THE ROLLING STONES *Out Of Our Heads* 1965 FFRR label Stereo London Vinyl LP
$
42
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Description
Artist: THE ROLLING STONES
Title: Out Of Our Heads
Label: LONDON PS-429
Year: 1965
Matrix Number: ZAL-6791-2L / ZAL-6792-2L
Format: 12” VINYL 33-1/3 RPM ALBUM
Sound: STEREO
Cuts include:
Side 1: Mercy Mercy / Hitch Hike / The Last Time / That's How Strong My Love Is / Good Times / I'm All Right
Side 2: Satisfaction / Cry To Me / The Under Assistant West Coast Promotion Man / Play With Fire / The Spider And The Fly / One More Try
* Condition *
Jacket: VG
Jacket Comments: Previous owners name at top of back, seam & ring wear
Vinyl: VG+ (see comments)
Record Comments: FFRR label & inner sleeve. Side 1 plays with background noise while side two plays much cleaner & quieter
Album Notes:
The Rolling Stones: Mick Jagger (vocals, harmonica); Keith Richards (vocals, guitar); Brian Jones (guitar, harmonica, piano, organ); Bill Wyman (bass); Charlie Watts (drums, percussion)
Additional personnel: Ian Stewart (piano, organ, marimba); Jack Nitzsche (piano, organ, percussion)
Recorded in Hollywood, California, Chicago, Illinois & London, England
Liner notes by Andrew Loog Oldham
Early Stones recordings don't get much better than this. Firmly established as celebrities, the band began to use the pandemonium it inspired as an artistic source. Nowhere is the band's initial reaction to fame and music business drama more apparent than in the humorous, mocking "The Under Assistant West Coast Promotion Man," in which the Stones effectively skewer the sleazier side of the record industry. Naturally, this will always be known as the album that features the original version of "Satisfaction," which would remain the band's signature tune throughout its career, but that's really just the tip of the iceberg.Equally effective as a Jagger-Richards distillation of rock and R&B is "The Last Time," a tune easily the equal of Bobby Womack's "It's All Over Now," which the Stones handily covered on 12 X 5. Standing out from the crowd is the harpsichord-driven, English folk-inspired "Play With Fire," a menacing minor key song full of subtly expressed psychological violence. This tune, a marked change of pace for the band, hinted at the stylistic variety they would later explore
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