THE BEATLES "LET IT BE" 1995 UNPLAYED LIMITED ED. OUT OF PRINT PROMO STAMPED LP

$

41

THESE 12”/LP RECORDS COME FROM MY PERSONAL COLLECTION, SOME ARE PROMO’S FROM THE NATIONAL RADIO NETWORK I WAS AT FOR 19 YEARS OTHERS FROM RECORD STORES, SWAPS,YARD SALES,CHARITY SHOPS, ETC.….ALL OF MY RECORDS COME IN A PROTECTIVE PLASTIC OUTER SLEEVE…MEDIA MAIL IN THE U.S. $4 COVERS THAT AS WELL AS THE COST OF THE RECORD MAILER….I DO COMBINE SHIPPING, .50 EACH FOR THE U.S. FOR EACH ADDITIONAL RECORD. INTERNATIONAL SHIPPING BASED ON WEIGHT. CHECK OUT MY OTHER AUCTIONS.WHEN I CLICK ON EBAY’S “USED” THAT ONLY MEANS THE RECORD IS OPENED, IN MOST CASES IT IS UNPLAYED SO “NEW” IN THAT SENSE. I USE THE GOLDMINE STANDARD GRADING SYSTEM.

I ALSO HAVE MORE OF THE BEATLES “LIMITED EDITION” 1995 VINYL RE-ISSUES, PROMO STAMPED I WILL BE LISTING.

FROM MY GOOD BUDDIES AT CAPITOL/EMI RECORDS HERE IN L.A., I RECEIVED A BOX OF 13 OF THE 1995 LIMITED EDITION BEATLES L.P.S IN THEIR ORIGINAL U.K. CONFIGURATIONS. THEY ALL HAVE A GOLD INK EMBOSSED PROMO STAMPS, (SEE PHOTOS) ALL ARE IN EXCELLENT UNPLAYED CONDITION (SEE ABOVE) UNLESS OTHERWISE NOTED)….ALL ARE CURRENTLY OUT OF PRINT, ALL ARE UNPLAYED ( I REALLY REALLY TOYED WITH THE IDEA OF KEEPING THEM AS THEY ARE FOR THE MOST PART PRISTINE, BUT, I HAVE THE MUSIC AND HOW MANY COPIES OF THIS DOES ONE NEED?). I AM LISTING THEM ONE AT A TIME, BUT WILL COMBINE SHIPPING FOR ANYONE WHO WINS MORE THAN ONE. THANKS FOR LOOKING. HERE GOES.

LAST ONE OF THE BEATLES 1995 RE-ISSUED ALBUMS TO LIST AND IRONICALLY THE LAST BEATLES LP ISSUED DURING THEIR RUN, THO NOT THE LAST RECORDED. THIS IS THE 1995 LIMITED EDITION (C1-46447), OUT OF PRINT PROMO STAMPED COPY OF THE BEATLES LP “LET IT BE”. IT IS IN EXCELLENT UPLAYED CONDITION (SEE ABOVE). HERE’S MORE ON THIS ALBUM.

“Let It Be” is the 12th and final studio album released by the English rock band the Beatles. It was released on 8 May 1970 by the band's Apple Records label shortly after the group announced their break-up.

 Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason, some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group's final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but the Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the album for the 1970 motion picture of the same name. While three songs from the sessions were released as singles before the album's release, "Get Back"/"Don't Let Me Down" and "Let It Be", the songs were remixed by Spector for the album and "Don't Let Me Down" was not included.

 Despite a mixed review from Rolling Stone magazine at the time of its release, the album was ranked number 86 in the magazine's list of the 500 greatest albums of all time in 2003. This was, however, adjusted to #392 in the 2012 version.

 Let It Be... Naked was released in 2003, an alternative version of the album stripping much of Phil Spector's production work and using some different versions of songs.

Concept

 By late 1968, more than two years after the Beatles gave up touring, Paul McCartney was eager for the group to perform live again. The sessions for that year's The Beatles (commonly known as the White Album) had seen a number of serious arguments and strained relations among the group. McCartney felt that the group's cohesiveness had been lost through years without playing live, and from using the studio not to record ensemble performances but to make increasingly complex recordings made up of parts played individually by each Beatle as overdubs rather than as a group. He believed that the best way to improve band relations and revive enthusiasm was to get the group back into rehearsal as quickly as possible (the White Album sessions having only been concluded in October 1968) and begin work on a new album that made little or no use of studio artifice or multiple overdubbing. This would allow the group to return to their roots by playing as a true ensemble, perhaps recording some or all of the new album during a one-off live concert or full concert tour. This idea mirrored the "back to basics" attitude of a number of rock musicians at this time in reaction against the psychedelic and progressive music dominant in the previous two years. McCartney believed that a return to live performance would reinstill the same sort of ensemble spirit and sense of unity that they had in their early years together.

 McCartney also decided to invite producer/engineer Glyn Johns to contribute to the recording. His proposed role was apparently not clearly defined, as McCartney also wished to retain the services of George Martin. As a result, Johns was not entirely sure whether he was supposed to be producing (or co-producing) the album or merely engineering it, with Martin having no clear idea of where he stood either.

 The other three Beatles were less enthusiastic about McCartney's proposals. They had just completed five months' work on their previous album and were skeptical about the prospects of returning to live performance. George Harrison in particular was very opposed to the idea of touring, having taken the strongest dislike out of any in the group due to the grueling tours of the Beatlemania era. However he had recently enjoyed a series of jam sessions with Bob Dylan and the Band in the US, rediscovering his liking for straightforward ensemble playing, and he was attracted to the idea of the "back to basics" approach. The same approach greatly appealed to John Lennon, who had grown increasingly wary of what he regarded as the excessive technical artifice used on their recordings since Revolver and had also made a recent return to no-frills ensemble playing in the shape of an appearance on The Rolling Stones Rock and Roll Circus. In addition, all the group members had greatly enjoyed the recording of Lennon's song "Happiness is a Warm Gun" during the recent White Album sessions which, due to its multiple sections and myriad time signature changes, had required the Beatles to focus sharply and revive their ensemble playing skills to lay down a coherent basic rhythm track before any overdubbing could be applied. In the end, the group agreed to convene for rehearsals immediately following New Year's Day 1969 to begin work, even though no suitable conclusion or even firm direction for the new project had been agreed upon.

Conflicts

 The rehearsals and recording sessions for the album did not run smoothly. The acrimony that began during the recording of the previous year's White Album resumed soon after the rehearsals began. The Beatles were not getting along, and Lennon and McCartney weren't working together as before. McCartney assumed the role of the leader, while a laid back Lennon was more interested in spending time/making music with his soon-to-be wife Yoko Ono, who was now present in the studio with him at all times. All of the factors led to friction within the band. At one point, Harrison walked out and quit the group after several arguments with McCartney, and a severe fall-out with Lennon, due to the former's perfectionism and the latter's growing lack of interest in the band, only to be coaxed back some days later. The film version is famous for showcasing a number of conflicts between the group members and has frequently been referred to as a documentary intended to show the making of an album but instead showing "the break-up of a band".

Completion and release

 In March 1970, the session tapes were given to American producer Phil Spector. Spector worked on the tracks and compiled the eventually released album—by now entitled Let It Be. The album and the film with the same name were released on 8 May 1970; the Beatles had already broken up by that time. The film captured the critical tensions within the band, and also included footage from the rooftop concert. The rooftop performance closed with the song "Get Back", and afterwards Lennon said, "I'd like to say 'thank you' on behalf of the group and ourselves, and I hope we passed the audition." The joke was added to the studio version of the song that appeared on the album.

Several songs from the recording sessions have been released officially in versions different from those on the Let It Be album. "Get Back"/"Don't Let Me Down" and "Let It Be" were released as singles in 1969 and 1970, respectively. Seven tracks were live performances, in accordance with the original album concept: "I've Got a Feeling", "One After 909" and "Dig a Pony" from the rooftop performance, and "Two of Us", "Dig It", "Get Back" and "Maggie Mae" from studio sessions. Contrary to the original concept, the album versions of "For You Blue", "I Me Mine", "Let It Be" and "The Long and Winding Road" feature editing, splicing and/or overdubs. "Don't Let Me Down", also recorded live and previously released as the B-side of "Get Back", was not included on the album. The twelfth track on the album is an edited version of the original 1968 recording of "Across the Universe", slowed down from D-natural to D-flat, which had only been rehearsed at Twickenham and not professionally recorded on multi-track tape during the January 1969 sessions.

 McCartney was deeply dissatisfied with Spector's treatment of some songs, particularly "The Long and Winding Road". McCartney had conceived of the song as a simple piano ballad, but Spector dubbed in orchestral and choral accompaniment. McCartney unsuccessfully attempted to halt release of Spector's version of the song or at least have it altered. Despite the criticisms levelled at Spector over the years for his handling of the material, Lennon defended him in his 1971 Rolling Stone interview, saying, "He was given the shittiest load of badly-recorded shit with a lousy feeling to it ever.

In the UK and Canada, the album was originally issued by Apple (and distributed by EMI) in a lavish box that also included a book featuring stills from the Let It Be film. Several months later, the album was reissued in a standard LP jacket, sans book. In the United States, the Let It Be album was issued in a standard jacket, without the book.

 Original American copies of Let It Be bore the Apple Records label, but because United Artists distributed the film, United Artists Records held the rights to distribute LP copies of the album in America. (EMI subsidiary Capitol, which held the Beatles' US contract, had simultaneous rights to the music on the album, allowing them to distribute pre-recorded tape versions of the album, as well as to release its songs on singles and compilation albums. Capitol, however, did not have the rights to release or distribute the album in LP format.) To indicate that Let It Be was not distributed by Capitol, the Apple logo and record label in America sported a red apple, rather than the Beatles' usual green Granny Smith apple.

INTERNATIONAL SHIPPING IS BASED ON WEIGHT AND COUNTRY.  USUALLY ONE LP WEIGHS 1 POUND 7 OUNCES(WITH MAILER & PACKING MATERIALS), 2- 2 POUNDS…. 3- 2 POUNDS 13 OUNCES. EACH ADDITIONAL LP IS APPROX 13+ OUNCES. GATEFOLD AND DOUBLE ALBUM SETS ARE MORE AND I WILL STATE THAT IN THE MAILING COSTS. FOR THE U.S. THE $4 COST OF THE MEDIA MAIL INCLUDES MY COST OF THE MAILERS, PACKING MATERIALS & TIME. THANKS! BOB

INTERNATIONAL BIDDERS TAKE NOTE !!!

IF YOU OPT TO NOT PAY FOR THE EXTRA INTERNATIONAL REGISTERED MAIL, AND OPT FOR THE REGULAR INTERNATIONAL FIRST CLASS WHICH HAS NO TRACKING AT ALL, I WILL NOT BE RESPONSIBLE FOR YOUR PACKAGE, AND I WILL TAKE PICTURES OF MY POST OFFICE RECEIPTS AND MY U.S. CUSTOMS FORMS AND SEND THEM TO YOU AS PROOF OF MY MAILING YOUR ITEM OUT, I AM NOT RESPONSIBLE FOR THE FAILINGS OF YOUR COUNTRIES POSTAL SERVICE, KNOW THIS BEFORE YOU BID ON ANY OF MY ITEMS!!!  IF YOUR ITEM DOES NOT ARRIVE DO NOT BLAME ME!

DUE TO THE RECENT INCREASE IN THE INTERNATIONAL MAILING RATES THAT WENT UP ON JAN. 27,2013, I WILL NOT DO A FLAT RATE FOR ANY ITEMS, FROM NOW ON YOU WILL HAVE TO CALCULATE THE RATE BASED UPON YOUR COUNTRY. ALSO ADDITIONAL COMBINED ITEMS WILL MEAN A HIGHER SHIPPING CHARGED BASED ON EACH ITEM. SORRY ABOUT THIS, BUT THERE’S NOTHING I CAN DO ABOUT THAT.REGISTERED INTERNATIONAL MAIL WHICH ALLOWS FOR DOOR TO DOOR TRACKING IS AN ADDITIONAL $12.95.

I DO COMBINE SHIPPING……….

CHECK OUT MY OTHER AUCTIONS

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PLEASE PAY FOR ALL ITEMS WITHIN 5 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN TWO WORKING DAYS ONCE PAYMENT IS RECEIVED. DO NOT ASK FOR ITEM TO ME MARKED “GIFT” ON CUSTOMS FORMS, INTERNATIONAL BUYERS ARE RESPONSIBLE FOR ALL DUTIES AND CUSTOMS FEE’S!  CHECK WITH YOUR POST OFFICE, I WILL NOT PAY THEM.

I MAY START SHIPPING VIA EBAY’S GLOBAL SHIPPING PROGRAM WHICH COVERS MANY COUNTRIES AND INCLUDES INTERNATIONAL TRACKING, I WILL LET YOU KNOW AS SOON AS THAT HAPPENS.

THANKS!

NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN, ALSO IF YOU ARE AN INTERNATIONAL BIDDER, PLEASE! BE AWARE OF THE COST OF INTERNATIONAL SHIPPING. I DO NOT LIKE OPENING UNPAID ITEM CASES BUT I WILL IF YOU NEGLECT TO PAY.