THE BEATLES-RUBBER SOUL-PARLOPHONE YELLOW & BLACK MONO PMC.1267 1965 EX+
£
26
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Description
. THE BEATLES-RUBBER SOUL TYPE SINGLE LP-MONO LABEL/PRESSING INFO
PARLOPHONE YELLOW & BLACK 2ND PRESS,OR WHAT IS EUPHAMISTICALLY KNOWN AS A "1ST CORRECTED PRESS" BY SOME OF OUR MORE IMAGINATIVE COUSINS WITH MATRIX SUFFIXES -4
CATALOGUE NUMBER PMC 1267 YEAR OF RELEASE 1965 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE-GARROD & LOFTHOUSE Patents pending LAMINATED FLIPBACK INSERTS/EXTRAS ORIGINAL LINED EMITEX INNER GRADING/CONDITION DISC(s) EXCELLENT+ (NICE CLEAN original pressing which hasn't be played much and has only VERY LIGHT playwear and a few VERY LIGHT handling marks and the whole album plays great with that great mid 60's MONO production that you expect from these pressings) LABELSEXCELLENT+( CLEAN with NO writing rips or tears stickers or remains, LIGHT spindleusage and VERY LIGHT play and handling wear)
SLEEVEFront board.Inner gatefold EX+ NICE CLEAN sleeve with NO writing rips tears stickers or remains. The laminate is bright and shiny with a little light rubbing wear some light creasing and a small light spot next the R in Rubber which looks suspiciously like a flaw in the laminate from the pressing. Rear board EX+ Rear white board is clean and unmarked with no writing a bit of light ageing and light handling wear Flipbacks EX+ COMPLETE and stuck fast with a few small laminate only creases and a bit of light wear above the catalogue number. Spine EX+ Nice unworn spine Complete with no laminate loss with nice clear lettering Top & bottom edge EX+ Top and bottom edges have a bit of light wear only Opening EX+ THE opening has very light wear and very light usage Corners EX Corners have LIGHT wear with just a little rounding and colourloss INNER /EXTRAS
INNER SLEEVE: EXCELLENT+ (NICE CLEAN original sleeve unmarked with no edge splits or wear and VERY LIGHT storage and handling wear)
DETAILSWhile the Beatles still largely stuck to love songs on Rubber Soul, the lyrics represented a quantum leap in terms of thoughtfulness, maturity, and complex ambiguities. Musically, too, it was a substantial leap forward, with intricate folk-rock arrangements that reflected the increasing influence of Dylan and the Byrds.
The group and George Martin were also beginning to expand the conventional instrumental parameters of the rock group, using a sitar on "Norwegian Wood (This Bird Has Flown)," Greek-like guitar lines on "Michelle" and "Girl," fuzz bass on "Think for Yourself," and a piano made to sound like a harpsichord on the instrumental break of "In My Life."
While John and Paul were beginning to carve separate songwriting identities at this point, the album is full of great tunes, from "Norwegian Wood (This Bird Has Flown)" and "Michelle" to "Girl," "I'm Looking Through You," "You Won't See Me," "Drive My Car," and "Nowhere Man" (the last of which was the first Beatle song to move beyond romantic themes entirely).
George Harrison was also developing into a fine songwriter with his two contributions, "Think for Yourself" and the Byrds-ish "If I Needed Someone."
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