THE BEACH BOYS-PET SOUNDS-CAPITOL 1ST PRESS MONO T.2458 1966
£
20
$
27
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Description
. THE BEACH BOYS-PET SOUNDS TYPE SINGLE LP-MONO LABEL/PRESSING INFO
CAPITOL 1ST PRESS RAINBOW LABELS WITH EMI PRESSING DETAILS: T1 2458-1 & T2 2458-1 and stampers 1AA/1AR
CATALOGUE NUMBER T 2458 YEAR OF RELEASE 1966 COUNTRY OF RELEASE U.K. SLEEVE TYPE SINGLE - GARROD & LOFTHOUSE Patents pending LAMINATED FLIPBACK INSERTS/EXTRAS NONE GRADING/CONDITION DISC(s)EXCELLENT (CLEAN RECORD,its obvious by looking at the labels that it has been loved and why not its a brilliant album,but even so the amount of playwear is light as are the handling marks.The reproduction is good and plays with a degree comfort and no nasty surprises there is the subtle hint of background noise in quiet places and on track sperators,but being a 66 MONO pressing on proper vinyl everything is forgiving)
LABELSEXCELLENT-( CLEAN with NO rips or tears stickers or remains,there is quite a bit of colourloss around the spindle but this is mainly due to the machine it was played on as opposed to the high incidence of usage as the wear is confined to the surface of paper having lost its colour and not worn into the surface,and a small biro name on one edge.)
SLEEVEFront board.Inner gatefold EX+ CLEAN with NO writing rips tears repairs stickers or remains,the laminate is bright and shiny with LIGHT rubbing wear and a LIGHT pressure mark,and a small crease at the top of the opening Rear board EX- Rear white board is clean with LIGHT ageing and couple of biro names. Flipbacks EX+ CLEAN and complete and stuck fast with a couple of light cracks Spine EX+ Complete and uncrushed with no laminate loss and clear lettering Top & bottom edge EX+ Top and bottom edges have minimal wear with NO laminate loss or rubbing wear Opening EX+ THE opening has LIGHT wear and LIGHT usage Corners EX+ Corners have LIGHT wear with a bit of rounding and wear INNER /EXTRAS
NONE
DETAILSThe best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more.
It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times."
It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best). Massively influential upon its release (although it was a relatively low seller compared to their previous LPs), it immediately vaulted the band into the top level of rock innovators among the intelligentsia, especially in Britain, where it was a much bigger hit.
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