TEN YEARS AFTER A SPACE IN TIME LP on COLUMBIA SEALED MINT MINUS 1971
$
23
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Description
Here is a MINT MINUS! SEALED! LP by TEN YEARS AFTER titled A SPACE IN TIME. It is a SEALED original US pressing on the COLUMBIA label, catalog #PC 30801 in STEREO sound from 1971. The vinyl is presumed shiny and black in MINT! condition with superb playback since it is sealed. The SEALED LP is in ORIGINAL SHRINK! The cover is in MINT MINUS! condition with a light touch of wear at exposed corners where shrink is torn . It is beautiful SEALED MINT MINUS! copy for you to own. It is an opportunity to purchase this TEN YEARS AFTER LP in this TOP! condition. SEALED COPIES ARE HARDER TO FIND! It’s a true gem for the ALVIN LEE / BRITISH BLUES / BLUES-ROCK / ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Jim Newsom
A Space in Time was Ten Years After's best-selling album. This was due primarily to the strength of "I'd Love to Change the World," the band's only hit single, and one of the most ubiquitous AM and FM radio cuts of the summer of 1971. TYA's first album for Columbia, A Space in Time has more of a pop-oriented feel than any of their previous releases had. The individual cuts are shorter, and Alvin Lee displays a broader instrumental palette than before. In fact, six of the disc's ten songs are built around acoustic guitar riffs. However, there are still a couple of barn-burning jams. The leadoff track, "One of These Days," is a particularly scorching workout, featuring extended harmonica and guitar solos. After the opener, however, the album settles back into a more relaxed mood than one would have expected from Ten Years After. Many of the cuts make effective use of dynamic shifts, and the guitar solos are generally more understated than on previous outings. The production on A Space in Time is crisp and clean, a sound quite different from the denseness of its predecessors. Though not as consistent as Cricklewood Green, A Space in Time has its share of sparkling moments.
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