THE KINKS KINDA KINKS ORIG 1965 MONO REPRISE LP NEAR MINT VINYL TRI-COLOR LABELS
$
32
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Description
THE KINKS~KINDA KINKS~ORIG 1965 MONO REPRISE LP~NEAR MINT VINYL~TRI-COLOR LABELS
Product Description
Kinks– Kinda Kinks Reprise Records – R 6173 VERY RARE MONO PRESSING FROM 1965 IN AMAZING CONDITION! COVER IS IN EX CONDITION WITH SOME SPOTTING/STAINING AT THE EDGES, A COUPLE OF STAPLE MARKS WHERE A PRICE TAG WAS REMOVED. VINYL IS NEAR MINT WITH ONLY VERY LIGHT WEAR!The Kinks' second album, Kinda Kinks, was rush-recorded on either side (and in the midst) of a world tour that took them all the way to Australia in the course of bridging the 1964-1965 New Year. Under those circumstances, the fact that every cut but one was an original was no small tribute to the songwriting ability of Ray Davies, even if most of the songs were less than first-rate -- because what was first-rate was also highly memorable, and what wasn't also wasn't bad. In the space of two frantic late-December and mid-January sessions, and a brutal week in February of 1965, the group cut 11 songs to fill out a long-player that was already destined to contain "Tired of Waiting for You" (a product of the previous summer's work, held back by producer Shel Talmy for a single). Also along for the ride were the latter's driving B-side "Come on Now" and "Something Better Beginning" (both cut in December 1964). So the resulting record was uneven but filled with promise, and possessed of at least three bright spots -- additionally, and equally important, this album showcased a much more sophisticated sound, Dave Davies' guitar turned down (and even switched to acoustic in a couple of spots) as Ray Davies began exploring aspects of emotions and storytelling that transcended anything in the group's prior output -- "Nothin' in This World Can Stop Me Worryin' 'Bout That Girl" may have been a mouthful of a title, but it also put them right in the front of the British Invasion pack for seriousness and complexity, out in front of where the Beatles or almost any of the competition were in early 1965, but it didn't stop them from switching gears to the bluesy "Naggin' Woman."
Tracklist A1 Look For Me Baby 2:17 A2 Got My Feet On The Ground 2:14 A3 Nothin' In The World Can Stop Me Worryin' 'Bout That Girl 2:44 A4 Wonder Where My Baby Is Tonight 2:36 A5 Set Me Free 2:01 B1 Ev'rybody's Gonna Be Happy 2:20 B2 Dancing In The Street Written-By – Gay*, Stevenson* 2:25 B3 Don't Ever Change 1:49 B4 So Long 2:10 B5 You Shouldn't Be Sad 2:03 B6 Something Better Beginning 2:26 Credits Producer – Shel Talmy Written-By – Ray Davies (tracks: A1 to A5, B1, B3 to B6)
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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