THE ANIMALS ANIMAL TRACKS VERY RARE ORIG '65 UK/BRITISH COLUMBIA MONO LP NR MINT
$
203
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WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· ANIMALS – ANIMAL TRACKS - ORIGINAL 1965 BRITISH PRESSING – ORIGINAL COLUMBIA RECORDS (UK) MONO LP 33SX-1708
· ORIGINAL BRITISH PRESSING
· ORIGINAL BLACK COLUMBIA LABEL WITH BLUE LOGO AND SILVER PRINT.
· *** THE LABEL HAS AN INSCRIPTION: SOLD IN THE U.K. SUBJECT TO RESALE PRICE CONDITIONS, SEE PRICE LISTS – WHICH IS TYPICALLY FOUND ON ORIGINAL 1960’S BRITISH PRESSING ***
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE OR A COUNTERFEIT PRESSING.
· ORIGINAL FLIP-BACK COVER (1/2-INCH MARGINS OF THE FRONT PANEL ARE FOLDED AND PASTED ONTO THE BACK PANEL)
· ORIGINAL, THIN, LAMINATED CARDBDOARD COVER (EUROPEAN STYLE)
· THICK, HEAVY VINYL PRESSING
· MATRIX STAMP IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD:XAX-2814-1 (SIDE 1) AND XAX-2815-1 (SIDE 2)
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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The Animals' second British album, recorded just before Alan Price exited the lineup, displays far more energy and confidence than its predecessor, and it's fascinating to speculate where they might've gone had the original lineup held together. There are a few lightweight tunes here, such as "Let the Good Times Roll" and the rollicking opener, "Mess Around," that capture The Animals loosening up and having fun, but much of Animal Tracks is pretty intense R&B-based rock. "How You've Changed" is a reflective, downbeat Chuck Berry number that Eric Burdon turns into a dark romantic confessional/inquisition, matched by Hilton Valentine's chopped out, crunchy lead work over the break, while Alan Price does his best to impersonate Johnnie Johnson. The group doesn't do as well with their cover of Billy Boy Arnold's "I Ain't Got You" as the Yardbirds did with the same number, treating it in a little too upbeat a fashion, and Hilton Valentine and Alan Price failing to add very much that's interesting to the break (especially in comparison to Eric Clapton's solo on the Yardbirds' version). "Roberta," by contrast, is a great rock & roll number, and their version of "Bright Lights, Big City," sparked by Burdon's surging, angry performance and Price's hard-driving organ solo. Price's playing opens what is easily the best blues cut on the album, "Worried Life Blues," where Hilton Valentine steps out in front for his most prominent guitar solo in the early history of the band, backed by Price's surging organ. Burdon and company also excel on a pair of Ray Charles covers, turning in a jauntily cheerful, euphoric performance of "Hallelujah I Love Her So," his jubilation matched by Price's ebullient organ work; and a slow, pain-racked performance by Burdon and company on the slow blues "I Believe to My Soul," arguably -- along with "Worried Life Blues" -- the singer's best performance on either of the group's EMI long-players, and matched by Price's quick-fingered yet equally ominous piano playing.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE SIDE 1 OF THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) WE GRADE SIDE 2 OF THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(c) The record comes in it's original poly-lined stock inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
(f) True Stereo copies of this album are NOT known to exist.
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NEAR MINT !
The following flaws or imperfections are noted on the cover:
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has a visible "wrinkle"(crease) in one of the corners.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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