THE RAINY DAZE - THAT ACAPULCO GOLD (original UNI label) MONO
  $   35

 


$ 35 Sold For
Apr 27, 2025 Sold Date
Apr 20, 2025 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description




The Rainy Daze

That Acapulco Gold

VG++/VG++

US 1967

UNI Records - 3002

The Rainy Daze formed at the University of Colorado in Boulder, Colorado. They were an established covers band that performed nearly every night at various venues and clubs in and around the Denver area, including The Galaxy where they were featured six nights a week. A rabid fan following occurred. They supported such acts as The Rolling Stones, The Kinks, The Beau Brummels, The McCoys and others who were national bands that came through town.
Members included Tim Gilbert (guitar, vocals), Mac Ferris (guitar), Sam Fuller (bass), Bob Hackendorf (organ) and Tim's brother Kip Gilbert (drums). Tim could write songs but was not much of a lyricist. But he had a roommate, John Carter, who was a poet and wordsmith who could put together lyrics quite well. So, the two of them began to write songs.
At the time The New Vaudeville Band had a #1 radio hit with "Winchester Cathedral". The Rainy Daze played mostly Beatles, Yardbirds, The Stones and Who cover tunes, but this song was sung through a megaphone, that was handheld cone shaped horn that would amplify your voice and make it sound weird.
The song they wrote was called "That Acapulco Gold", a true reference to the smoking of marijuana. It was released on the local Chicory Record label and shot up to the top of the charts. Phil Spector happened to catch them on a local TV teen dance show called Wing Ding, broadcast on WDCA channel 20 and brought them to Los Angeles where they were signed to UNI Records. The song and an album were recorded and the single began to climb the national charts.
However, once the critics took a hard listen to what the song was about, they threatened sanctions to any radio station that aired the song and it was pulled. The song peaked at #70  and actually made the top spot in sales, but there was an asterisk next to the title which meant "Not suitable for airplay".
Taking advantage of the megaphone sound, they had their 15 minutes of fame, but they fell apart in a hurry once the song was no longer air worthy. John Carter and Tim Glibert then wrote "Incense and Peppermints" which topped the charts for "The Strawberry Alarmclock".
Musically the hit single doesn't exemplify how the band sounded. They were a garage rock and pop band along the lines of The Druids of Stonehenge, The Count Five and others with added echoes and studio effects.
This was their only LP. An original UNI label release. MONO copy.
Cover has some very slight shelf wear. Record has some visible sleeve and age marks. The record plays clean with NO unusual noises or ticks. Generic inner sleeve.
Very nice copy.





I was Ina-Gadda-Da-Records.

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Auctions are listed for 7 days.  

All records are Graded to the best of my ability and are rated VINYL FIRST / THEN COVER. For Double LPs Vinyl / Vinyl / Cover. 

GRADING DETAILS – Everything I list will be at least VG+ or better, both visually and audibly, unless I state otherwise. 95% of what is offered and up for bid is very clean with maybe 1 or 2 minor flaws. If it’s very rare, it may be offered with obvious visual marks, scratches, warps and might make some low-level noise. But this would be a rare instance. I’ll describe any flaws as best I can. I ASK THAT YOU READ THE FULL DETAILS AS DESCRIBED BY ME ABOUT THE LOOKS AND SOUND OF THE RECORD. Don’t base everything on a simple grading rate M, EX, VG++, etc. I’m not that good at it.

AUDIBLE GRADING – All vinyl records are played before they are listed. Some records look bad and play good. Others look perfect but play badly. Any visual flaws that I see will be described and I will let you know if they make an audible noise. 95% of the records up for bid are very clean sounding. You may hear a minor tick or click as its spinning but typically light hairline scratches and sleeve marks Do Not Affect Play (DNAP) and should not detract from your overall listening pleasure.

VISUAL GRADING - PLEASE READ THIS!!!

COVERS - I'm a 72-year-old guy with Strabismus (an eye disorder). I try to visually describe every flaw that I can see, but sometimes I miss a small tear or a tiny seam split.

SHELF WEAR generally means that the cellophane was removed when the LP was new and it sat on a shelf or in a box without a plastic sleeve, before they were available, for several years, so there can be some rub blemishes, sticker residue if it was purchased used, tiny tears, slight seam splits and other defects.

EDGE WEAR usually means the picture wrap around the edge has been worn, sometimes into the cardboard itself. This usually happens on the top or bottom edge.

CORNER WEAR is the same as edge wear but sometimes there will be a dent or ding at the corner. All 4 sides are suspect for this occurrence.

RING WEAR occurs when a record was not stored in a protective sleeve for a very long time. Back in the day, plastic sleeves were not easily available. Most of us as teenagers, ripped off the cellophane and didn’t consider how the record cover was being stored. Most of the record covers laid on the floor or were stored in the closet or on a shelf for easy access. If they sat for a long time, earth movement, that nobody feels, causes vibration and the record sleeves would rub together and wear on the cover picture or illustration causing the ring wear and other flaws.

THE VINYL RECORD ITSELF - I will try to visually grade both sides of the vinyl record. There might be some sleeve rubs or marks on some of these. All of my records were played more than once, unless they are sealed. If I mention ticks and or clicks in the description, that means that you can visually see and sometimes hear the imperfection. Most of these Do Not Affect the Play (DNAP). I try my best to see any flaws but understand I don’t Inspect these LPs with a High Lumens Tactical Light and a Magnifying Glass. If the visual flaws are obvious or severe, I try and describe these as best as I can. If there are a lot of visual scratches, it won’t be listed. The exception is if the LP is very rare. I will list a rare record that looks bad but plays pretty good.

INNER SLEEVES - Most of the inner sleeves are simple paper sleeves and have slight splits, bends and tears on older LPs. If they’re really bad or split in half, I replace them with a newer paper or plastic sleeve. GENERIC means a blank paper sleeve.

WARPED RECORDS - Warped records normally occur when they are stored near high heat. I will never send a warped record unless it is very slight and doesn't affect play. If you live somewhere in the world that has high temperatures that could affect package delivery. Insurance is a must to guarantee no loss on the item you bought. You are responsible for this request and there is an additional charge for insurance. Let me know. There is NO REFUND for a record that was sent not warped when packed but was delivered and warped and unplayable. I cannot put records on ice for delivery to high heat areas of the world. Buy package insurance so there won't be any $$$$$ loss in case this happens.

HIGH END RECORDS - There will be a few more pictures for any records that are high end items. I will give a more critical inspection and description of both cover and vinyl. Ask for more pictures if you need them and I can send them to you.

PACKAGING - LPs will be packaged in the proper corrugated cardboard box, we all know about, with extra cardboard pads. Each LP will have a clear plastic sleeve. The record itself will be removed and shipped within the sleeve separate from the cover to prevent any seam splits. All of the boxes I package records in are new and there are typically no problems. I can also ship in a Whiplash Box. But I will only do this if you request it. 

SEALED RECORDS - The vinyl record will NOT be removed from a sealed LP purchase for shipping. I would advise you to add additional insurance for all sealed LPs that are being shipped to high heat areas due to possible heat warping. No obligation, but it safeguards against some potential problems.

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REFUNDS - I will Refund for any item purchased and received that was not fully as described. Grading is difficult and is the usual cause of concern. We're talking used and 30-50 years old. THERE ARE NO PERFECT RECORDS. Even sealed records can have visual and audible flaws, ticks, clicks, skips and heat warps. IF YOU OPEN A SEALED RECORD AND IT IS WARPED SO BADLY THAT IT DOESN'T PLAY THROUGH, that usually means it was stored near or shipped in high heat. I have no way of knowing. All sealed records should be insured, just in case that happens. But with regard to a warped record that was sealed and is unplayable, contact me anyway, I will try and make it right. Any other flaws found on a sealed record that was opened by you, deems the LP non-refundable. If there is a concern, please contact me. We can always work things out.

DAMAGES DURING DELIVERY CAUSED BY THE POSTAL SERVICE. Any damages that are caused due to unfortunate circumstances during the delivery process, broken records, scrapes, heavy package dents caused by something heavy set on top, warpage caused by excessive heat during delivery, etc. should be handled through E-Bay. They guaranty that packages arrive in the condition as described. If there are obvious damages to the package and the record is unplayable, email me with pictures and let me know. I mark all packages with "Fragile. Do Not Bend" notices marked in RED, so they should be careful. But $&#t happens. I will not be responsible for damages that were not incurred by me. But E-Bay can refund the transaction with proof.

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