THE DIXIE CUPS-IKO IKO 1965 RED BIRD MONO YELLOW LABEL

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TITLE: The Dixie Cups - Iko Iko

PRESSING: Mono Pressing with yellow Red Bird labels

CATALOG NUMBER/ LABEL : Red Bird RB 20-103

REVIEW: A '60s girl group, the Dixie Cups consisted of one cousin (Joan Marie Johnson) and two sisters (Barbara Ann Hawkins and Rosa Lee Hawkins). All three young ladies were from New Orleans, as was producer and singer Joe Jones, who discovered the talented threesome and took them to New York.

The trio was almost known as the Meltones -- or worse, Little Miss and the Muffets -- but the name Dixie Cups was settled on by 1964. That was the year the girls recorded the well-remembered song "Chapel of Love" on the Red Bird Records label. The number was written by Phil Spector, Ellie Greenwich, and Jeff Barry, and intended to be released by the Ronettes, Darlene Love, or the Crystals. That one single was enough to carry the group into music history. It became the Dixie Cups' biggest success, a million-seller, and a worldwide hit. A few other hits followed through 1964 and into 1965, like "You Should Have Seen the Way He Looked at Me," "Little Bell," "Iko Iko," and "People Say." A year later, Red Bird Records was out of the picture. The trio moved to ABC-Paramount, but there were no more hits, and 1966 saw the end of the Dixie Cups. There had been other singles, like "Gee the Moon Is Shining Bright" and "Girls Can Tell," but there weren't enough fans to back the releases.

In 1974, Rosa Lee and her sister Barbara Ann left New York behind to return to New Orleans and found work as models for awhile. When the sisters began to sing and tour again, their cousin Joan Marie declined to join in, so her spot was filled by Dale Mickle.-Allmusic.com

The title cut from this LP was covered by The Grateful Dead (in their concerts) for many years.

RARE U.S. MONO PRESSING WITH YELLOW RED BIRD LABELS. VINYL IN SOLID  SHAPE.

MONO pressings of LPs are sometimes more than just STEREO LPs compressed into one channel. In many instances, different effects, different recording levels, alternate tracks, or different arrangements were used, as well as different mixes, to produce a wholly unique sound. As the MONO LP faded out of existence in the late 60s and early 70s, they became quite scarce quite quickly, and therefore are highly collectible today.

CONDITION: (we visually grade albums according to Goldmine Standards, BUT questionable vinyl marks are also play-graded. For a detailed description of the Goldmine Grading Scale, see the bottom of this listing.)     

                        VINYL: Very Good

                        JACKET: Very Good Plus

                        SLEEVE: plain poly-lined paper

                        INSERT / EXTRAS : Mono pressing

AS WITH ALL USED LPS, A THOROUGH CLEANING SHOULD BE PERFORMED BEFORE PLAYING, FOR OPTIMUM AUDIO PERFORMANCE.

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ADDITIONAL LPS SHIP FOR  $2 EACH TO CANADA ADDRESSES ($2 PER SINGLE OR  GATEFOLD LP, 2LP SETS COUNT AS 2). THERE IS A WEIGHT MAXIMUM OF 4LBS FOR FIRST CLASS INTERNATIONAL (APPROXIMATELY 5-6 LPS). FOR LARGER ORDERS, PLEASE CONTACT US FOR SHIPPING QUOTES AND SERVICE OPTIONS.

ADDITIONAL LPS SHIP FOR FOR $5 EACH TO EUROPE/ASIA/REST OF WORLD ($5 PER SINGLE OR  GATEFOLD LP, 2LP SETS COUNT AS 2). THERE IS A WEIGHT MAXIMUM OF 4LBS FOR FIRST CLASS INTERNATIONAL (APPROXIMATELY 5-6 LPS). FOR LARGER ORDERS, PLEASE CONTACT US FOR SHIPPING QUOTES AND SERVICE OPTIONS.

PACKAGING: All our LPs are shipped in custom LP mailer boxes, which hold up to 5 LPs. The LPs are wrapped in 2 to 4 square feet of 3/16" bubble wrap and the boxes are taped TIGHTLY. We have been shipping LPs worldwide for years, and have the feedback to prove that we ship them properly. We also ship all domestic shipments with Delivery Confirmation for easy tracking. We will gladly provide your tracking number if requested to do so.

WE HAVE AN UNCONDITIONAL RETURNS POLICY; if you are not satisfied for any reason, please contact us and we will issue you a full refund (not including return shipping) on receipt of the returned item.

THE GOLDMINE GRADING SCALE:

NEAR MINT (NM OR M-)

A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect.

Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

Near mint records are shiny and free of visible defects. No writing, stickers, other markings or spindle marks appear on the label. No major factory defects are present; a record and label obviously pressed off center is not Near Mint.

If played, an NM record will do so without surface noise. Near Mint records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.

NM covers have no creases, ring wear or seam splits of any kind.

These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint!

It is estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint. This is why they fetch such high prices, even for more common items. They must meet these standards to qualify.
 

VERY GOOD PLUS (VG+) OR EXCELLENT (E)

A good description of a VG+ Record is “except for a couple of minor things, this would be Near Mint.”

Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it is toward the high end of the grade, (sometimes called VG++ or E+).

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that don’t affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, so long as repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ Covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable locataion. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VERY GOOD (VG)

Many of the imperfections found on a VG+ Record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a an NM record — are among the biggest bargains in record collecting, because moost of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail.

When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise won’t overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs on human handling. Ring wear in the middle or along the edges of the cover, where the edge of a record would reside, is obvious; it may appear on all three sides, thought it won’t be obvious upon looking. Someone might have written on it or stamped a price tag on it, too.

Thanks for looking!