Marvelettes, The ?– The Best Of The Marvelettes

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Companies etc

• Published By – Jobete London Music Ltd.
• Published By – Dominion Music
• Published By – Campbell Connelly & Co. Ltd.
• Phonographic Copyright (p) – Motown Record Corporation
• Manufactured By – EMI Records Ltd.

Artist Biography by Richie Unterberger

Probably the most pop-oriented of Motown's major female acts, the Marvelettes didn't project as strong an identity as the Supremes, Mary Wells, or Martha Reeves, but recorded quite a few hits, including Motown's first number one single, "Please Mr. Postman" (1961). "Postman," as well as other chirpy early-'60s hits like "Playboy," "Twistin' Postman," and "Beechwood 4-5789," were the label's purest girl group efforts. Featuring two strong lead singers, Gladys Horton and Wanda Young, the Marvelettes went through five different lineups, but maintained a high standard on their recordings. After a few years, they moved from girl group sounds to up-tempo and mid-tempo numbers that were more characteristic of Motown's production line. They received no small help from Smokey Robinson, who produced and wrote many of their singles; Holland-Dozier-Holland, Berry Gordy, Mickey Stevenson, Marvin Gaye, and Ashford-Simpson also got involved with the songwriting and production at various points. After the mid-'60s Wanda Young assumed most of the lead vocal duties; Gladys Horton departed from the group in the late '60s. While the Marvelettes didn't cut as many monster smashes as most of their Motown peers after the early '60s, they did periodically surface with classic hits like "Too Many Fish in the Sea," "Don't Mess With Bill," and "The Hunter Gets Captured by the Game." There were also plenty of fine minor hits and misses, like 1965's "I'll Keep Holding On," which is just as memorable as the well-known Motown chart-toppers of the era. The group quietly disbanded in the early '70s after several years without a major hit.

Strictly Graded - RECORD COLLECTOR Grading System.

Grading System: In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated a set of standards for the condition of second-hand records, I have added a (+) or (-) to my gradings where applicable.

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.

The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.

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