed during these sessions.[

The album's artwork emphasises the suggestive innuendo of the Sticky Fingers title, showing a close-up of a jeans-clad male crotch with the visible outline of a large penis; the cover of the original (vinyl LP) release featured a working zipper and perforations around the belt buckle that opened to reveal a sub-cover image of cotton briefs. The vinyl release displayed the band's name and album title along the image of the belt; behind the zipper the white briefs were seemingly rubber stamped in gold with the stylized name of American pop artist Andy Warhol, below which read "THIS PHOTOGRAPH MAY NOT BE—ETC." While the artwork was conceived by Warhol, photography was by Billy Name and design was by Craig Braun. Braun and his team had other ideas, such as wrapping the album in rolling paper - a concept later used by Cheech & Chong in Big Bambu - but Jagger was enthused by Warhol's cover with a zipper. Execution was then handled as Warhol sent Braun Polaroid pictures of a model in tight jeans.

The cover photo of a male model's crotch clad in tight blue jeans was assumed by many fans to be an image of Mick Jagger, but the people actually involved at the time of the photo shoot claim that Warhol had several different men photographed (Jagger was not among them) and never revealed which shots he used. Among the candidates, Jed Johnson, Warhol's lover at the time, denied it was his likeness, although his twin brother Jay is a possibility. Those closest to the shoot, and subsequent design, name Factory artist and designer Corey Tippin as the likeliest candidate. Warhol "superstar" Joe Dallesandro claims to have been the model.

After retailers complained that the zipper was causing damage to the vinyl (from stacked shipments of the record), the zipper was "unzipped" slightly to the middle of the record, where damage would be minimised.

For the initial vinyl release the album title and band name is smaller and at the top on the American release. The UK release the title and band name are in bigger letters and on the left.

The album features the first usage of the "tongue & lips" logo of Rolling Stones Records, originally designed by John Pasche in 1970. Jagger suggested to Pasche that he copy the outstuck tongue of the Hindu goddess Kali, and while Pasche first felt it would date the image back to the Indian culture craze of the 1960s, seeing Kali made him change his mind. Before the end of that year his basic version was faxed to Craig Braun by Marshall Chess. The black & white copy was then modified by Braun and his team, resulting in today's most popular red version, the slim one with the two white stripes on the tongue.[7] Critic Sean Egan has said of the logo, "Without using the Stones' name, it instantly conjures them, or at least Jagger, as well as a certain lasciviousness that is the Stones' own ... It quickly and deservedly became the most famous logo in the history of popular music."[9] The tongue and lips design was part of a package that, in 2003, VH1 named the "No. 1 Greatest Album Cover" of all time




I DO COMBINE SHIPPING! THE $4 FLAT RATE ALSO INCLUDES THE MAILER WHICH COST OVER $1 EACH. THANKS!

ALL 12” RECORDS WILL BE MAILED OUT IN CARDBOARD MAILERS DESIGNED FOR SHIPPING WITH ADDITIONAL CARDBOARD SUPPORT. I DO COMBINE SHIPPING WITH OTHER LIKE SIZED ITEMS. ADDITIONAL LPs $1 EA. IN THE U.S. VIA MEDIA MAIL OR OTHER USPS SERVICES. INTERNATIONAL SHIPPING IS BASED ON WEIGHT AND COUNTRY. FOR THE U.S. THE $4 COST OF THE MEDIA MAIL INCLUDES MY COST OF THE MAILER, PACKING MATERIALS & TIME. THANKS! BOB

INTERNATIONAL BIDDERS TAKE NOTE !!!

IF YOU OPT TO NOT PAY FOR THE EXTRA INTERNATIONAL REGISTERED MAIL, AND OPT FOR THE REGULAR INTERNATIONAL FIRST CLASS WHICH HAS NO TRACKING AT ALL, I WILL NOT BE RESPONSIBLE FOR YOUR PACKAGE, AND I WILL TAKE PICTURES OF MY POST OFFICE RECEIPTS AND MY U.S. CUSTOMS FORMS AND SEND THEM TO YOU AS PROOF OF MY MAILING YOUR ITEM OUT, I AM NOT RESPONSIBLE FOR THE FAILINGS OF YOUR COUNTRIES POSTAL SERVICE, KNOW THIS BEFORE YOU BID ON ANY OF MY ITEMS!!! IF YOUR ITEM DOES NOT ARRIVE DO NOT BLAME ME!

DUE TO THE RECENT INCREASE IN THE INTERNATIONAL MAILING RATES THAT WENT UP ON JUNE. 1, 2015, I WILL NOT DO A FLAT RATE FOR ANY ITEMS, FROM NOW ON YOU WILL HAVE TO CALCULATE THE RATE BASED UPON YOUR COUNTRY. ALSO ADDITIONAL COMBINED ITEMS WILL MEAN A HIGHER SHIPPING CHARGED BASED ON EACH ITEM. SORRY ABOUT THIS, BUT THERE’S NOTHING I CAN DO ABOUT THAT.REGISTERED INTERNATIONAL MAIL WHICH ALLOWS FOR DOOR TO DOOR TRACKING IS AN ADDITIONAL $15.00.

I DO COMBINE SHIPPING……….

CHECK OUT MY OTHER AUCTIONS

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Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility.

Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.

PLEASE PAY FOR ALL ITEMS WITHIN 5 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN TWO WORKING DAYS ONCE PAYMENT IS RECEIVED. DO NOT ASK FOR ITEM TO ME MARKED “GIFT” ON CUSTOMS FORMS, INTERNATIONAL BUYERS ARE RESPONSIBLE FOR ALL DUTIES AND CUSTOMS FEE’S! CHECK WITH YOUR POST OFFICE, I WILL NOT PAY THEM.

NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN, ALSO IF YOU ARE AN INTERNATIONAL BIDDER, PLEASE! BE AWARE OF THE COST OF INTERNATIONAL SHIPPING. I DO NOT LIKE OPENING UNPAID ITEM CASES BUT I WILL IF YOU NEGLECT TO PAY.



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