THE DOORS If It Ain't One Thing, It's Another MINT 3LP LIVE 1970 JIM MORRISON
  $   230

 


$ 230   (best offer accepted)   Sold For
Jan 20, 2024 Sold Date
Nov 23, 2023 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description


Vinyl:  MINT!  TOP COPY!  Appears to have never been played!  GLC Labels are Clean and Bright.  This is the LIVE GLC Release of RARE Doors Recordings from The Felt Forum in NYC and Dallas, Texas, both from 1970!  The Dallas show is Jim Morrison's second to last show.  This is the time in The Doors' story where they were having concerts cancelled left and right as their Infamy and Morrison's Riot-Causing Theatrics, alleged nudity and general naughtiness were causing chaos wherever they went. This sprawling collection demonstrated that, in concert, the Doors could be an enervating as well as an elevating experience. There are no hits, but there's a lot of Morrison-- improvising, reciting poetry, sometimes singing -- not a record for the uninitiated!  This is also the period where they recorded Absolutely Live, which is also among my other current listings. This is an Underground Classic and Stone Groove!!...On this album you get many riffs and vocal raps and Spoken Word from The Lizard King that you won't find on any of their other Discography!

See Review Below!
In the Dead Wax: Matrices, etched.  Complete Dead Wax information cheerfully provided upon request.

Cover: MINT!  TOP COPY!  IN SHRINK!  (see photos)    Front and back of cover artwork and text are rich, clear and bright, essentially flawless.  Seams, corners and spine are solid and clean.  No splits. No writing.  No stickers.   

Goldmine Standards.  


U.S. Shipping:  FREE domestic shipping!  Combine any additional items and they're also shipped FREE!  If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically.   All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
INTERNATIONAL BUYERS!  EBAY'S PLATFORM DOESN'T ACCOMMODATE FOR COMBINED SHIPPING FOR INTERNATIONAL BUYERS---BUT DON'T LET THAT STOP YOU!!!---I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!!  TELL ME WHICH ITEMS YOU WANT TO BUY, AND I WILL WEIGH THEM AND THE SHIPPING BOX TOGETHER AND THEN I WILL CREATE A "LOT OF 2..." OR "LOT OF 3...", OR "LOT OF 4...", ETC WITH THE ITEMS YOU WANT, AND CREATE A LISTING WITH THE EXACT WEIGHT OF YOUR LOT.   THIS WILL SAVE YOU A LOT OF MONEY!!!  IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE.  OR, FEEL FREE TO ASK QUESTIONS.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music. 




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