THE BEATLES-WITH THE BEATLES-PARLOPHONE YELLOW & BLACK STEREO PCS.3045-
£
76
$
101
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Description
THE BEATLES-WITH THE BEATLES TYPE SINGLE LP-STEREO LABEL/PRESSING INFO PARLOPHONE YELLOW & BLACK 1963 2ND PRESS STEREO AS EVIDENCED BY "THE PARLOPHONE CO LTD" RIM TEXT and "RECORDING FIRST PUBLISHED 1963" LABEL TEXT,and Dominion publishing credit for MONEY and corrected misspelling to GOTTA.WITH EMI PRESSING DETAILS: MATRIX NUMBRS YEX 110-2 & YEX 111-2 and stampers 2RM/1GT CATALOGUE NUMBER PCS 3045 YEAR OF RELEASE 1963 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE-GARROD & LOFTHOUSE LAMINATED FLIPBACK WITH SMALL stereo.and is yet another of the anomalies that comes with the territory of Beatles pressings.Its a 2nd issue sleeve as shown by the smaller stereo BUT still has the GOTTA mispelling on the rear. INSERTS/EXTRAS NONE GRADING/CONDITION DISC(s) NEAR EXCELLENT++(A LOVELY BARELY PLAYED COPY with MINIMAL playwear and just the LIGHTEST handling markings plays absolutely BRILLIANTLY THROUGHOUT with that CRISP CLEAR STEREO production that you only get from these early to mid 60's records. LABELS
EXCELLENT+ ( LOVELY CLEAN LABELS with NO writing stickers,rips or tears or evidence of heavy play,and MINIMAL spindleusage)
SLEEVEFront board TOP EX+ VIRTUALLY WEAR FREE and in wonderful condition it has been kept stored away in a protective sleeve from nearly new and has definitely benefitted from it.The laminate is as bright and shiny as the day it was printed with NO ringwear NO rubbing wear,and MINIMAL handling wear and the only creasing being ONE small "thumbnail" type laminate crease just above Ringo's head. Rear board EX+ AS WHITE cards go you are'nt going to see much whiter,with virtually no ageing at all and no user handling wear.The only real thing to point out is a thin line mid centre top which appears to be the residue of what was probably an overhang from a shop sticker attached to the flipback at some point and which has long since gone and left a very light residual presence. Flipbacks EX++ NOT FAR OFF perfect.Complete with no lifting cracking creasing or peeling all 3 are unmarked and white,even the portion where the laminate hasnt quite reached is nearly as white as the day it was printed. Spine EX++ UNCRUSHED and square with lovely clear black on white lettering,with no wear to the laminate and no cracking. Top & bottom edge EX++ BOTH the top and bottom edges have TRACE wear. Opening EX++ THE opening shows MINIMAL wear and MINIMAL usage Corners EX++ ALL 4 corners have only MINIMAL wear,which for a nearly 50 year sleeve is going some. INNER /EXTRAS
N/A
DETAILSWith the Beatles is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers-to-originals, a familiar blend of girl group, Motown, R&B, pop, and rock, and a show tune that interrupts the flow of the album -- With the Beatles is a better record that not only rocks harder, it's considerably more sophisticated.
They could deliver rock & roll straight ("I Wanna Be Your Man") or twist it around with a little Latin lilt ("Little Child," one of their most underrated early rockers); Lennon and McCartney wrote sweet ballads (the achingly gorgeous "All I've Got to Do") and sprightly pop/rockers ("All My Loving") with equal aplomb; and the propulsive rockers ("It Won't Be Long") were as richly melodic as slower songs ("Not a Second Time").
Even George Harrison's first recorded song, "Don't Bother Me," is a standout, with its wonderfully foreboding minor-key melody. Since the Beatles covered so much ground with their originals, their covers pale slightly in comparison, particularly since they rely on familiar hits (only "Devil in Her Heart" qualifies as a forgotten gem). But for every "Roll Over Beethoven," a surprisingly stiff reading of the Chuck Berry standard, there is a sublime moment, such as Lennon's soaring interpretation of "You Really Got a Hold on Me," and the group always turns in thoroughly enjoyable performances.
Still, the heart of With the Beatles lies not in the covers, but the originals, where it was clear that, even at this early stage, the Beatles were rapidly maturing and changing, turning into expert craftsmen and musical innovators.
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