THE BEACH BOYS "PET SOUNDS:4OTH ANNIVERSARY" MONO/STEREO COLORED VINYL #D SEALED

$

54

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THIS RECORD COMES FROM THE TIME I WAS THE MUSIC & PROMOTIONS COORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK BASED IN THE L.A. AREA. WHEN I STARTED WORKING THERE THEY WERE IN THE PROCESS OF GETTING RID OF THEIR RECORDS FOR CD'S. I ALSO HAVE SOME THAT WERE GIFTED TO ME BY AN EMPLOYEE OF THE NETWORK THAT WAS RELOCATING BACK EAST AND DIDNT WANT TO KEEP HAULING THEIR RECORDS ALL OVER THE COUNTRY. ALSO A FEW MAY BE THRIFT STORE FINDS. I AM CURRENTLY DOWNSIZING.

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING.

ARTIST: THE BEACH BOYS

TITLE- “PET SOUNDS” (40th ANNIVERSARY, LIMITED EDITION, MONO/STEREO, COLORED VINYL, NUMBERED EDITION)

TRACK LISTING-SEE PHOTOS & BELOW:

Original Mono Program

A1

Wouldn't It Be Nice

A2

You Still Believe In Me

A3

That's Not Me

A4

Don't Talk (Put Your Head On My Shoulder)

A5

I'm Waiting For The Day

A6

Let's Go Away For Awhile

A7

Sloop John B

B1

God Only Knows

B2

I Know There's An Answer

B3

Here Today

B4

I Just Wasn't Made For These Times

B5

Pet Sounds

B6

Caroline No

Stereo Program

C1

Wouldn't It Be Nice

C2

You Still Believe In Me

C3

That's Not Me

C4

Don't Talk (Put Your Head On My Shoulder)

C5

I'm Waiting For The Day

C6

Let's Go Away For Awhile

C7

Sloop John B

D1

God Only Knows

D2

I Know There's An Answer

D3

Here Today

D4

I Just Wasn't Made For These Times

D5

Pet Sounds

D6

Caroline No

Companies, etc.

• Phonographic Copyright (p) – Capitol Records, Inc.

• Copyright (c) – Capitol Records, Inc.

• Manufactured By – Capitol Records, Inc.

Credits

• Producer [Original Album] – Brian Wilson

Notes

Originally released in 1966 on Capitol as T-2458.

Numbered edition of 10,000.

Barcode and Other Identifiers

• Barcode: 0 94635 13701 9
  

YEAR OF RELEASE- 2006

LABEL- CAPITOL RECORDS

CAT.#- 09463-51370-1-9

RECORD CONDITION-THE RECORD IS STILL SEALED IN IT'S ORIGINAL SHRINK WRAP.

JACKET CONDITION: THE JACKET IS STILL SEALED IN IT'S ORIGINAL SHRINK WRAP.

MORE INFO : THIS RECORD IS CURRENTLY OUT OF PRINT. MONO VERSION PRESSED ON YELOW VINYL, THE STEREO VERSION ON GREEN, THIS IS A FAIRLY LOW NUMBER IN THE RUN, # 00438 OF 10,000. NO RESERVE.

MORE INFO ON THE ARTIST/RELEASE:

The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. Distinguished by their vocal harmonies and early surf songs, they are one of the most influential acts of the rock era. The band drew on the music of jazz-based vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and with Brian as composer, arranger, producer, and de facto leader, they often incorporated classical elements and unconventional recording techniques in innovative ways.

The Beach Boys began as a garage band led by Brian and managed by the Wilsons' father Murry. In 1963, the band gained national prominence with a string of top-ten singles reflecting a southern California youth culture of surfing, cars, and romance, dubbed the "California Sound". From 1965, they abandoned beachgoing themes for more personal lyrics and ambitious orchestrations. In 1966, the Pet Sounds album and "Good Vibrations" single raised the group's prestige as rock innovators and established the band as symbols of the nascent counterculture era. After scrapping the unfinished album Smile in 1967, Brian's contributions diminished due to his mental health issues. The group's commercial momentum faltered, and despite efforts to maintain an experimental sound, they were effectively blacklisted by the early rock music press.

Carl took over as the band's musical leader until the late 1970s, during which they rebounded with successful worldwide concert tours. Personal struggles, creative disagreements, and the overshadowing success of the band's greatest hits albums precipitated their transition into an oldies act. Dennis drowned in 1983 and Brian soon became estranged from the group. Between the 1990s and 2000s, the members filed numerous lawsuits over royalties, defamation, songwriting credits, and use of the band's name. Following Carl's death from lung cancer in 1998, the group and its corporation (Brother Records Inc.) granted Love legal rights to tour as "the Beach Boys". As of 2020, Brian and Jardine do not perform with Love's Beach Boys, but remain official members of the band.

The Beach Boys are one of the most critically acclaimed, commercially successful, and influential bands of all time.They were one of the earliest self-contained rock bands and one of the few US bands who maintained their success before, during, and after the 1964 British Invasion. Between the 1960s and 2010s, they had over 80 songs chart worldwide, 36 of them in the US Top 40 (the most by a US rock band), and four topping the Billboard Hot 100.They have sold over 100 million records worldwide, making them one of the world's best-selling bands of all time, and are ranked number 12 on Rolling Stone magazine's 2004 list of the "100 Greatest Artists of All Time".Their influence spans many genres and decades, inspiring the development of movements such as psychedelia, power pop, progressive rock, punk, alternative, and lo-fi. The core quintet of the three Wilsons, Love, and Jardine was inducted into the Rock and Roll Hall of Fame in 1988.

Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released May 16, 1966 on Capitol Records. It initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on Billboard Top LPs chart, lower than the band's preceding albums. In the United Kingdom, the album was hailed by critics and peaked at number 2 in the UK Top 40 Albums Chart, remaining among the top ten positions for six months. Promoted as "the most progressive pop album ever", Pet Sounds attracted recognition for its ambitious recording and sophisticated music. It is widely considered to be among the most influential albums in the history of music.[

The album was produced, arranged, and almost entirely composed by Brian Wilson with guest lyricist Tony Asher. It was mostly recorded between January and April 1966, a year after Wilson quit touring with his bandmates. His goal was to create "the greatest rock album ever made"—a cohesive work with no filler tracks. It is sometimes considered a Wilson solo album and a refinement of the themes and ideas he introduced with The Beach Boys Today! (1965). Lead single "Caroline, No" was issued as his official solo debut. It was followed by two singles credited to the group: "Sloop John B" and "Wouldn't It Be Nice" (backed with "God Only Knows").

Wilson's Wall of Sound-based orchestrations mixed conventional rock set-ups with elaborate layers of vocal harmonies, found sounds, and instruments never before associated with rock, such as bicycle bells, French horn, flutes, Electro-Theremin, string sections, and beverage cans. The album consists mainly of introspective songs like "I Know There's an Answer", a critique of LSD users, and "I Just Wasn't Made for These Times", the first use of a theremin-like instrument on a rock record. Its unprecedented total production cost exceeded $70,000 (equivalent to $550,000 in 2019). In October, the leftover song "Good Vibrations" followed as a single and became a worldwide hit. In 1997, a "making-of" version of Pet Sounds was overseen by Wilson and released as The Pet Sounds Sessions, containing the album's first true stereo mix.

Pet Sounds is regarded by musicologists as an early concept album that advanced the field of music production, introducing non-standard harmonies and timbres, and incorporating elements of pop, jazz, exotica, classical, and the avant-garde. The album could not be replicated live and was the first time a group departed from the usual small-ensemble electric rock band format for a whole LP. Combined with its innovative music, which was perceived as a wholly self-conscious artistic statement (or "concept"), the record furthered the cultural legitimization of popular music, was crucial to the development of progressive/art rock, and helped bring psychedelic music to the mainstream. In 2003 and 2012, Rolling Stone ranked Pet Sounds second on its lists of the greatest albums of all time. In 2004, it was preserved in the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant."

Concept and inspiration

Commentators and historians frequently cite Pet Sounds as a concept album, and sometimes as the first concept album in the history of rock music.Academic Carys Wyn Jones attributes this to the album's "uniform excellence" rather than a lyrical theme or musical motif. Even though Pet Sounds has a somewhat unified theme in its emotional content, there was not a predetermined narrative. Asher said that there were no conversations between him and Wilson that pertained to any specific album "concept," however, "that's not to say that he didn't have the capacity to steer it in that direction, even unconsciously." Brian's then-wife Marilyn felt that her relationship with Brian was a central reference within the album's lyrics, namely on "You Still Believe in Me" and "Caroline, No".

For Pet Sounds, Wilson desired to make "a complete statement", similar to what he believed the Beatles had done with their newest album Rubber Soul, released in December 1965. Wilson was impressed that the album appeared to lack filler tracks, a feature that was mostly unheard of at a time when 45 rpm singles were considered more noteworthy than full-length LPs.] Many albums up until the mid-1960s lacked a cohesive artistic goal and were largely used to sell singles at a higher price point.Wilson found that Rubber Soul subverted this by having a wholly consistent thread of music.Inspired, he rushed to his wife and proclaimed, "Marilyn, I'm gonna make the greatest album! The greatest rock album ever made!" He would say of his reaction to Rubber Soul: "I liked the way it all went together, the way it was all one thing. It was a challenge to me ... It didn't make me want to copy them but to be as good as them. I didn't want to do the same kind of music, but on the same level."

Wilson's other aspiration for Pet Sounds was to "extend" the music of Phil Spector. He explained that "in one sense of the word, we [the Beach Boys] were his messengers," and that "If you take the Pet Sounds album as a collection of art pieces, each designed to stand alone, yet which belong together, you'll see what I was aiming at. ... It wasn't really a song concept album, or lyrically a concept album; it was really a production concept album."Author Michael Zager wrote that Pet Sounds resembles Spector's productions more than it does Rubber Soul, and that it recycles many of Spector's Wall of Sound production watermarks. Wilson talked of Spector's influence on his work, having learned how to produce records through attending his sessions, and added that the album may be considered his own "interpretation" of Spector's Wall of Sound.He said that he was especially fascinated by the process of combining sounds "to make another" and sought to emulate those aspects of Spector's productions.[48]

Other influences, according to Wilson, were Burt Bacharach,[49] Les Baxter ("who did all these big productions that sounded sort of like Phil Spector productions"),[50] and Nelson Riddle (who taught him "a lot about arranging").Alternately, when asked if he was a fan of Baxter, Martin Denny, or exotica music in a 2017 interview, he responded: "No, I never get the chance to listen to them. Never did."Shortly before the album's release, Wilson spoke of recent popular music trends, saying that they "helped the Beach Boys evolve. We listen to what's happening and it affects what we do too. The trends have influenced my work, but so has my own scene." In 1996, he said of his partnership with Asher: "none of us looked back ... We went forward, kind of like on our own little wavelength. It wasn't like we were thinking, 'Okay, let's beat Spector,' let's out-do Motown.' It was more what I would call exclusive collaboration not to specifically try to kick somebody's butt, but just to do it the way you really want it to be. That's what I thought we did.

Release history

See also: The Pet Sounds Sessions

Pet Sounds has had many different reissues since its release in 1966, including remastered mono and stereo versions. Its first reissue was in 1972, packaged as a bonus LP with the Beach Boys' latest album Carl and the Passions – "So Tough".The first release of the album on CD came in 1990, when it was released with the addition of three previously unreleased bonus tracks: "Unreleased Backgrounds" (an a cappella demo section of "Don't Talk" sung by Wilson), "Hang On to Your Ego", and "Trombone Dixie". This 1990 reissue was one of the first CDs to sell more than a million copies.

In 1997, The Pet Sounds Sessions box set was released. It included the original mono release of Pet Sounds, the first stereo release (created by Mark Linett), and three discs of unreleased material.In 2001, Pet Sounds was re-released with the mono and improved stereo versions, plus "Hang On to Your Ego" as a bonus track, all on one disc.On August 29, 2006, Capitol released a 40th Anniversary edition, containing a new 2006 remaster of the original mono mix, DVD mixes (stereo and Surround Sound), and a "making of" documentary.The discs were released in a regular jewel box and a deluxe edition was released in a green fuzzy box. A two-disc colored gatefold vinyl set was released with green (stereo) and yellow (mono) discs.n 2016, a 50th anniversary edition box set presents the remastered album in both stereo and mono forms alongside studio sessions outtakes, alternate mixes, and live recordings. Of the 104 tracks, only 14 were previously unreleased.

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