THE BEATLES-RUBBER SOUL-PARLOPHONE 1ST PRESS MONO PMC.1267 - LOUD CUT -1965
£
82
$
109
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Description
THE BEATLES-RUBBER SOUL TYPE SINGLE LP-MONO LABEL/PRESSING INFO
PARLOPHONE YELLOW & BLACK. It is well documented that shortly after release it was realised that the wrong masters had been used and it was deemed that the sound quality was inferior,(known colloquially as the "Loud Cut this pess has the matrix numbers ending -1) and a "proper" pressing was hurriedly introduced to rectify this.This is one of those presses with matrix numbers XEX 579-1 & XEX 580-1 and with stampers 1GL/2AL
CATALOGUE NUMBER PMC 1267 YEAR OF RELEASE 1965 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE-GARROD & LOFTHOUSE LAMINATED FLIPBACK INSERTS/EXTRAS NONE GRADING/CONDITION DISC(s)EXCELLENT (CLEAN COPY pressed on the heavyweight vinyl that you associate with these mid 60's pressings with just light playwear and some light handling marks and the whole record plays well with hardly any loss of reproductive quality)
LABELSEXCELLENT (CLEAN LABELS with NO writing stickers,rips or tears, and LIGHT spindlusage)
SLEEVEFront board and Inner Gatefold EX CLEAN with NO rips tears writing stickers or remains,the laminate is bright and shiny with no rubbing wear and very light pressure wear,has crinkled slightly near the bottom Rear board EX The white card is clean with no writing with just light ageing and light user handling marks. Flipbacks EX Complete and stuck fast with no lifting cracking or peeling Spine EX Complete and uncrushed with no laminate loss and nice clear lettering Edges EX Top edge has very light wear,bottom edge wear is light with a small patch of surface laminate and colourloss in the centre Opening EX LIGHT wear and usage Corners EX Corners have light wear,bit heavier at th bottom of the opening with some rounding and exposed card. INNER /EXTRAS
N/A
DETAILSWhile the Beatles still largely stuck to love songs on Rubber Soul, the lyrics represented a quantum leap in terms of thoughtfulness, maturity, and complex ambiguities. Musically, too, it was a substantial leap forward, with intricate folk-rock arrangements that reflected the increasing influence of Dylan and the Byrds. The group and George Martin were also beginning to expand the conventional instrumental parameters of the rock group, using a sitar on "Norwegian Wood (This Bird Has Flown)," Greek-like guitar lines on "Michelle" and "Girl," fuzz bass on "Think for Yourself," and a piano made to sound like a harpsichord on the instrumental break of "In My Life." While John and Paul were beginning to carve separate songwriting identities at this point, the album is full of great tunes, from "Norwegian Wood (This Bird Has Flown)" and "Michelle" to "Girl," "I'm Looking Through You," "You Won't See Me," "Drive My Car," and "Nowhere Man" (the last of which was the first Beatle song to move beyond romantic themes entirely). George Harrison was also developing into a fine songwriter with his two contributions, "Think for Yourself" and the Byrds-ish "If I Needed Someone."
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