THE KINKS Everybody's In Show-Biz 2xLP NEW SEALED 180 GRAM VINYL LIMITED EDITION
  $   35

 


$ 35 Sold For
Aug 6, 2015 Sold Date
Aug 22, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

ARTIST: The Kinks
TITLE: Everybody's In Show-Biz
FORMAT: 2xLP (180 Gram)
LABEL: Velvel/ KOCH/ KONK
CATALOG #: VEL-LP-79836

RECORD CONDITION: NEW
JACKET CONDITION: NEW

DESCRIPTION: "Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face"). Still, the live record is just a bonus, no matter how fun it is, since the travelogue of the first record is where the heart of Everybody's in Show-Biz lies. Davies views the road as monotony -- an endless stream of identical hotels, drunken sleep, anonymous towns, and really, really bad meals (at least three songs are about food, or have food metaphors). There's no sex on the album, at all, not even on Dave Davies' contribution, "You Don't Know My Name." Some of this is quite funny -- not just Ray's trademark wit, but musical jokes like the woozy beginning of "Unreal Reality" or the unbearably tongue-in-cheek "Look a Little on the Sunnyside" -- but there's a real sense of melancholy running throughout the record. This album is where Ray begins indulging his eccentricities, a move that only solidified the Kinks' status as a cult act." - Stephen Thomas Erlewine & allmusic.com

"Although they weren't as boldly innovative as the Beatles or as popular as the Rolling Stones or the Who, the Kinks were one of the most influential bands of the British Invasion. Like most bands of their era, the Kinks began as an R&B/blues outfit. Within four years, the band had become the most staunchly English of all their contemporaries, drawing heavily from British music hall and traditional pop, as well as incorporating elements of country, folk, and blues." - Stephen Thomas Erlewine & allmusic.com



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